Rubicon

One of the best TV series I have seen. It is a mystery to me why AMC, after presenting breakthrough series after series, killed this smart one off after one season. It has much in common and perhaps the writers took inspiration from (and referenced) Three Days of the Condor, a great '70s spy movie. I guess AMC (and most network TV channels) think that a show has to start out with death, high action, or someone yelling "Stat!". This is a quiet, thoughtful show, which fits the characterizations and near docudrama script perfectly. I loved it and I miss not seeing more, after watching the one and only season. The main thing here is character development, in and out of the office, although the bulk of the story is all about the spying. It did start to take a slower turn in the middle episodes, perhaps a change in some key production area, and it broke the flow a bit. Even so, that is the very worst I can say about it, and that only lasted 2-3 episodes and I was so invested by then it didn't matter. Even though just one season, there are 13 45min episodes that are very worth watching and the story arc is as complete as it can be while leaving room for more in case it was renewed, so it is worth watching as a 13 episode mini-series.

After watching the 12th episode of this show, I found myself thinking just how good it is.

I have to admit that it started slowly, but what seem to have been random actions or scenes have been woven into a deeply intriguing plot.

I am a big fan of Breaking Bad and expected a lot from AMC on this one. I am not disappointed. This is one of my favorite shows and my favorite new show.

The acting is very good and the scenes are very believable. The interior shots of their workplace are a great backdrop.

There are a lot of characters, but each has its place in the plot. Each character is subtle but over time distinguishable from each other.

"connect the dots, work the dots" "keep your friends close, keep your enemies closer" "find out who he sits and moves with" - FWIW. anyway - I for one applaud these folks for the slow pace a lot of folks have a problem with - we are bombarded with half hour or hour shows where the formula is presented - "all is relatively quiet, then chaos erupts, then there is a mad scramble to put Humpty back together,and in the last 45 seconds Humpty is restored, followed by a communal sigh of relief" - (break for commercials, then trailers, a swell of music, roll credits, on to the next predictable time waster) also i like the critic who opined that this is the "anti 24" - so what if Rubicon doesn't have the guns blazing and mouth breathing - been there, seen that. hope the powers that be don't cancel this show because of the current low ratings, but won't be surprised if they do.

The intricate plot of RUBICON tells the story of a complex conspiracy. Therefore, and very differently from most other shows of this kind, it has courageously chosen to be complex itself. The story lines, the characters with their intricate relationships and histories, are told in a great depth. Lives of people include boring or uneventful moments, yet in RUBICON, as in real life, those moments are not cut away, on the contrary, they are narrated at their full extend. And as in real life, as insignificant they might be, there is always some reference to the characters profiles and what they might do - or not do - next. If you look for an action packed spy story, RUBICON is probably the wrong show for you. But if you want to get into intelligence reality as it "really" might be, than this is a great series to watch. At episode 12 now, I have enjoyed every second of it and do hope that AMC does not let it die at the end of season one. Well done.

I'm evaluating the whole series here, not just the first episode.

It's a darn good show - really darn good. Well worth watching in 2018, and also worth rewatching, which I plan to do in a few months once the show isn't so fresh in my mind anymore.

There have been many TV shows about spies and subterfuge (Homeland, The Americans) and terrorism (The Looming Tower, The Unit, 24, etc.). But this show filters America's "war on terror" through an intel analysis firm, where brilliant and bookish individuals sift through raw intel to give recommendations for America's NatSec apparatus. And that's only part of the show; the other part involves a creepy, wide-ranging conspiracy that's ever bit as exciting and scarily omniscient as the ones you'd find in those classic 70s conspiracy flicks like "The Parallax View" and "All the President's Men."

The writing is thoughtful and the dialogue is rich; there's so much of substance here, and the show doesn't need big explosions or shootouts or anything like that to sustain an intricate, fascinating plot and rewarding character arcs. Everyone is interesting, from James Badge Dale as the paranoid, hyper-focused analyst Will Travers to Miranda Richardson as widow Katherine Rhumor, who is trying to figure out why her rich husband suddenly took his own life.

Special commendation, though, has got to go to Arliss Howard as Will's supervisor Kale Ingram: the coolest, most fascinating, chilly and badass middle-aged gay character I think I've ever seen on an American TV show (refreshingly, Ingram's homosexuality is simply presented as is, with no frills or B.S., something shows in 2018 still struggle to do). And Michael Cristofer as the cigarette-smoking weirdo and head of API Truxton Spangler is another winner: every scene he's in positively crackles, and his true motivations will keep you guessing.

From the cinematography (you'll think you're watching a Hollywood movie half the time, it's so good) to the writing to the performances, this is a show to treasure and savor. Budding screenwriters simply must study this show's scripts, and the show overall is is one of the most wickedly smart things I've ever seen on American TV. Shame there's only the one season; it could've done a lot better if it came out today on a streaming platform.

Do yourself a favor and watch Rubicon, if only to see just how good TV can be.