La particella di Dio

Superficially PARTICLE FEVER is a quest-narrative charting the search by a group of 4000 physicists at a variety of locations - Geneva, Princeton, Texas, for a particle that might provide the key to the way the universe works. There are several obstacles placed along the way, including an inconvenient breakdown of the machinery used to conduct the experiment, but the film ends on an optimistic note as the quest is concluded, and everyone celebrates through internet links.

Mark Levinson's film contains a fair amount of technical language spoken by a variety of interviewees, including physicists Martin Aleksa, Nima Arkani-Hamed, Savas Dimopoulos, and Fabiola Gianotti (among others). A lot of it is difficult, well nigh incomprehensible for nonspecialists to understand, but as the documentary unfolds, it soon becomes clear that the quest to prove the theories behind the particles is a peripheral element of the narrative. Levinson is far more interested in showing how the project involves representatives from different nations working together in a community of purpose - even those originating from countries (e.g. the United States, Iran and Iraq), which are supposedly at war with one another. The sight of them participating so enthusiastically offers a hope for the future; beneath the rhetoric expressed by politicians and warmongers there lurks a genuine desire for co-operation across cultures. Perhaps if more attention were paid to these initiatives, then the world might be a safer place.

More significantly, Levinson's film shows that the so-called "two cultures" theory espoused by C. P. Snow and other writers has been satisfactorily exploded. Snow insisted that the "arts" and the "sciences" could never work cohesively with one another: one was interested in "ideas," the other in "truths." PARTICLE FEVER begins by insisting that the scientists are pursuing universal "truths" that would help individuals understand the worlds they inhabit; but as the documentary unfolds, so several of the scientists admit that their conclusions will be tenuous at best, and always subject to renegotiation. Put another way, they admit that "truth" is a relative term, dependent on the context in which the term has been employed; this knowledge lies at the heart of all "artistic" endeavors as well. We understand that both communities are engaged in similar activities; the need to discover new things about the world we inhabit and share them with others. This is what drives new research, irrespective of whether it is in the "arts" or the "sciences."

Ultimately PARTICLE FEVER is an uplifting film that demonstrates the value of common research, and how it can be conducted across all platforms and all disciplines. Let us hope that the group of scientists have been inspired to continue their valuable work.

Since real science gets very little public exposure in any positive way, anticipation was high that this would help deliver that. While it made a credible attempt, I was rather disappointed at the lack of balanced credit. To the average public citizen it came across as largely the work of a few visionaries and one particular experiment - ATLAS. There were several others who did major yeoman like efforts and that is why I gave it only 6 stars. The human stories were particularly good, perseverance despite the adversity, it could have easily done it without the expletives as well. While it is a documentary and did a fantastic job of chronologically growing with the major real life characters, it failed to acknowledge numerous labs and institutions, along the way who were much more than mere influencers. But definitely worthwhile, hope the next generation of the story raises the bar.

The main focus of this film is the interaction of scientists with the LHC and its data. Many shots are either banter in the CERN offices or YouTube-like video contributions from scientists themselves. Basically, it adds a human element to what you might read in the news. The engineering of the LHC is scarcely touched upon, and while the film (directed by a physicist) attempts to explain the consequences for particle physics, its dramatized overview is not really accurate; the viewer would be advised to read Lee Smolin's book "The Trouble With Physics". The substitution of pictures of difficult-looking math equations for real scientific exposition became irritating. Furthermore, while we see people interacting with each other in a superficial way, the film doesn't really dig into the culture of theoretical physics -- for example, I enjoyed a shot where physicists discuss how rumors are displacing older methods of data distribution like the arXiv, but the context of this discussion was not given and I worried most of the audience would not understand it.

I subtract four stars for lack of depth and would probably extract more, except that the screening I went to had an interview with the director afterwards, and I realized from him that it was quite difficult for this documentary to achieve what it did. The science the LHC produces comes in the form of millions of spreadsheets full of numbers, which must be analyzed by thousands of experimental physicists sitting at computers around the world. It is rather hard to make a long documentary film about people analyzing numbers on computers. The director made a number of clever stylistic decisions, like mainly interviewing people who were physically present at the CERN buildings, and separating the segments of experimental and theoretical physicists. To get theoretical physics onto the big screen in a thoughtful and entertaining way is really an accomplishment in itself. It was also pointed out that the documentary skillfully focused on a few likable subjects among many to give a hint of the vast size of the project. All in all, the film is a decent portrayal of the kind of willpower and teamwork that is needed on a project the size of the LHC, but don't go to it expecting to gain a very deep knowledge of today's physics or the scientific community.

The Large Hadron Collider is a gigantic experimental apparatus, conceived in an attempt to discover the fundamental particles that make up the universe. This documentary about it is relatively light on the physics: in concentrates on the hopes of some of the scientists working on it, conveying their innate excitement for their subject rather than the technical details of how and why. But it does convey some of the reasons why this work is (at least theoretically) important: the Higgs Bosun, the previously elusive particle that was target number one for the LHC, is central to modern physical models of the universe; and moreover, determining its mass would help us choose between two broader theories: one is which the universe exists in a state of perfect symmetry, and the other in which it is just one of a huge array of universes, each with their own peculiar properties. And I think the documentary succeeds in inducing its audience to share these concerns. How this relates to the world as we perceive it on a daily basis is very unclear; but the urge to understand is something very fundamental in our humanity, and 'Particle Fever' conveys this well.

This is one of the two or three best documentaries I've ever seen. We were so lucky to see an advance screening at our movie preview club.

It's hard to believe that a documentary about particle physics and the Hadron collider could be dramatic, suspenseful, even thrilling. It's just as hard to make the subject matter - the creation and operation of a huge facility in Switzerland for the purpose of colliding sub-atomic particles at great speed to search for clues about the universe - both intelligible and accessible. Yet this film has brilliantly done both.

Accessibility is achieved partly through clear explanations from particle physicist (and co-producer) David Kaplan and other theoretical physicists, and several experimental physicists who work at the collider. Even more compelling are the clear, beautiful, and simple-to-understand graphics that accompany these explanations. Indeed, the great graphics begin right from the opening credits. All this is enhanced by the editing of multi-Oscar-winner Walter Murch.

The drama comes from the efforts of the experimentalists to prove the theorists' ideas true - especially the existence of the "Higgs boson," the crucial particle of modern physics. The drama is enhanced by presenting a pleasant cast of surprisingly normal, friendly (and, of course, super-smart) physicists who have strong rooting interests in the outcome the way some of us might root for a sports team - but with so much more at stake. There's even tension (albeit friendly) between the "multi-universe" and "dual symmetry" camps.

Watch this film and you'll understand these phrases and so much more. I learned more than I ever thought I could. And in the most pleasant, enthusiastic, accessible way possible.