VALUTAZIONE IMDb
7,4/10
13.088
LA TUA VALUTAZIONE
Il percorso nella vita di una donna che ripensa alla sua esperienza con l'aborto quando era ancora illegale in Francia negli anni '60.Il percorso nella vita di una donna che ripensa alla sua esperienza con l'aborto quando era ancora illegale in Francia negli anni '60.Il percorso nella vita di una donna che ripensa alla sua esperienza con l'aborto quando era ancora illegale in Francia negli anni '60.
- Regia
- Sceneggiatura
- Star
- Nominato ai 1 BAFTA Award
- 27 vittorie e 49 candidature totali
Julien Frison
- Maxime
- (as Julien Frison de la Comédie Française)
Recensioni in evidenza
Like it's lead character, Anne (Anamaria Vartolomei), Director Audrey Diwan's HAPPENING is direct, strong and decisive. Anne is a very promising literature student who finds herself pregnant after a fling with a visiting student. The place is France in the early 60s when having a procedure to abort a baby is strictly illegal. Her closest friends and doctor want nothing to do with her plans - especially, her doctor, who's very counsel could land him in jail.
Diwan's adaptation of Annie Ernaux's novel feels immediate, adopting an almost you are there approach (the script was co-written by Diwan and a trio of other writers). While it's certainly not a documentary construct, it's very much a drama, but it feels real. Laurent Tangy's hand-held camera is like an intimate partner to Diwan's vision. The active tense title is very much on point here (the French title also translates into "The Event").
Vartolomei is quite excellent. She is often the only character on screen and her performance never seems studied, simply inhabited. The others in the cast are always believable even if they don't have time to really develop. Anna Mouglalis is particularly memorable as the blunt Mme. Riviere, and legendary European actress Sandrinne Bonnaire is on hand as Anne's mother.
HAPPENING gets quite explicit at times, but never feels in the least exploitative. The screenplay is also admirable in that it never preaches. Diwan follows her character on her own terms all the way through. It's a difficult movie, but a very worthy one.
Diwan's adaptation of Annie Ernaux's novel feels immediate, adopting an almost you are there approach (the script was co-written by Diwan and a trio of other writers). While it's certainly not a documentary construct, it's very much a drama, but it feels real. Laurent Tangy's hand-held camera is like an intimate partner to Diwan's vision. The active tense title is very much on point here (the French title also translates into "The Event").
Vartolomei is quite excellent. She is often the only character on screen and her performance never seems studied, simply inhabited. The others in the cast are always believable even if they don't have time to really develop. Anna Mouglalis is particularly memorable as the blunt Mme. Riviere, and legendary European actress Sandrinne Bonnaire is on hand as Anne's mother.
HAPPENING gets quite explicit at times, but never feels in the least exploitative. The screenplay is also admirable in that it never preaches. Diwan follows her character on her own terms all the way through. It's a difficult movie, but a very worthy one.
A controversial topic. Dealt with the perspective of a woman. Good acting. Personally I would have only made it more graphic with respect to bloody towels and blood. But that would change its rating. So apart from that good buildup, but lacks in middle. Maybe a bigger meltdown was to be shown. The embrace with her mother just was too much to handle for me. Music tones dropping at places to corelate with the plot, was interesting and rightly done, so that was nice. I would suggest it only if you try to watch it with an open mind. On controversial topics, whether you agree or not, is a different question. Atleast you should see the point. You dont have to agree. You can give your points. The reason for cinema is to start a dialogue or ask yourself questions. Good viewing.
Following the tale of a young student who becomes pregnant in the France of 1963, where abortion is a serious crime punishable by prison, this is a powerful and brilliantly executed film, gripping and often very hard to watch as it's unflinching in its depictions of the difficult and sometimes harrowing experiences the young woman is forced to go through. Told from the point of view of the main character in close up and close quarters, it's a vivid journey, superbly written and directed by Audrey Diwan and with a stunning central portrayal by Annamaria Vartolomai.
With over one thousand reviews on IMDB, this may be the most difficult one I will ever write. The timing is impeccable, as here in America, the landmark Roe vs Wade decision has turned the nation into a state by state battleground regarding the freedom to choose whether or not to have an abortion. As a pro choice Catholic, I am in disagreement with the views of my church. The film portrays a young woman in a France of the 1960s, when abortion was illegal. Some of the scenes are quite graphic and disturbing. The lead actress is outstanding and the story compelling. I am sure that Happening will receive an Oscar nomination for Best Foreign movie.
