Che fine ha fatto Pete Smalls?

I watched it because I'm a fan of Peter Dinklage's work. He was fine in this film. I loved the voice over storytelling. But I'm not a fan of Hollywood films about Hollywood. At least not fiction films about making films in Hollywood.

If this sounds convoluted, well yeah, it is and so is this film. I really can't fault any of the actors; I think for their part they were all believable in their roles. The story was just boring.

It's listed as a comedy that is dark, quirky and cynical. Well they certainly got the cynical part right but cynicism without humor is an exercise in tedium. I guess the quirky part is Steve Buscemi, another actor I enjoy, in a beige/blond curly clown wig looking like he'd been smoking 40 packs of cigarettes a day. Steve is usually great with the wry humor and quirky character portrayal; sadly, his character was pathetic. In fact all the characters were sad and pathetic.

I found myself skipping ahead every few minutes and then watching a few minutes and then skipping ahead. I didn't miss anything. You know it's like watching a soap opera every single day for three months and then missing the soap opera for a couple months; when you start watching again you realize Joan is still in the coma, Frank is still having the affair, and Cassandra is still making trouble for all of them.

This was 94 minutes of watching Peter Dinklage's character, KC Munk, trying to drum up 10k to get his much beloved dog back from the loan shark that took it to cover the debt. Munk spends the entire film riding on the back of a moped while his friend "Shemp" peddles him from place to place trying to either secure the 10k or get his stolen script back so he can sell it to get his 10k so he can get his dog back. I just couldn't care about the characters even though they spoke in soft and meaningful tones, it just didn't get me there.

I hated the story and I wouldn't recommend it to anyone. For IMDb I always double whatever I rate on Netflix; so my IMDb rating is FOUR stars ~ PhaedraBlue 03/10/14 ~

This is one of those films you hope that YOU will be the discover of. The quirky oddity you will recommend heartily to friends. Great cast. Great characters. Some pretty funny dialog. Plot... not so much. A little too convoluted.. just a bit, though. Peter Dinklage is always great. The entire cast is great. The female love interest, new to me, is really the female equivalent of what I wanted this movie to be; my secret discovery. She's lovely.The character actor, I recognize but can't name, who plays Buscemi's buddy was particularly good.

It's one of those films that could have been better but, not being an expert, I am not sure what it needs. I liked it though.

I knew practically nothing about "Pete Smalls Is Dead" when I started watching it, which made it even more of a treat. Peter Dinklage plays a man who goes to LA to attend the funeral of a deceased friend...but discovers that there's more to his friend than just the death.

After watching the movie for a few minutes, I got the feeling that it could easily be a Coen Brothers movie (although it has a different director). The quirky characters and presence of Steve Buscemi -- wearing a curly blond wig! -- give it that feeling.

"PSID" isn't any kind of great movie, but it's certainly worth seeing. Pretty fun. Also starring Mark Boone Junior, Rosie Perez, Lena Headey and Michael Lerner.

This film was certainly not what I expected it to be. Luckily, it was much more than that.

I stumbled across the title while searching for a film with Peter Dinklage, whose style I really do enjoy. Here he plays a hapless laundromat owner, who needs to find ten thousand dollars to recover his near-blind dog from a loan shark who had him taken as collateral on unpaid debts.

This is what starts a dark comedy written with pacing, style and tropes taken from old film noirs. An original idea, that does deliver the goods. Helping the success are the characters, very human with their many flaws and thus also very practical comedy vehicles.

As the film ends, the style has been enjoyable, the cheerfulness despite of all the sad smudge has been constant, and the open-minded viewer will be happy that they spent their time on this unfortunately forgotten piece of film.

This movie has all the elements of an old Film Noir: a missing person (well, dog), a mysterious woman, a voice-over narration by the main character (nicely played by Peter Dinklage), and a slightly convoluted main plot. The message; whether it is in fact a deeper look at the machinations of Hollywood (and the good and the bad that goes with it) or not, is not as important as the overall atmosphere.

The bits that feel just too far out and too unrealistic are more than made up for by both the excellent cast and the road trip/generally trippy vibe that seems reminiscent of the Big Lebowski.

It's certainly not for everyone; bring some time and willingness to go with the flow. Then it's a gem of a movie that is well worth a watch -and a re-watch.