Ddongpari

Having been to Korea on numerous occasions I went out of my way to ensure I saw this film at the 2009 Vancouver International Film Festival and I am very happy that I did.

As this is Yang Ik-Joon's first full-length picture here is a presentation that is shown in true raw passion and with emotion. I found the movie and it's engaging story-line to be very powerful. The audience and I laughed at the dark humour contained within then cried as the eventuality of the plot is brought to bear.

For those that can stomach the violence I highly recommend finding this film to view. The movie takes place in a world that most of us are simply not willing to face however the issues presented therein relating to abuse are very important and very relevant.

Every action has consequence and truly each of our lives glow so bright before we fade.

I hope that one day Breathless (Ddongpari) can be given a Region 1 DVD release so that I may purchase and watch again.

Ik-Joon Yang is the director, writer, and main actor in this movie. He produced this movie using his private money.

The home of Yeon-Hue, the main actress, is Ik-Joon's renting house. After recording all scene in the house, he moved out from his home because his money run out and he needed his deposit in the house.

He spent his every money to this movie, and fortunately this movie hits the 5rd best in the Korea indie movie history. Many Japanese also watched this movie in the theater.

I really appreciate his marble art; Breathless and King of the pigs

For more information, please refer to this wiki. https://mirror.enha.kr/wiki/%EB%98%A5%ED%8C%8C%EB%A6%AC This is written in Korean but Google translator might help you.

Sang-Hoon founded a debt collecting company with a friend. His friend is the boss, but Sang-Hoon prefers to do the dirty job.

Sang-Hoon has only seen violence all of his life. He suffered domestic violence at home, so he goes around treating every body the only way he has ever been treated. He insults and disrespects the boss (his friend) in front of the workers, he sometimes even punches his work colleagues, but he beats the hell out of every body else he encounters. Nothing seems to matter to him, he seems unstoppable, until he meets a senior high school girl who seems not to be afraid of him. Sang-Hoon, doesn't know that like him she has suffered domestic violence at the hands of her father, seems to appreciate and respect her attitude. They establish a friendship. Life changes...

Breathless (original title: Ddogpari, which apparently translates as something like "shit-fly") is an unrelenting and uncompromising film from the very first frame. There are constant beatings and fights. Violence pervades every frame. The structure of the film seems repetitive, moving in circles, as if to mirror the circle of violence that the characters are trapped in. Yang Ik-Joon (writer, director, producer, and lead actor) has crafted a film that explores themes of domestic violence and its effects on people. The film seems a bit loose and unfocused in the middle but it is a powerful film for those who manage to reach the end.

Extreme and brutal violence on screen. More swearing than Scorsese's Goodfellas. But a powerful first film with amazing performances from Yang Ik-Joon and Kot Bi-Kim playing the school girl with attitude.

Out of the ten or so films I have seen so far at this years Sydney Film Festival this one effected me the most. I shed a few tears by the films end and was thinking about it for days afterward.

It's a heck of a debut from Yang Ik Joon who wrote, directed, produced and takes the lead role as well.

Joon plays a small time hood/debt collector who doesn't mess about with customers who owe money. No one is safe it seems from his fists or his foul mouth, not even his nephew. A chance meeting with a high school student results in an unlikely friendship. We learn more about both characters as the film builds momentum. Suffice to say that their main link is both being exposed to domestic violence.

Joon fleshes out the story and gives all characters a chance to shine. The acting is first rate as is the screenplay which apparently is autobiographical.

Anyone easily upset by violence or profanity would be well advised to give this one a miss.

I hope it finds an audience and gets a wide release. I certainly look forward to more films in the future from this exciting young director/writer/actor.

Breathless will probably garner comparisons to early Scorsese, considering the subject matter. It is not that good, but neither is it that derivative. If anything, it favorably reminded me of the later TV work of Alan Clarke. Despite the summary above, it is not about characters seeking redemption, but family and solace from a cycle of criminal abuse fueled by misplaced ancestral reverence. Without giving away the end, it is more about insight gained by sacrifice that plays upon cyclical reincarnation themes than a solitary quest towards forgiveness.

The multi-talented Yang Ik-Joon does a great job portraying a man so damaged that he expresses affection for a child by repeatedly shoving his head and calling him a bastard. Whether you find it disturbing or funny, the gradual manner in which the characters' darker and more intimate aspects are revealed is excellent.

Instead of credulous explication, back-story or flashbacks, the relationships emerge out of frankly rude and often violent interactions which also advance the plot. I might have had a few gripes about the cinematography, especially in relation to scenes of violence. I kind of expected a bit more from Yang Ik-Joon in this regard. But for a film by an actor as first-time director/writer/editor/star, this is incredibly good.