Las viudas de los jueves

After having watched Marcelo Piñeyro's "El Metodo" and being breath taken by it, I was very exited to learn that he is making a new movie, "Las viudas de los jueves" with two of the El Metodo's cast. Being so impatient to watch this movie, in the mean time I found the book the movie is based on by Claudia Piñeiro and read it. It was a great book, so my expectations rose. But just because I read the book, I think I liked the movie less. Probably it is hard to capture all the aspects that I loved about the book, but what really bothered me was that the movie intervened a bit in the characters and even the story. Anyway it is a good movie, well acted, well produced, it has the right atmosphere. But yet, I 'll stick to liking the book and also "El metodo" much more.

'Las Viudas de los Jueves' is a breathtaking drama, that cuts to the bone in its depiction of a world that's crumbling -even though its surfaces are glamorous and everybody keeps smiling... till it's too late.

It feels like Edgar Allan Poe's 'The Masque of the Red Death'-meets-Visconti's 'The Damned'.. but sexier, and -I tremble at the very thought of it- happening as we speak...

Even though it tells a story with a definite location (Argentina) and time frame (the economic crisis that sunk that country in 01), the film paints a bigger canvas -one that sends shivers down the spine in its timeliness. It speaks about the privileged people that deludes themselves, thinking they could keep earning millions while the rest of the world starves. Sounds familiar?

Suspenseful, subtle, resonant. Great director, great DP, great actors.

The book was mildly interesting in its descriptions of the privileged gated community, so I decide to give the movie a try (I also have an inexplicable crush on Ernesto Alterio). As per title, I found the movie less than stellar and kinda bland. The acting is not exciting and neither is the scrip. Overall average tv quality

This film; together with "El Secreto de tus Ojos" are representatives of the best of the new Argentinean Film industry strengthened with some other Latin American and Spanish partners.

In spite of some weaknesses in the youngest widow performance (Juana Viale), this movie is touching and very well done.

With a stunning shooting and a deep psychological approach to each character through minor and well placed hints; this thriller is an true masterpiece about how to achieve it without long and boring scenes.

I would like to quote a sentence of the leading role "Tano" that could be from any middle aged men in the western world :" When I was a teenager I used to believe in God; I felt that He failed to me; then in my youth I believed in Democracy as a tool for solving everybody's needs, it also failed to me, now I am convinced that the only one thing that deserves my faith is Money"

I don't agree with "santiencalidaddeque", and with other negative reviews. I wonder how old he is to better judge him. In colloquial conversation within closed friends. especially so among an all-female or all-male group, genitals ARE verbalized with their more common and vulgar names, notwithstanding how gruesome or shocking they may be. Most supermarkets, gyms, malls, shopping centers ARE certainly called exactly like that, IN English, not only in Argentina, but also in Paraguay, where I live. There are lots of jokes traveling throughout the Web mention that what we used to call "gimnasio" is now called *gym*; almost every English term I mentioned has a translation to Spanish...yet, somehow, these days urban society chose to say them in English. The acting is overall very good...including young Mirtha Legrand's controversial niece. I have yet to read the book, which should probably be much better (that's already a sort of "classic", abbreviated and not-too-good transferrence of novels or stories to the screen, with very few exceptions).