VALUTAZIONE IMDb
6,4/10
3879
LA TUA VALUTAZIONE
Su un'isola della Polinesia francese, una scrittrice torna nel suo paese dopo aver trionfato in Francia con un romanzo. Tuttavia, è disorientata e in crisi creativa, di fronte all'impossibil... Leggi tuttoSu un'isola della Polinesia francese, una scrittrice torna nel suo paese dopo aver trionfato in Francia con un romanzo. Tuttavia, è disorientata e in crisi creativa, di fronte all'impossibilità di scrivere nuovi lavori.Su un'isola della Polinesia francese, una scrittrice torna nel suo paese dopo aver trionfato in Francia con un romanzo. Tuttavia, è disorientata e in crisi creativa, di fronte all'impossibilità di scrivere nuovi lavori.
- Regia
- Sceneggiatura
- Star
- Premi
- 17 vittorie e 46 candidature totali
Praxedes de Vilallonga
- La fille de la piscine
- (as Práxedes de Vilallonga)
Recensioni in evidenza
This is a truly boring film. It's long, seemed pointless, had scenes that went on forever to no good purpose, had essentially no characters to speak of, and made little sense. I can enjoy long, leisurely paced films, like "The Traveling Players" or "Satantango," but there has to be a reason to be patient and a payoff for doing so. There is neither here.
At the screening I attended, the director, beforehand, said that the last 45 minutes was really special. That was a bait and switch, since they were just like the rest of the film. If anyone goes into this film expecting anything at all like a thriller, they will be disappointed, and disappointed for a rather long time.
The director, speaking afterwards, said he wanted to avoid cliche. In one respect, he failed miserably. The dialog, I believe, was improvised by the actors, rather than being scripted. As a result, it was banal, repetitive, and pointless. There is no more tedious cliche than weak improvised dialog.
It's common for one reviewing a long film to say something like "there's a good 90 minute film in there." Here, there's a mediocre ten minute travelogue in there. There are some pretty shots of Polynesia, and a good surfing sequence, but you pay a heavy price to get to those, and if you're willing to watch a long, weak film to see some nice shots of Tahiti, you're better off with the 60s version of "Mutiny on the Bounty."
After I got home from the screening, I cleaned my cats' litter boxes. I found that experience both more entertaining and more intellectually stimulating than "Pacifiction."
At the screening I attended, the director, beforehand, said that the last 45 minutes was really special. That was a bait and switch, since they were just like the rest of the film. If anyone goes into this film expecting anything at all like a thriller, they will be disappointed, and disappointed for a rather long time.
The director, speaking afterwards, said he wanted to avoid cliche. In one respect, he failed miserably. The dialog, I believe, was improvised by the actors, rather than being scripted. As a result, it was banal, repetitive, and pointless. There is no more tedious cliche than weak improvised dialog.
It's common for one reviewing a long film to say something like "there's a good 90 minute film in there." Here, there's a mediocre ten minute travelogue in there. There are some pretty shots of Polynesia, and a good surfing sequence, but you pay a heavy price to get to those, and if you're willing to watch a long, weak film to see some nice shots of Tahiti, you're better off with the 60s version of "Mutiny on the Bounty."
After I got home from the screening, I cleaned my cats' litter boxes. I found that experience both more entertaining and more intellectually stimulating than "Pacifiction."
One of those movies that has raving critic reviews but where the audience just doesn't seem to like it.
The movie didn't work for me. I enjoyed the beautful locations and the mood. The acting was good. But the plot just didn't go anywhere. Some scenes seemed to go on forever without adding anything to the movie. I kept up for about an hour and then I just started daydreaming.
When I left the cinema, someone was complaining to me in the bathroom that it was such a bad movie. Another movie-goer put it nicely when walking out the doors: "well, this was 3 hours of my life I'm never getting back".
The movie didn't work for me. I enjoyed the beautful locations and the mood. The acting was good. But the plot just didn't go anywhere. Some scenes seemed to go on forever without adding anything to the movie. I kept up for about an hour and then I just started daydreaming.
When I left the cinema, someone was complaining to me in the bathroom that it was such a bad movie. Another movie-goer put it nicely when walking out the doors: "well, this was 3 hours of my life I'm never getting back".
I was bored today and decided to look up the most recent Cesar Award nominees and winners. That's how I ended up with this "motion picture" and I decided to go ahead to see it because I WRONGLY thought i would be thrilled for the 2hrs45mins but Alas!, tis was not to be.
It should have been made into a documentary enlightening viewers of the French nuclear tests that were conducted in Mururoa and the physical and environmental consequences that followed. Rather than making this a feature length film and putting us through this travesty. My rating is this high only because of the scenery.
It felt like a bad April fools day prank.
It should have been made into a documentary enlightening viewers of the French nuclear tests that were conducted in Mururoa and the physical and environmental consequences that followed. Rather than making this a feature length film and putting us through this travesty. My rating is this high only because of the scenery.
It felt like a bad April fools day prank.