Saw this back at the 2022 Sundance Film Festival
Based on a novel by Annie Ernaux,, the topic of abortion is already becoming a very controversial subject in the past many years. There are many debates about whether abortion is right or wrong. Audrey Diwan takes this serious subject matter and creates a uneasy, intense, but realistic approach about this topic through the lens of an interesting character portrayed by Anamaria Vartolomei who gives an amazing stellar performance throughout this movie. This movie isn't an easy watch because of the brutal nature of what the character is going through and especially a really disturbing third act that made me feel uneasy and quite uncomfortable while watching it. Throughout there are some beautiful camerawork with the 1:33:1 aspect ratio perfectly capturing the 1970s in France, some beautiful production and costume designs, and really good soundtrack. Although, the setting at times didn't feel like the 70s because the movie didn't explore it's time period well enough as it should have which was one of the flaws I had with this movie.
As I have to say it again, Anamaria Vartolomei sells throughout this movie with her realistic performance on portraying a character who is lost, somewhat arrogant but also finding a way to solve her issue. Even if it risks her own sanity. Character study films are really interesting as it provides an guide to understand how the human life works throughout many lens. It's often not easy to be really engage with a character but if the writing is great, the character is great. Some problems I have with the movie are that some of the dialogue felt a little clunky as it didn't feel like it fits in the 1970s time period and some of the supporting characters felt like they had nothing to do with the movie. Almost as if they could have just been removed from the final cut honestly.
Overall, this was a really good adaptation from director Audrey Diwan and I really look forward to seeing more films from here. I believe there's a great potential of French female filmmakers coming soon in the near decade.
Rating: B+
Based on a novel by Annie Ernaux,, the topic of abortion is already becoming a very controversial subject in the past many years. There are many debates about whether abortion is right or wrong. Audrey Diwan takes this serious subject matter and creates a uneasy, intense, but realistic approach about this topic through the lens of an interesting character portrayed by Anamaria Vartolomei who gives an amazing stellar performance throughout this movie. This movie isn't an easy watch because of the brutal nature of what the character is going through and especially a really disturbing third act that made me feel uneasy and quite uncomfortable while watching it. Throughout there are some beautiful camerawork with the 1:33:1 aspect ratio perfectly capturing the 1970s in France, some beautiful production and costume designs, and really good soundtrack. Although, the setting at times didn't feel like the 70s because the movie didn't explore it's time period well enough as it should have which was one of the flaws I had with this movie.
As I have to say it again, Anamaria Vartolomei sells throughout this movie with her realistic performance on portraying a character who is lost, somewhat arrogant but also finding a way to solve her issue. Even if it risks her own sanity. Character study films are really interesting as it provides an guide to understand how the human life works throughout many lens. It's often not easy to be really engage with a character but if the writing is great, the character is great. Some problems I have with the movie are that some of the dialogue felt a little clunky as it didn't feel like it fits in the 1970s time period and some of the supporting characters felt like they had nothing to do with the movie. Almost as if they could have just been removed from the final cut honestly.
Overall, this was a really good adaptation from director Audrey Diwan and I really look forward to seeing more films from here. I believe there's a great potential of French female filmmakers coming soon in the near decade.
Rating: B+
Lo sapevi?
- QuizWinner of the Golden Lion at the 78th edition of the world's oldest film festival, the Venice Film Festival. The award was selected by a jury led by Parasite director Bong Joon Ho, who would later cast lead actress Anamaria Vartolomei in Mickey 17 (2025).
- Citazioni
Anne Duchesne: I wasn't able to study, now I am.
Professeur Bornec: Were you ill?
Anne Duchesne: The kind of illness that strikes only women and turns them into housewives.
- ConnessioniFeatured in Javo & Temoc: Top 10 Películas: Lo "mejor" del año (2022)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- El acontecimiento
- Luoghi delle riprese
- Université Paris-Saclay, campus d'Orsay - Orsay, Essonne, Francia(many campus and dorms scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 5.200.000 € (previsto)
- Lordo Stati Uniti e Canada
- 181.023 USD
- Fine settimana di apertura Stati Uniti e Canada
- 33.312 USD
- 8 mag 2022
- Lordo in tutto il mondo
- 1.577.367 USD
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Proporzioni
- 1.37 : 1
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