Un operaio di nome Douglas Quaid comincia a sospettare di essere una spia dopo aver visitato Rekall, una società che impianta false memorie di vite inesistenti, e si trova braccato da implac... Leggi tuttoUn operaio di nome Douglas Quaid comincia a sospettare di essere una spia dopo aver visitato Rekall, una società che impianta false memorie di vite inesistenti, e si trova braccato da implacabili nemici.Un operaio di nome Douglas Quaid comincia a sospettare di essere una spia dopo aver visitato Rekall, una società che impianta false memorie di vite inesistenti, e si trova braccato da implacabili nemici.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 6 candidature totali
- Hammond
- (as Dylan Scott Smith)
Recensioni in evidenza
I, as probably everyone seeing this movie, were big fans of the original Arnie/Verhoeven epic. It still stands as one of the finest examples of sci-fi/action that exists on celluloid.
That being said, I was leery of this remake for pretty much all the same reasons already mentioned by others, foremost being: WHY REMAKE IT?
THAT being said, i was curious enough about the cast to give it a shot.
First off the good: Kate Beckinsale is pretty good as the combination of Michael Ironside and Sharon Stone from the original. She plays crazy psycho wife really well, and her relentlessness was fun to watch.
The FX on screen are pretty spectacular. That city, and the whole elevator between the 2 continents was really really neat, in both concept and execution. The evil robots were kinda menacing and cool, too. And the art direction and set design were top notch.
John Cho actually has a pretty cool cameo, as well.
The bad:
Expecting Colin Farrell and Jessica Biel to be able to carry a movie. Seriously these 2 are about as exciting as milquetoast. I found myself falling asleep during pretty much most scenes that focused on these two. Really the movie's success hinges on these 2 actually being compelling to watch. They aren't.
Bryan Cranston and Bill Nighy do what they can with what amounts to 2 glorified cameos, but they really don't have much to work with. Cranston seems to be having fun, but they both deserve better.
The overriding sense that one comes away with from TOTAL RECALL 2012 is Mediocrity. This flick is the very definition of mediocre summer flick.
It's not terrible, but it's also highly forgettable.
Which is my issue with all of Wiseman's films. At this stage i have a large enough sample size, now.. I will never again pay money in the theatre for anything this guy does.
I always rate a film on two scales: The technical aspects (an objective scale), and if I actually liked it (subjective scale). I'm pretty forgiving with science fiction films so I'll keep my review as objective as possible.
Pros: The futuristic world that has been imagined for this film was well designed. Visually, the film is stunning. If you're the type that reads into the quirky inventions you see on screen, this film is littered with them.
There were plenty of action sequences, and most of the time the film gave us eye candy that we haven't seen before. It seemed as though a general theme in the film (besides "questioning what's real") was constant play with gravity. This may have been influenced by inception, but the world turns upside down a few times, and it's visually interesting.
Cons: The plot. It was there, but not as deep as you would hope for a "Total Recall" remake. There were a few cool things thrown in there, but the plot was definitely not the strong point of the film.
The action sequences. There were a lot of positive aspects to all the action, but the movie seemed to rely too heavily on it. The movie came off as one giant chase scene, and it became slightly repetitive after a while. If you like a little meat on your plot's backbone, you may want to lower your expectations a little bit before seeing this one.
Conclusion: Try not to think of this film as a literal remake of the original. Think of it as analogous to a band doing a cover of someone else's song... in a very different style. It lifts the ideas from the original film, and written source material, but takes a different spin on it.
In all, I liked it. I had my quips, but it's a movie that I gave a lot of forgiveness. From what I recall, it wasn't a TOTAL mess.