Everyone can still remember the violent protests around the world when the newly elected French President Jacques Chirac ordered nuclear bomb tests to be carried out in the Mururoa Atoll in 1995. The people of French Polynesia can remember this particularly well. The French High Commissioner (Benoit MAGIMEL) in Tahiti constantly feels this, as he tries to hear the grass grow in Papeete through his constant presence and constant conversations with all possible sections of the population. The French film star Benoit MAGIMEL (CANNES 2001: Silver Palm for LA PIANISTE) plays this brilliantly in his white suit, which has almost become his uniform. In individual set pieces, we as viewers experience how precarious life must be in the holiday paradise of Tahiti. Whether in the homoerotic atmosphere of Morton's (Sergi LOPEZ) bar or during breathtaking surfing on the beach. These last-mentioned shots are so magnificent that you can almost feel the waves just by watching them.
With this film, Spanish director Albert SERRA takes us on a nearly three-hour trip into the heart of French darkness. With the fantastic Benoit MAGIMEL, we stand on the dream beach of Tahiti and use binoculars to search the surface of the Pacific for a submarine that could provide the first indication of suspected impending nuclear weapons tests.
This film was nominated for the Palme d'Or at the Cannes Film Festival in 2022. If you like films like APOCALYPSE NOW, QUERELLE and TROPICAL MALADY, you shouldn't miss this event.
With this film, Spanish director Albert SERRA takes us on a nearly three-hour trip into the heart of French darkness. With the fantastic Benoit MAGIMEL, we stand on the dream beach of Tahiti and use binoculars to search the surface of the Pacific for a submarine that could provide the first indication of suspected impending nuclear weapons tests.
This film was nominated for the Palme d'Or at the Cannes Film Festival in 2022. If you like films like APOCALYPSE NOW, QUERELLE and TROPICAL MALADY, you shouldn't miss this event.
Taking place on Tahiti, "Pacifiction" takes a long time to set the story in motion, though director Albert Serra gives us some images to think about. The images are beautiful and the camera dwells on many sets far too long. When I finally got to the end of the film I was tired and regretted that I could not feel as I should.
Well, here is the story: The High Commissioner of the Republic of France, De Roller, has little power but tries to keep peace on the island, when some native representatives inform him of a rumor, that nuclear testing is returning to the region.
Of course, everyone is upset by this idea, though no one seems to know anything in particular. But as De Roller starts to investigate, he finds a number of strange things going on, a group of sailors plus their captain, a Portuguese visitor who's passport has been stolen, foreign shady characters are popping up, a submarine has been sighted and so on.
The more De Roller pokes around, the less he can make any sense out of it but he begins to believe that there is truth in the rumor. In between he manages to coach a local dance group for their performance at his favorite night club, where he also chats with Shanna, a transsexual. Shanna has high hopes to become the secretary of the Commissioner, and De Roller certainly gives him reason to think so by taking him along on some of his visits. This relationship does not seem to be sexual, but the film gives no explanation to what it is that draws De Roller to Shanna.
I don't want to go into more details, but the film is certainly too long, I would say by an hour! Running 2:45 right now, there is no reason not to cut it down, some sidelines don't really advance the story. But despite the length, we hardly see any Tahitians who are not wearing costumes and perform for tourists. Which I don't think is close to reality.
Well, here is the story: The High Commissioner of the Republic of France, De Roller, has little power but tries to keep peace on the island, when some native representatives inform him of a rumor, that nuclear testing is returning to the region.
Of course, everyone is upset by this idea, though no one seems to know anything in particular. But as De Roller starts to investigate, he finds a number of strange things going on, a group of sailors plus their captain, a Portuguese visitor who's passport has been stolen, foreign shady characters are popping up, a submarine has been sighted and so on.
The more De Roller pokes around, the less he can make any sense out of it but he begins to believe that there is truth in the rumor. In between he manages to coach a local dance group for their performance at his favorite night club, where he also chats with Shanna, a transsexual. Shanna has high hopes to become the secretary of the Commissioner, and De Roller certainly gives him reason to think so by taking him along on some of his visits. This relationship does not seem to be sexual, but the film gives no explanation to what it is that draws De Roller to Shanna.
I don't want to go into more details, but the film is certainly too long, I would say by an hour! Running 2:45 right now, there is no reason not to cut it down, some sidelines don't really advance the story. But despite the length, we hardly see any Tahitians who are not wearing costumes and perform for tourists. Which I don't think is close to reality.
Lo sapevi?
- QuizAccording to the director, about 500 hours of footage were shot during the production, including about 200 hours with dialogue and sound recording. Serra explained, that since the beginning of his career, he tried to use the advantages of shooting digital and therefore shoots long, improvisational scenes with 3 cameras at once, which results in a lot of footage to work with in post-production.
- ConnessioniReferenced in Radio Dolin: 12 Best Movies of the Cannes Film Festival 2022 (2022)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Pacifiction
- Luoghi delle riprese
- Paradise Night Club Tahiti, Papeete, Tahiti, Polinesia Francese(Disco club interiors)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 416.721 USD
- Tempo di esecuzione2 ore 45 minuti
- Colore
- Proporzioni
- 2.39 : 1
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What is the Canadian French language plot outline for Pacifiction - Un mondo sommerso (2022)?
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