Aggiungi una trama nella tua linguaAs the Large Hadron Collider is about to be launched for the first time, physicists are on the cusp of the greatest scientific discovery of all time -- or perhaps their greatest failure.As the Large Hadron Collider is about to be launched for the first time, physicists are on the cusp of the greatest scientific discovery of all time -- or perhaps their greatest failure.As the Large Hadron Collider is about to be launched for the first time, physicists are on the cusp of the greatest scientific discovery of all time -- or perhaps their greatest failure.
- Premi
- 6 vittorie e 4 candidature totali
- Self - Representative, New York
- (filmato d'archivio)
- Self - Representative, Colorado
- (filmato d'archivio)
- Self - Director General, CERN
- (as Rolph-Dieter Heuer)
- Self
- (filmato d'archivio)
- Self
- (filmato d'archivio)
Recensioni in evidenza
Mark Levinson's film contains a fair amount of technical language spoken by a variety of interviewees, including physicists Martin Aleksa, Nima Arkani-Hamed, Savas Dimopoulos, and Fabiola Gianotti (among others). A lot of it is difficult, well nigh incomprehensible for nonspecialists to understand, but as the documentary unfolds, it soon becomes clear that the quest to prove the theories behind the particles is a peripheral element of the narrative. Levinson is far more interested in showing how the project involves representatives from different nations working together in a community of purpose - even those originating from countries (e.g. the United States, Iran and Iraq), which are supposedly at war with one another. The sight of them participating so enthusiastically offers a hope for the future; beneath the rhetoric expressed by politicians and warmongers there lurks a genuine desire for co-operation across cultures. Perhaps if more attention were paid to these initiatives, then the world might be a safer place.
More significantly, Levinson's film shows that the so-called "two cultures" theory espoused by C. P. Snow and other writers has been satisfactorily exploded. Snow insisted that the "arts" and the "sciences" could never work cohesively with one another: one was interested in "ideas," the other in "truths." PARTICLE FEVER begins by insisting that the scientists are pursuing universal "truths" that would help individuals understand the worlds they inhabit; but as the documentary unfolds, so several of the scientists admit that their conclusions will be tenuous at best, and always subject to renegotiation. Put another way, they admit that "truth" is a relative term, dependent on the context in which the term has been employed; this knowledge lies at the heart of all "artistic" endeavors as well. We understand that both communities are engaged in similar activities; the need to discover new things about the world we inhabit and share them with others. This is what drives new research, irrespective of whether it is in the "arts" or the "sciences."
Ultimately PARTICLE FEVER is an uplifting film that demonstrates the value of common research, and how it can be conducted across all platforms and all disciplines. Let us hope that the group of scientists have been inspired to continue their valuable work.
But I'm jumping ahead of myself.
The focus of the movie- the Hydron collider in Switzerland is a project according to all projections, should never have materialized. Its costs sky-rocketed to five billion pounds, it took almost twenty years to build and a few more years to overcome glitches (and when you build a seven mile long tunnel to run beams in the speed off light, glitches are inevitable) and it's functional and commercial uses are, as of today, non-existent. It's hard to persuade people to allocate money and time just to get a replay of the big bang. Alas, it's not the Hedron's goal.
I'm still jumping ahead.
Physics is the most pretentious of scientific fields. Its purpose is to compose the great manual of the universe. A tough assignment considering no one knows how it works, how long it will work or if it was intentionally premeditated to work. CERN, The ultimate place of worship for all physicists, takes the wild theories of the universe and with high powered, heavily documented and shockingly susceptible device, puts them to the test.
The one test that CERN failed to anticipate is the test of the real world. When one operate a gigantic, costly collider, you need press coverage, in order to do that, CERN must provide insights. Keeping the experiments clandestine, isolate CERN from the media, making them public, lead to rushed tests that more often than not, fail and alienate the press even more.
Apparently, the world outside the Hedron collider is as vicious as the Collider itself.
Of course, the Hedron collider overcame all its initial difficulties and supplied the world with shocking insights that leave many questions unanswered. One that, in my opinion, looms over all the rest, is whether or not this manual of the universe was authored or generated by circumstances. In other words, is there a big guy upstairs or is this universe one big exercise in probability.