1990's Total Recall is a benchmark for the Sci-fi/action genre thanks to Arnold Schwarzenegger's trademark sense of humor and a script and direction that balance the excessive action and camp with some undeniably smart self-effacing satire. In 2009, it was announced that Kurt Wimmer of the cult film Equilibrium would co-write a remake alongside Mark Bomback. Needless to say many were not enthused by the prospect of a remake of Total Recall as not only is it a classic of the genre, but the fact the original still holds up made people question it's purpose. Many of the cast and crew tried to brush off such concerns with statements like "we're going back to the book" or "it's an adaptation of the original story, not the 1990 film" only to have those statements undermined by the fact characters like Melina, Harry, Cohaagen, and the resistance leader were inventions of the 1990 film and not the original story. Made for $125 million the movie performed poorly stateside making only $58 million, but like many action films was alleviated thanks to the international market which brought its total up to $198 million but was still considered a disappointment when factoring in marketing and distribution costs. Critical and audience reception tended to be pretty tepid with even the most positive reviews like Richard Roeper's B- still emphasizing the enduring nature of the original film, but regardless of how you slice it Total Recall 2012 is a soulless product that bares only a fraction of its predecessor's charm.
I'll say that Colin Farrell is okay as Quaid, he's not given all that much to work with because the script just wants to rush him from one CGI filled action/chase scene to the next, but the moments of him questioning his identity or making personal discoveries such as a scene where he realizes he can play the piano are decent. Aside from that one point however, everything else in Total Recall 2012 is either mediocre or below par. Unlike the 1990 film, Total Recall is an ugly movie to look at. Len Wiseman gives J. J. Abrams a run for his money with the awful "lens flare" effects filling the screen with visual noise and from the initial dream sequence that's filled with painful flashing lights you know parts of this movie will be challenging to look at for all the wrong reasons. The movie also plays itself much more seriously than the 1990 film as it plays the altered memory possibility in a manner similar to how the Jason Bourne films handled that character's amnesia, and the movie takes a very "post 9/11/Bush Administration" approach to its story with the core conflict of the government arranging attacks on itself in an attempt to give itself some semblance of cultural relevance and it's basically a xerox of a xerox at this point because the Prince of Persia movie did this same plotline two years before this movie and it wasn't particularly good there either.
I could probably give some leeway to the generic plot if the characters were the least bit interesting or memorable, but aside from a five minute appearance by John Cho as the Rekall rep who administers Quaid's memories most of the cast are non-entities. Jessica Biel feels lifeless as Melina, great actors like Bryan Cranston and Bill Nighy are given very stock roles with nothing for them to work with, but the real standout (for all the wrong reasons) is Kate Beckinsale as Lori who aside from a bunch of lifeless drones is the primary antagonist for Quaid to fight against and she is massively annoying. The character has basically been created as a merger of Richtor and Lori from the original film but not only is Beckinsale not threatening in the role, but with her constant childish taunting to Quaid and her motivation for trying to kill him being "Cohaagen never stopped talking about you" she comes off like a petulant child who's mad they're not getting enough attention. And despite this movie "not being a remake" the movie reminds you every few minutes of the original film by quoting dialogue from it, recreating visual references, and rather surprising for a PG-13 movie for this era they even bring back the three breasted topless woman.
Total Recall 2012 is expensive and pointless mediocrity. It's a dour emotionally muted film with action sequences that feel more akin to watching someone play a video game than watching a movie and instead of doing anything new or interesting with the material it does a generic bare minimum while reminding you of the original with visual and auditory references. Just watch the 1990 film.
Fans of the original film will see only slight similarities in this one, since it took on a different adventure altogether after the familiar introduction. Quaid experiencing a nightmare of a dream only to wake up beside the sexy wife in Lori (Kate Beckinsale, in a role played by Sharon Stone previously, in lingerie no less), and finding that there's probably more to life than just home and work. Enticed by the fantasy inducing company called Rekall where one can live out one's fantasy for a fee, Douglas soon discovers he got more than he bargained for. The contraption's design got brought over, and so did the cult favourite in the three breasted woman, which Singapore back then didn't get to see at all because our censors found it offensive and unreal. The identity mask also has another go, although with less fun, being solely functional and little else.
But what was sorely missed in this remake, is the quip after quip of Arnie-isms, those puns made each time Douglas Quaid did something smart alecky, dispatched an opponent, or just wanted to drawl on something in his Austrian accent. In the typical Arnie movie, there's always room for fun, jokes, and those legendary one liners. Here, all we get are dead serious moments, with the whole look and feel being laden with the need to feel all gritty. Colin Farrell wears a scowl throughout, being perplexed and confused about his true identity in Jason Bourne style complete with mysterious artifacts stored in a safe deposit box, and having doubts to the role he has to play in the entire battle between the Haves and Have Nots.
