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6,7/10
28.132
LA TUA VALUTAZIONE
La figlia di un uomo ricco è tenuta prigioniera in un appartamento abbandonato da due ex detenuti che l'hanno rapita e le hanno trattenuto il riscatto in cambio dei soldi del padre.La figlia di un uomo ricco è tenuta prigioniera in un appartamento abbandonato da due ex detenuti che l'hanno rapita e le hanno trattenuto il riscatto in cambio dei soldi del padre.La figlia di un uomo ricco è tenuta prigioniera in un appartamento abbandonato da due ex detenuti che l'hanno rapita e le hanno trattenuto il riscatto in cambio dei soldi del padre.
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"Tell him that he must pay the money, that he must do exactly as we ask or we will kill you. You tell him that you have no doubt that we will kill you."
The Disappearance of Alice Creed is a brutal little thriller about a woman who gets kidnapped by two men, who plan to use her to ransom £2 million from her wealthy father. The kidnapping itself goes flawlessly, and once she's securely locked up, there seems to be little that can go wrong to keep the men from getting the money. But, that wouldn't make for a very interesting movie, would it? Things go wrong, and the best-made plan can still end up being a disaster.
I was somewhat expecting The Disappearance of Alice Creed to be your standard kidnap and escape kind of movie, but I have to give it credit for throwing enough wrinkles in to make itself somewhat unique. The relationships between the two kidnappers and the title character end up being more complex than they initially seemed, and cracks of distrust turn the initially well-executed plan into a situation that perhaps no one will survive.
There's a strong current of tension that starts with the dialogue-free beginning and continues all the way to the very end. That's pretty impressive, in my opinion, and I hasn't seen many movies lately that keep things that taut for the entire time. In addition to the story, the acting was solid, as well. When a movie really only involves three actors (Gemma Arterton, Martin Compston, and Eddie Marsan), one weak link could ruin it. Thankfully, that's not the case, here.
Still, I'm not the greatest fan in the world of these kinds of movies, so even a good one like this (and it is good) has a hard time blowing me away. If you're a genre fan, though, I think you'll be pleased.
The Disappearance of Alice Creed is a brutal little thriller about a woman who gets kidnapped by two men, who plan to use her to ransom £2 million from her wealthy father. The kidnapping itself goes flawlessly, and once she's securely locked up, there seems to be little that can go wrong to keep the men from getting the money. But, that wouldn't make for a very interesting movie, would it? Things go wrong, and the best-made plan can still end up being a disaster.
I was somewhat expecting The Disappearance of Alice Creed to be your standard kidnap and escape kind of movie, but I have to give it credit for throwing enough wrinkles in to make itself somewhat unique. The relationships between the two kidnappers and the title character end up being more complex than they initially seemed, and cracks of distrust turn the initially well-executed plan into a situation that perhaps no one will survive.
There's a strong current of tension that starts with the dialogue-free beginning and continues all the way to the very end. That's pretty impressive, in my opinion, and I hasn't seen many movies lately that keep things that taut for the entire time. In addition to the story, the acting was solid, as well. When a movie really only involves three actors (Gemma Arterton, Martin Compston, and Eddie Marsan), one weak link could ruin it. Thankfully, that's not the case, here.
Still, I'm not the greatest fan in the world of these kinds of movies, so even a good one like this (and it is good) has a hard time blowing me away. If you're a genre fan, though, I think you'll be pleased.
Two British men kidnap the daughter of a rich man and hold her prisoner while negotiating a ransom. It's tightly constructed and the suspense builds amid the changing dynamics of the relationship among the three characters. What keeps it from being a good film, however, is the stupidity of the characters, particularly Alice, the victim, who squanders opportunities to escape because of her idiotic actions. Of course, in these kinds of films, such behavior is used primarily to propel the plot, otherwise the story would end too quickly. Still, it's an impressive feature film debut for writer-director Blakeson and is worth a look.
This film to me personally was a little bit of a surprise to say the least, I was recommended the film by a friend, who said to me its worth watching, and as a film critic, I put aside some time to give it a viewing.
I was not disappointed either, with the film starting out somewhat a little confusing, and uncomfortable at first, it soon dawns upon you that this is no ordinary kidnapping. I won't release any spoilers here, but will advise you to watch the film with an open mind, and frame of mind as there are some surprises that even I didn't see coming.
The plot thickens, and the film has you guessing along the way which to me is what film making is all about. Watch it, and enjoy, I'm sure you will know the actor who plays Vic, he is an underestimated actor, who shines in this film.!
I was not disappointed either, with the film starting out somewhat a little confusing, and uncomfortable at first, it soon dawns upon you that this is no ordinary kidnapping. I won't release any spoilers here, but will advise you to watch the film with an open mind, and frame of mind as there are some surprises that even I didn't see coming.
The plot thickens, and the film has you guessing along the way which to me is what film making is all about. Watch it, and enjoy, I'm sure you will know the actor who plays Vic, he is an underestimated actor, who shines in this film.!