This movie makes you think. beyond the colorful and diverse types of physicists, it projects an image of the universe and forces us to redefine perspective. Now, that's quite an accomplishment for a modest documentary.
Don't expect the movie to be easy. It's not for the Physics majors but it's also not digested to be user-friendly.
Manuals never are.
8 out of 10 in my FilmOmeter
The script offers some degree of Physics for Dummies (present company included), in trying to explain the basics of what we know about subatomic particles, and what proving there's such a thing as the Higgs boson could mean about the nature of existence. The so-called "God Particle" was posited as the reason atoms collect to form all matter, including life as we know it, in the universe. Supposedly, learning not only that it exists, but what it weighs could either support arguments for some sort of intelligent or symmetrical design, or a cosmic randomness that might pervade through innumerable parallel universes.
But before you doze off, remember this is mainly about the people behind the curtain. We learn about their dreams and motives. We even share in many of their lighter moments, along with the suspense of whether this massive undertaking would even work, what it would help us understand, and where any results might lead academic endeavors in multiple disciplines for generations to come. It's less scientifically informative, or slickly produced, than the new incarnation of Cosmos that's been running on several TV networks. But it's more intimate in showing relatable emotions among the brainiacs who've devoted years of their lives to this highly speculative venture.
Perhaps the best feature of the film is its clarity about the underlying difference between science and other human pursuits like religion or politics. Everyone at CERN was seeking objective, provable answers, even if they unraveled their own beliefs. And all were dedicated to the mission with absolutely no idea of what commercial uses, if any, their outcomes might engender. It's the purity of human curiosity at its finest. Learning for its own sake. No one at NASA expected the space race to leave us with Tang and other related products. Time will tell on the practical applications and cultural developments we'll receive from the labors of these scholars. For now, it's reassuring to know they've got a place to find the answers.
It's hard to believe that a documentary about particle physics and the Hadron collider could be dramatic, suspenseful, even thrilling. It's just as hard to make the subject matter - the creation and operation of a huge facility in Switzerland for the purpose of colliding sub-atomic particles at great speed to search for clues about the universe - both intelligible and accessible. Yet this film has brilliantly done both.
Accessibility is achieved partly through clear explanations from particle physicist (and co-producer) David Kaplan and other theoretical physicists, and several experimental physicists who work at the collider. Even more compelling are the clear, beautiful, and simple-to-understand graphics that accompany these explanations. Indeed, the great graphics begin right from the opening credits. All this is enhanced by the editing of multi-Oscar-winner Walter Murch.
The drama comes from the efforts of the experimentalists to prove the theorists' ideas true - especially the existence of the "Higgs boson," the crucial particle of modern physics. The drama is enhanced by presenting a pleasant cast of surprisingly normal, friendly (and, of course, super-smart) physicists who have strong rooting interests in the outcome the way some of us might root for a sports team - but with so much more at stake. There's even tension (albeit friendly) between the "multi-universe" and "dual symmetry" camps.
Watch this film and you'll understand these phrases and so much more. I learned more than I ever thought I could. And in the most pleasant, enthusiastic, accessible way possible.
Lo sapevi?
- BlooperTwo Republican congressman speak against funding for the construction of the Superconducting Super Collider in Texas. This gives the false impression that it was Republicans who ended the project. The 1993 Congress had Democrat majorities in both the House and the Senate. Additionally, the President at that time was a Democrat. The leader of the effort to end funding for the project in the House was Democrat Jim Slattery. Voting to end the funding was bipartisan.
- Citazioni
David Kaplan: Basic science for big breakthroughs needs to occur at a level where you're not asking "What is the economic gain?" You're asking "What do we not know, and where can we make progress?"
- ConnessioniReferences Cave of Forgotten Dreams (2010)
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- Particle Fever
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Botteghino
- Lordo Stati Uniti e Canada
- 869.838 USD
- Fine settimana di apertura Stati Uniti e Canada
- 53.901 USD
- 9 mar 2014
- Lordo in tutto il mondo
- 869.838 USD
- Tempo di esecuzione
- 1h 39min(99 min)
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