This Total Recall requires that you junk all memories of the Schwarzenegger film, in order to enjoy the new narrative involving a chemical fallout across all lands save for Britain and parts of Europe now being part of a Greater Britain, and Australia, known as The Colony (yes, some slight historical references here). There's no Mars this time round, as the story gets set strictly on Earth, involving a carnival styled train service that commutes between the two territories, having to pass adjacent to the Earth's core, for some nifty CG effects involving gravitational force reversal.
CG seemed to be what Director Len Wiseman ordered for the film, with green screen effects and CG laden landscapes peppering the entire movie, that makes you wonder about the tagline "What is real?" indeed. It's big on action sequences and slight on actual story, with pauses only to allow the film to breathe a little, before embarking on yet another stunt sequence that involves plenty of running for Douglas Quaid, and his new found love interest / revolutionary partner Melina (Jessica Biel), as they escape from rooftops to elevators, pass through deadly three dimensional elevator shafts and tunnels, fighting their way past synthetic troopers ala Star Wars. It does get pretty generic after a while, that these sequences all start to look very much the same, and probably a Star Wars: Clone Wars episode gone wrong.
Also for the tagline of "What is real?", this remake doesn't really keep you in suspense in a what is, and what is not thought, because for this new generation of audiences, Len Wiseman probably considered it best if everything was spoonfed. So there's no need to guess, and everything got explained verbatim, that you'd know whether it's real, otherwise, and just about every plot and character twist being laid out for all and sundry. Between the two female leads, Kate Beckinsale got more screen time for obvious reasons, though it's not everyday that we get to see her in a negative role. It's clearly expanded here, with her Melina being something of an amalgam of the roles played by Sharon Stone and Michael Ironside as the relentless pursuer of Douglas Quaid, adamant in hunting him down and finishing him off, against orders.
Ultimately, Total Recall 2012 is one big amusement park ride. This will probably be enjoyable for anyone in for an average CG action adventure extravaganza and have no knowledge of the fun blockbuster the first one was, but for the rest of us who have seen Paul Verhoeven's version, this one definitely pales in comparison, in story, action and just plain fun. And Arnold Schwarzenegger was in his prime then, with big shoes that didn't get filled this time round.
Lo sapevi?
- QuizThe single-take fight scene was performed by Colin Farrell himself, and was shot 22 times before Farrell did it perfectly.
- BlooperFor The Fall to travel the diameter of the Earth in 17 minutes, it would have to maintain an average speed of over 45000 kph (28000 mph). At this speed, it would be impossible for anyone to survive standing on the outside, because of both the airflow and the high temperatures resulting from friction.
- Citazioni
Matthias: Mr. Hauser, What is it you want?
Doug Quaid: I want to help you.
Matthias: That is not the only reason you are here.
Doug Quaid: I want to remember.
Matthias: Why?
Doug Quaid: So I can be myself, be who I was.
Matthias: It is each man's quest to find out who he truly is, but the answer to that lies in the present, not in the past. As it is for all of us.
Doug Quaid: But the past tells us who we've become.
Matthias: The past is a construct of the mind. It blinds us. It fools us into believing it. But the heart wants to live in the present. Look there. You'll find your answer.
- Versioni alternativeThe scene where the three-breasted woman is topless has been re-shot for the US release due to different moral standards. The version released in European countries is unchanged.
- ConnessioniFeatured in WatchMojo: Another Top 10 Worst Hollywood Remakes (2012)
- Colonne sonoreTyphoon
Written by Ebow Graham, Pavan Mukhi, Luca Gulotta and Joe Erskine (as Joseph Erskine)
Performed by Foreign Beggars featuring Chasing Shadows
Courtesy of Dented Records
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- El vengador del futuro
- Luoghi delle riprese
- Lower Bay Station, Toronto, Ontario, Canada(Subway location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 125.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 58.877.969 USD
- Fine settimana di apertura Stati Uniti e Canada
- 25.577.758 USD
- 5 ago 2012
- Lordo in tutto il mondo
- 198.467.607 USD
- Tempo di esecuzione1 ora 58 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1