The title is something that confused me, as we spend the whole time with the titular character, yet at the end of it, comprehension dawns.
Acting: Arterton actually surprised me as in Quantum of Solace, Prince of Persia and Clash of the Titans she was uneven and had this contrived, grating posh accent but here, she speaks in her normal accent and is far more consistent in emoting. Goes to show, you can't write of every actor, even after a couple of so-so performances.
As improved as she is, the other two, Marsan and Compston (particularly the former) overshadow her somewhat. Marsan is a cunning and calculating crook and Compston is his naive accomplice. Marsan is particularly menacing and Compston develops his character pretty well. There's a plot twist involving all three that I personally didn't anticipate in that way.
Plot and Pacing: From the unnerving opening without much dialogue to the gripping conclusion, this, to me, wasn't completely predictable. Budget constraints meant the cast remained a trio, but I would've liked to have seen other important characters mentioned.
Cinematography: Conveys a true sense of sickening planning in Alice's kidnapping, humiliation at the hands of the pair, deception, fear - all pretty much what I'd expect from a thriller of this sort.
Score: What little there was there was good and I loved the Radiohead-sounding song with Bjork-esquire vocals Holy Moly by Cathy Davey, as it's suitably mellow for the end of the film.
Overall: This has been called a glorified stage play by some people, but to me, it felt like a film with nuances concerning characters and much like Hard Candy(comparison as it's also indie and had a small cast) was a really taut thriller that had me glued to the screen all the way through.
This is proof that British Cinema is still alive and well and that every now and again, a little gem will come out. A film with flawed characters with a theme of the selfish desires they share.
Acting: Arterton actually surprised me as in Quantum of Solace, Prince of Persia and Clash of the Titans she was uneven and had this contrived, grating posh accent but here, she speaks in her normal accent and is far more consistent in emoting. Goes to show, you can't write of every actor, even after a couple of so-so performances.
As improved as she is, the other two, Marsan and Compston (particularly the former) overshadow her somewhat. Marsan is a cunning and calculating crook and Compston is his naive accomplice. Marsan is particularly menacing and Compston develops his character pretty well. There's a plot twist involving all three that I personally didn't anticipate in that way.
Plot and Pacing: From the unnerving opening without much dialogue to the gripping conclusion, this, to me, wasn't completely predictable. Budget constraints meant the cast remained a trio, but I would've liked to have seen other important characters mentioned.
Cinematography: Conveys a true sense of sickening planning in Alice's kidnapping, humiliation at the hands of the pair, deception, fear - all pretty much what I'd expect from a thriller of this sort.
Score: What little there was there was good and I loved the Radiohead-sounding song with Bjork-esquire vocals Holy Moly by Cathy Davey, as it's suitably mellow for the end of the film.
Overall: This has been called a glorified stage play by some people, but to me, it felt like a film with nuances concerning characters and much like Hard Candy(comparison as it's also indie and had a small cast) was a really taut thriller that had me glued to the screen all the way through.
This is proof that British Cinema is still alive and well and that every now and again, a little gem will come out. A film with flawed characters with a theme of the selfish desires they share.
This is a fine example of what can be done with a small budget but a decent script and some good actors.
The cast is precisely three and rarely can a film have ever been made that has the entire screen time taken up by so few people. This makes the film quite claustrophobic which is a pretty effective technique given the plot. The films does build up a nice degree of tension and whilst the plot is simple there are plenty of genuine surprises along the way although a stronger ending would have made this an even better film.
All three actors are very good but particularly impressive is Eddie Marsan as the older of the two kidnappers who is genuinely menacing.
This is a raw and at times violent film but well worth a watch if you are looking for something just a bit different.
The cast is precisely three and rarely can a film have ever been made that has the entire screen time taken up by so few people. This makes the film quite claustrophobic which is a pretty effective technique given the plot. The films does build up a nice degree of tension and whilst the plot is simple there are plenty of genuine surprises along the way although a stronger ending would have made this an even better film.
All three actors are very good but particularly impressive is Eddie Marsan as the older of the two kidnappers who is genuinely menacing.
This is a raw and at times violent film but well worth a watch if you are looking for something just a bit different.
Lo sapevi?
- QuizEven in the scenes where her character is not being filmed, Gemma Arterton would still insist on being handcuffed to the bed to help her performance.
- BlooperWhen Vic checks the bullets in the gun, he removes the magazine, then replaces it and operates the slide. A bullet should have ejected as it was recently fired and there would have been one in the chamber.
- ConnessioniFeatured in Breakfast: Episodio datato 29 aprile 2010 (2010)
- Colonne sonoreHoly Moly
Written and Performed by Cathy Davey
Published by EMI Music Publishing Ltd.
Licensed courtesy of EMI Records LTD.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- The Disappearance of Alice Creed
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 800.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 166.980 USD
- Fine settimana di apertura Stati Uniti e Canada
- 40.258 USD
- 8 ago 2010
- Lordo in tutto il mondo
- 896.919 USD
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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