VALUTAZIONE IMDb
7,4/10
13.216
LA TUA VALUTAZIONE
Il percorso nella vita di una donna che ripensa alla sua esperienza con l'aborto quando era ancora illegale in Francia negli anni '60.Il percorso nella vita di una donna che ripensa alla sua esperienza con l'aborto quando era ancora illegale in Francia negli anni '60.Il percorso nella vita di una donna che ripensa alla sua esperienza con l'aborto quando era ancora illegale in Francia negli anni '60.
- Regia
- Sceneggiatura
- Star
- Nominato ai 1 BAFTA Award
- 23 vittorie e 47 candidature totali
Julien Frison
- Maxime
- (as Julien Frison de la Comédie Française)
Recensioni in evidenza
It's a movie that came out at the right place in the right time, it's about a girl in France during the 60s who needs an abortion but is engulf in a culture that made this action illegal. Oh wow! Where have I heard that story before?
From a man's point a view this might sound insensitive, but this flick was horrifying. The horrible steps this woman had to take because she lived in a world that would not give her the proper medical procedure to have it done in a healthier environment, just made the whole thing feel like a horror movie. They held nothing back when it came to DIY method of how it's all done.
I don't want to get too political, then again, it's not a coincidence this movie is in American theatres now. All I'm saying is that the movie laid out a great argument for why the woman in the movie made the choice she made.
For that it's a great film because I felt spoken to instead of preached to.
From a man's point a view this might sound insensitive, but this flick was horrifying. The horrible steps this woman had to take because she lived in a world that would not give her the proper medical procedure to have it done in a healthier environment, just made the whole thing feel like a horror movie. They held nothing back when it came to DIY method of how it's all done.
I don't want to get too political, then again, it's not a coincidence this movie is in American theatres now. All I'm saying is that the movie laid out a great argument for why the woman in the movie made the choice she made.
For that it's a great film because I felt spoken to instead of preached to.
... is clearly not the question, as we wander through a world that started out with such regression, though the thoughts that linger in our heads are more for education, of traditions that left ignorance brainwashed that there's damnation, sometimes the blinkers seem to stay in place regardless of enlightening, which if you're free and progressive - will only leave you frightening.
Performances combined with a belief that things can always change for the better, no matter what those circumstances are, make this an unmissable piece of great historical stepping stone foundational film making.
Performances combined with a belief that things can always change for the better, no matter what those circumstances are, make this an unmissable piece of great historical stepping stone foundational film making.
Following the tale of a young student who becomes pregnant in the France of 1963, where abortion is a serious crime punishable by prison, this is a powerful and brilliantly executed film, gripping and often very hard to watch as it's unflinching in its depictions of the difficult and sometimes harrowing experiences the young woman is forced to go through. Told from the point of view of the main character in close up and close quarters, it's a vivid journey, superbly written and directed by Audrey Diwan and with a stunning central portrayal by Annamaria Vartolomai.
Like it's lead character, Anne (Anamaria Vartolomei), Director Audrey Diwan's HAPPENING is direct, strong and decisive. Anne is a very promising literature student who finds herself pregnant after a fling with a visiting student. The place is France in the early 60s when having a procedure to abort a baby is strictly illegal. Her closest friends and doctor want nothing to do with her plans - especially, her doctor, who's very counsel could land him in jail.
Diwan's adaptation of Annie Ernaux's novel feels immediate, adopting an almost you are there approach (the script was co-written by Diwan and a trio of other writers). While it's certainly not a documentary construct, it's very much a drama, but it feels real. Laurent Tangy's hand-held camera is like an intimate partner to Diwan's vision. The active tense title is very much on point here (the French title also translates into "The Event").
Vartolomei is quite excellent. She is often the only character on screen and her performance never seems studied, simply inhabited. The others in the cast are always believable even if they don't have time to really develop. Anna Mouglalis is particularly memorable as the blunt Mme. Riviere, and legendary European actress Sandrinne Bonnaire is on hand as Anne's mother.
HAPPENING gets quite explicit at times, but never feels in the least exploitative. The screenplay is also admirable in that it never preaches. Diwan follows her character on her own terms all the way through. It's a difficult movie, but a very worthy one.
Diwan's adaptation of Annie Ernaux's novel feels immediate, adopting an almost you are there approach (the script was co-written by Diwan and a trio of other writers). While it's certainly not a documentary construct, it's very much a drama, but it feels real. Laurent Tangy's hand-held camera is like an intimate partner to Diwan's vision. The active tense title is very much on point here (the French title also translates into "The Event").
Vartolomei is quite excellent. She is often the only character on screen and her performance never seems studied, simply inhabited. The others in the cast are always believable even if they don't have time to really develop. Anna Mouglalis is particularly memorable as the blunt Mme. Riviere, and legendary European actress Sandrinne Bonnaire is on hand as Anne's mother.
HAPPENING gets quite explicit at times, but never feels in the least exploitative. The screenplay is also admirable in that it never preaches. Diwan follows her character on her own terms all the way through. It's a difficult movie, but a very worthy one.
Tight 100m adaptation of the Annie Ernaux novel, with a terrific performance by the lead actress. Will watch future Diwan movies.
Sure, with US heading back to medieval times on abortion, there is every bit of contemporary relevance. But that is not at all the point here. Diwan wants to make the pride and anguish of the young woman real to you, no preaching attempted or necessary. Cinematically, she succeeds.
The genre of great abortion movies is pretty small, one thinks of the Romanian 4 months 3 weeks and 2 days, but this one is near the top. Good news is, real Ernaux overcame her brutal ordeal and became a decorated French writer. Read her if you can, in the original French if you can.
Sure, with US heading back to medieval times on abortion, there is every bit of contemporary relevance. But that is not at all the point here. Diwan wants to make the pride and anguish of the young woman real to you, no preaching attempted or necessary. Cinematically, she succeeds.
The genre of great abortion movies is pretty small, one thinks of the Romanian 4 months 3 weeks and 2 days, but this one is near the top. Good news is, real Ernaux overcame her brutal ordeal and became a decorated French writer. Read her if you can, in the original French if you can.
Lo sapevi?
- QuizWinner of the Golden Lion at the 78th edition of the world's oldest film festival, the Venice Film Festival. The award was selected by a jury led by Parasite director Bong Joon Ho, who would later cast lead actress Anamaria Vartolomei in Mickey 17 (2025).
- Citazioni
Anne Duchesne: I wasn't able to study, now I am.
Professeur Bornec: Were you ill?
Anne Duchesne: The kind of illness that strikes only women and turns them into housewives.
- ConnessioniFeatured in Javo & Temoc: Top 10 Películas: Lo "mejor" del año (2022)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- El acontecimiento
- Luoghi delle riprese
- Université Paris-Saclay, campus d'Orsay - Orsay, Essonne, Francia(many campus and dorms scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 5.200.000 € (previsto)
- Lordo Stati Uniti e Canada
- 181.023 USD
- Fine settimana di apertura Stati Uniti e Canada
- 33.312 USD
- 8 mag 2022
- Lordo in tutto il mondo
- 1.577.367 USD
- Tempo di esecuzione
- 1h 40min(100 min)
- Colore
- Proporzioni
- 1.37 : 1
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