Un giorno miracoloso nelle zone rurali del Wisconsin, i defunti risorgono dalle loro tombe, eppure appaiono e agiscono immutati. E ora tocca all'agente e madre single Dana Cypress risolvere ... Leggi tuttoUn giorno miracoloso nelle zone rurali del Wisconsin, i defunti risorgono dalle loro tombe, eppure appaiono e agiscono immutati. E ora tocca all'agente e madre single Dana Cypress risolvere un caso di omicidio in cui tutti sono sospettati.Un giorno miracoloso nelle zone rurali del Wisconsin, i defunti risorgono dalle loro tombe, eppure appaiono e agiscono immutati. E ora tocca all'agente e madre single Dana Cypress risolvere un caso di omicidio in cui tutti sono sospettati.
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As a resident of Wausau, and a fan of the comic its based off of, I was surprised at how this is turing out. Its not spot on to the comic, but its doing it justice. Its definitely a great take on the whole zombie genre. When the show was first annouced, the whole city was talking about it. It was featured in the news online and all over Facebook. Now, its not filmed in Wausau, minus some shots that are in-between actual scenes, but its still pretty awesome to see your home town mentioned over and over again. Still cant believe a comic I read years ago, became an actual show, and not a low budget one at that. Definitely wirth the watch.
10bmckeage
A perfect cast and superb direction brings the original comic story to life under the showrunners of Aaron and Luke. The Cypresses have to deal with drama from Revivers and its a roller coaster of who is the main suspect with more twists and turns than a Twizzler. Melanie Scrofano brings the same intensity and wit as Wynonna Earp to a new family drama. Romy Weltman is wonderful as Em, struggling to deal with trauma both past and present. A real who dunnit, which resonates in today's climate much more than your ready for. Edge of the seat cliffhangers each week leave you wanting more of it all.
As a fan of the mystical sci-fi genre, I can say - the pilot turned out solid. The atmosphere is surprisingly cohesive, the direction confident, and the cast is average overall.
Melanie Scrofano - familiar from Wynonna Earp - fits organically into the dark tone of the story. There's something reminiscent of Preacher: that same strange, apocalyptic energy bordering on the absurd.
It's a shame the episodes are released weekly rather than all at once, which is frustrating in the streaming era. Still, the wait might actually build anticipation.
In the end, it's a solid genre piece that knows how to keep you intrigued. Recommended for those who appreciate a dark atmosphere, philosophical undertones, and quality execution.
Melanie Scrofano - familiar from Wynonna Earp - fits organically into the dark tone of the story. There's something reminiscent of Preacher: that same strange, apocalyptic energy bordering on the absurd.
It's a shame the episodes are released weekly rather than all at once, which is frustrating in the streaming era. Still, the wait might actually build anticipation.
In the end, it's a solid genre piece that knows how to keep you intrigued. Recommended for those who appreciate a dark atmosphere, philosophical undertones, and quality execution.
I loved the show...so far, that is. It had thrills and some unexpected things going on; however, my other half came into the room and said, "So Wynonna became the sheriff?" If you're going to do a show like this...you may want to get different actors that haven't played in some other show that is somewhat similar. To tell the truth though Melanie Scrofano wasn't recognizable to me. I guess some people remember faces better than others. But, the same thing somewhat happened when we watched SurrealEstate...I didn't realize that Tim Rozon was the same guy that played Doc Holliday, which is weird when they make them look so different.
The introduction of the show left me with a bad taste in my mouth. I didn't like any of the characters. The writing was really inconsistent and tonally all over the place. One minute we're supposed to be taking a scene seriously and the next everyone is cracking joke that don't land. If you're going to write a show about zombies or 'revivers', you need to pick a lane. Either have fun with it and lean into it or take it seriously and lean into that, but cracking jokes after something the show clearly wants you to take seriously, just leaves me feeling confused. How can I take it seriously, if the characters don't?
I'm sure a show like this will find an audience, but I am not that audience. And if I'm being honest, I hated The Walking Dead. After I realized it was nothing but a giant idiot plot, I never made it past the third episode, so take that as you will. Having idiots as characters isn't necessarily bad, in and of itself, but the idiot's motives and action have to actually make some sort of sense.
Good writing advice I've heard before: if your character is urgently driving somewhere and you need them to not make it in time, don't have them stop for a burger, instead have them break the speed limit and get pulled over for it. Both are mistakes, but the latter is understandable and consistent with their motivation, while the former is just stupid.
I'm sure a show like this will find an audience, but I am not that audience. And if I'm being honest, I hated The Walking Dead. After I realized it was nothing but a giant idiot plot, I never made it past the third episode, so take that as you will. Having idiots as characters isn't necessarily bad, in and of itself, but the idiot's motives and action have to actually make some sort of sense.
Good writing advice I've heard before: if your character is urgently driving somewhere and you need them to not make it in time, don't have them stop for a burger, instead have them break the speed limit and get pulled over for it. Both are mistakes, but the latter is understandable and consistent with their motivation, while the former is just stupid.
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- QuizBased on the American comic book series of the same name by Tim Seeley and Mike Norton, and published by Image Comics.
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