Salute

Film Review SALUTE : Malyalam film streaming on Sony LIV ( Hindi audio with English subtitles available) #sanjuzzreviews #salutefilm #SonyLIVIndia

Directed by Rosshan Andrrews, Salute is a Malyalam mystery thriller starring Dulquer Salmaan as SI Arvind who has a change of heart after he discovers that he has fabricated evidence under pressure from politicians and framed an innocent person in a murder case.

He tries to run away from it all, but finally realises that the only way to unburden the load on his conscience is to revisit this long closed case and bring the real killer to book .

However things aren't so simple as it might spell doom for him and his brother who was heading the investigations.

Even though this is a film from the thriller genre and deals with police investigations, it is not your typical "maar dhaad" masala film. It is, on the contrary, a slow burn police procedural film which is very realistic. This riveting cop drama replete with new ideas is Dulquer Salman's film all the way as he encounters one roadblock after another in his quest to uncover the truth. His frustrations and efforts seem genuine and touch your core .

Might seem a bit slow but definitely worth a watch !! The ending is a bit different too, unlike the usual cop dramas.

My rating 3.5/5 .. adios 🙂

Movie is so good until the climax... Which is pathetic.

It's suicidal from the writer. There is no reason to believe that cases such as this will end like that. It's so disappointing to see such a climax after a wonderful flow of the movie until that moment.

Rosshan Andrrews single-handedly redefined the Malayalam police investigation genre with his groundbreaking "Mumbai Police" (2013) and when it was announced that he was combining with superstar Dulquer Salmaan in the young hero's first-ever cop role, the expectations were already through the roof. Unfortunately, despite an excellent premise and some captivating moments here and there, "Salute" overall doesn't live up to its promise and meanders to a dull watch by the end.

Dulquer Salmaan stars as "Aravind Karunakaran" a disillusioned sub-inspector who has a crisis of conscience and decides to revisit an old case where he was forced by his superiors and political masters to frame an innocent man of murder. Hot on the trail of an elusive con-artist and serial killer, the troubled cop also has to contend with a group of corrupt policemen from his own ranks who are looking to cover up evidence of their malpractices.

Manoj K Jayan excels in a key supporting role and conveys all the gravitas and emotional turmoil his character goes through with the practised perfection of a seasoned veteran. Malayalam cinema really needs to make better use of such a gifted character actor, whose last memorable role came way back in 2012 with "Thattathin Marayathu".

Script-writers Bobby and Sanjay who have given Malayalam some of the finest thrillers in recent memory like "Traffic" (2011), "Mumbai Police" (2013) and "Kaanekkaane" (2021) opt for an unconventional gritty procedural approach for this tale. In searching for his elusive prey, our hero cop has to unravel a web of lies and deceit and we get more insight to the protagonist's psyche and personal demons as we get deeper and deeper into the investigation.

Dulquer Salmaan has clearly given the role his all and exudes the requisite dominating physicality and air of a steadfast policeman, while also displaying the vulnerability and anguish brought on by the weight of the predicaments he comes across. Diana Penty is downright atrocious as his love interest and provides nothing but cringe and facepalm-worthy moments in every scene she is in with her lip-synch going all over the place to add insult to injury to her abysmal acting.

The film deserves some praise in the way it depicted how an inefficient and corrupted system can bring down even the most moralistic police officers. The storyline is at its most impactful when it showcases the mental trauma and guilt an officer goes through when being forced to tow the company line but becomes an utter failure when looked through upon as a thriller.

The narrative promises a lot and manages to hook the audience and the quickening of narrative pace in the second half promises a riveting conclusion, only to offer up an unsatisfying and frankly, patronizing climax that leaves much to be desired. Alancier, Binu Pappu, Indrans and Vijayakumar Prabhakaran shine in their supporting roles while Saniya Iyappan makes no impact in a caricature-ish 'protagonist's niece who he is fond of' role.

