Pistol

John Lydon is angry with Danny Boyle and the show's existence, so it is doing something right! The story is intoxicating, some of it true, some of it Apocryphal and some of it whole cloth fabricated.

It is well cast with a young ensemble blending unknowns with some more established actors. The raw anti-establishment energy shines through and there is some good chemistry albeit some of it brilliantly contrarian and negative.

The soundtrack is superb, naturally a lot is Pistols, but there is a liberal scattering of other classic music from the era. Costume and location are up to scratch and some of the dialogue is exceptional, with many memorable lines.

Stranger than fiction, nonetheless enjoyable, engaging and entertaining, though it is difficult to disentangle nostalgia from the show itself.

I almost didn't watch this. I was born in 1969 so I was a little kid during these years. But the music and punk movement endured into the 1980s so I was aware of it tho I didn't follow it. I just wasn't an angry teenager (tho I had reason to be) so it just didn't resonate with me, yet even then I knew something groundbreaking and important had happened. I learned so much watching this series. For starters I had no idea of the intersection of so many enduring greats that started out together at this time. Also? I learned a greater appreciation of punk than I've ever had before. The casting is perfect. The acting and directing and writing and production value are about as good and authentic as it gets. I was hooked early on and binge-watched it in one day. Now I'm sad it's over.

Let's start with the elephant in the room.

John Lydon wasn't involved in this mini series which is a monumental missed opportunity. His exclusion depends on which story you believe - Disney & Boyle are adamant Lydon wanted no part of it. Lydon insists he was never asked and excluded from the outset. Either way, it's a shame.

However, for the most part, Pistol, which is based on Steve Jone's biography, is a triumph and captures the chaos, destruction, humour and self destruction of the destroyers of rock n roll.

Although focusing for the most part on Steve Jones, his damaged upbringing and his relationships, especially with Chrissie Hynde, Pistol brings to life the rebellious, anti-establishment, punk rock movement of 70's Britain.

In particular, Anson Boon as Rotten is superb with his acerbic barbs directed indiscriminately at anyone and everyone. And ironically, despite Lydons non-involvment in the series, the character is portrayed sensitively although I doubt Lydon will ever admit he likes it.

While acted brilliantly, Thomas Brodie-Sangster seems miss cast as McLaren, coming across more as a baby faced assassin rather than the weird and wacky provocateur. However, Sydney Chandler as Hynde is top drawer.

In music history, there have been a few occurrences of the 'perfect storm' where the music world has changed forever, Nirvana being one such example. But none more dramatic or explosive as the Pistols and Boyle's mini series captures much of the mood and madness, perfectly.

There is much deviation from actual events for presumably artistic reasons. And I'm sure Lydon will dispute much of Jones's recollection of events. But as an entertainment set-piece it all works surprisingly well.

As Episode 1 of "Pistol" (2022 release from the UK; 6 episodes of about 50 min each) opens, it is the early 70s and we are introduced to Steve Jones, who is hanging out at the Hammersmith Odeon and fancies himself the next Davie Bowie/Ziggy Stardust, while along the way stealing music gear. He is desperate to start a band with his mates but how? Then one day he is stealing clothes from a fashion store called SEX but is caught. Turns out the store is owned by a chap named Malcolm McLaren... At this point we are 10 min into Episode 1.

Couple of comments: this is the latest from noted British director Dany Boyle ("Trainspotting"). Here he brings to the screen the Steve Jones memoir "Lonely Boy: Tales From a Sex Pistol" (and reason why this series is NOT Johnny Rotten-focused--Rotten doesn't even appear in Episode 1 at all). If you think you know the story of the Sex Pistols, well, in all likelihood you don't really, and that is one of the reasons this makes it such a compelling series. The series has the Danny Boyle touch and feel all over, including clever editing, rich use of music (Hawkwind's "Silver Machine" shows up in Episode 1), and just a very visual approach to things. I must admit that the cast was unknown to me but they do quite well. At the end of Episode 2, we get the Sex Pistols' first 'real' gig, at the London Saint Martins College of Art, on November 5, 1975. (As a complete aside: Johnny Rotten, the nice guy that he is, sued the film makers AND his former band mates in 2021 (i) from having Johnny Rotten to appear at all in the series, and (ii) from featuring any Sex Pistols music in the series, even though the series is based on Steve Jones' memoir. Thankfully a British court laughed Rotten out of the courtroom.)

All 6 episodes of "Pistol" started streaming yesterday on Hulu, and so far I've see the first 2 episodes. I am "totally in" on this mini-series, and can't wait to see the 4 remaining episodes very soon. If you have any interest in rock history, or are simply a fan of Danny Boyle's work, I'd readily suggest you check this out and draw your own conclusion.

UPDATE I've now seen all 6 episodes, and I've upgraded my rating from 7 to 8 stars. This mini-series is just fabulous. Watch the last episode when the Sex Pistols go on their disastrous US tour in early 1978. But the other thing I want to mention (not fully clear after watching the initial 2 episodes) is the major factor that was Chrissie Hynde (eventually starting The Pretenders) in all of this. She is featured prominently in all episodes. JUST WATCH.

So I watched Pistol, the story of the Sex Pistols ( from the accounts and biography of Steve Jones ).

This was a very well made, interesting and entertaining show. A great visualisation of a product of society haplessly finding their way to super stardom in an entirely messy and damaging way.

The attention to detail was impressive, the atmosphere was dark and grimy but at times also fun and joyful.

I do know John Lydon was not consulted about this project and had to go through a court case regarding the music for the show while dealing with his wife's illness which I do not like.

This is typical of Disney mega corp bullying and its lawyers steamrolling through due process with all the elegance of Sid Viceous on stage with a knife.

I don't think there would be any situation where John Lydon would love the idea of a pistols docudrama but I'm sure after watching it he will certainly love to hate it.

When all is said and done Lydon comes out on top and through the madness, his own quirkiness and anger, he is eventually depicted as a thoughtful and caring lad with a lot of nous.

The story of the Sex Pistols is a fascinating one and its a miracle they got to where they did. Malcolm McLaren's vision was precise and almost contrived, princes of chaos but not a rock band. An extended work of art....

To be built up like a piece of long winded and majestic artwork only to be torn down to prove a point all along is the biggest story here.

It could be said if not for Steve Jones reckless ambition there wouldn't be a band. Without Malcolm there would not have been a band. Without Johns there wouldn't be this TV show.

As John Lydon has recently said "Anarchy is a terrible idea".... but its certainly useful.... As are most idelogies.