Salute ends up as a mediocre thriller that had all the right elements and an excellent plot outline to work with but manages to squander it all in an ill-conceived effort to be different for different's sake. Perhaps the weight of expectations that another Bobby-Sanjay and Rosshan Anddrews combination carries worked to the project's undoing.

Not recommended!

Salute - directed by Rosshan Andrrews, written by Bobby and Sanjay - does not adhere to the conventions of the Malayalam film-verse. It is neither loud nor flashy as commercial cop films from this industry often are. It is not preoccupied with the hero's swag, which is particularly commendable because that hero is played by the producer. It is also not about dirty cops alone nor about a clean-as-a-whistle Robin Hood, but revolves around an individual who falls in the sizeable space in between.

Rosshan Andrrews's Salute, which features Dulquer Salmaan in the role of a cop trying to crack a case gone cold, joins the long list of impressive cop thrillers from the industry and makes for a riveting watch. The film, which doesn't quite rely on shocking twists, majorly works due to its focused storytelling, and in spite of being slow-paced, it still manages to keep one engaged till the end.

Dulquer plays Sub-Inspector (SI) Aravind Karunakaran, whose role model to join the force is his own brother Ajith Karunakaran, the Deputy Superintendent of Police (DySP) played by Manoj K Jayan. Aravind looks up to his brother and takes pride in working under him. Ajith leads a team that's after a faceless killer. The police nab the guy who they believe is responsible for the double murders, but there is not enough evidence to prove it. However, the real criminal turns out to be someone else and the police, upon learning of their goof up, decide to just let it all resolve on its own. Aravind's conscience doesn't let him be at peace. To nab the real killer, Aravind goes on long leave and starts to investigate on his own, earning the wrath of his own brother and his team.

The film offers enough meat about Aravind's investigation to keep that part of the plot absorbing, and spends a fair amount of time developing a couple of the policemen played by Manoj K Jayan and Alencier Ley Lopez who are Aravind's combatants. This, and the moral questions raised in Salute, keep the first half engrossing. In the portions where the action moves away from Aravind's involvement with these men, it dips because it is too focused on Aravind, and as it happens, this is also where the narrative is needlessly expanded.

It seems like a familiar story, but it is done in a gripping enough manner to keep us intensely engaged. Things get heated up when Aravind turns renegade in the group and doesn't want to be part of a corrupted investigation and attempts to come clean to higher authorities. It is a situation that could prove catastrophic for the police, so it becomes a high-stakes game within the team to save their position, come what may. Here Bobby-Sanjay are in their element in using one tense situation on top of another to get us emotionally heated about the corruption in the system.

What really works in the film's favour is the narrative style. Unlike most cop thrillers, Salute isn't in a hurry to make the hero catch the criminal. This isn't one of those films where the twists blow you away. In fact, the film rarely relies on any major twists and rather spends its time on letting the hero be haunted by his own conscience and a faceless villain. Every time we feel like the hero is very close to nabbing the killer, the story takes a detour and Aravind hits a roadblock. Here, we don't get a hero who's invincible but someone who is as vulnerable as anyone. The fact that the film never tries to glorify Dulquer's cop character is a major highlight for the film.

One reason why Salute works even through its missteps is the atmosphere the director manages to build with the aid of Jakes Bejoy's music and DoP Aslam K Purayil's frames that smoothly shift from the personal to the panoramic and back when the need arises. The other is Dulquer Salmaan himself who remains thoroughly invested in his character's dilemmas from beginning to end. His expressive face conveys Aravind's inner conflicts as he finds himself being drawn into appalling police practices, shocked at the heartlessness of a loved one and subsequently when he realises that his reparation will cause great damage to that person.

Salute is worth a watch and will be particularly appreciated by Dulquer Salmaan fans.

Salute (2022) was indeed amazing and entertaining and way more entertaining than Dulquer Salmaan's previous film, Kurup (2021). The film is slow paced, but its a must watch film for Indians who love investigation thrillers. Manoj K Jayan has rocked his role as a DYSP officer. I would give it 7.9/10.