Comedown

I watch a lot of horror/slasher films and most of them I get about half way through before I turn off. Comedown had absolutely nothing new to add to the genre and the characters were pretty unlikeable, yet I found I managed to sit through the whole thing without actually turning it off.

A bunch of pretty horrible teenagers break into a condemned London tower block in order to set up a pirate radio station. However, there's the obligatory psycho happens to already be living there. And, unsurprisingly, he doesn't take too kindly to their intrusion. What follows is the typical 'hunt 'em and kill 'em' scenario.

Although the killer looks like he's already starred in I Know What You Did Last Summer, he's played by Geoff Bell, an actor who always puts in a good performance (even if he does only just squeak in this case!). The rest of the cast are basically 'killer-fodder.' You won't find yourself shedding too many tears when they start getting hacked to death. One girl is pregnant and her boyfriend is a reformed convict, so I think we're supposed to root for them. Jessica Barden, who plays a particularly 'chavvy' young lady, actually puts in a pretty good performance.

There's nothing new here and what little budget the film had seems to have been wasted on using computers to add extra blood in. Personally, I'd rather they'd have simply squirted a couple of bottles of tomato ketchup here and there, as the computer effects look a little bit too fake.

Like I say, nothing too new here, but strangely watchable and quite good fun in its genre.

I really do like this film, and yes it has a bit of an original story. The fact that we don't see background on the main characters was an excellent touch since usually every damned movie out there has that background story that isn't a;ways necessary to consider a film a success. The pigeon thing was also an excellent touch since it was a new idea that hasn't been used before.

Now, here is the downside to the film-- the overplayed slang that became famous in 2012, "Fam". Yes we know it's a abbreviation for the word "Family" and is not the first film to use the slang word of the year to relate to the audience, but in this film it is WAY overused which quickly bordered on annoying. Now, for the rest of my criticism, I am going to rag on the guy who ruined the movie in every scene he was in whether he opened his mouth or not; Jason.

Jason is the self appointed leader of the group and is extremely childish and annoying. Not to mention selfish. Lloyd, whom he considers his best friend, is trying to straighten out his life because he has a child on the way and is putting priorities above Jason. I completely commend his decisions because he doesn't want to be locked up and not able to help raise his child. He stopped doing drugs and drinking heavily and definitely was putting his beloved girlfriend as well as his aforementioned unborn child first. Jason was not having ANY of that.

Jason doesn't like being told no, whether he wants to do something or wants someone else to do something. So what does he do when Lloyd honors his deal with their drug dealer by hooking up the aerial and then deciding to take Jemma home? Jason spikes his "Best Friend's" drink with pills because he didn't want him to leave. Well, I'm sorry Jason but the world doesn't revolve around you, "Fam".

He is also abusive towards Colin which is definitely uncalled for. Jason may be the self appointed leader but he is extremely annoying and gave the film the only unenjoyable moments.

All in all, aside from Jason, this film was original and very well made. I recommend it for anyone who decided to look for something different.

OK, I get why this Comedown only rated a 4.6 here at IMDb, as it is true it's a stock premise, that is, teenagers somehow exposed getting hunted down one by one in the tradition of numerous other slasher flicks. I'm giving it a 10. Comedown is a truly excellent slasher flik. The psychopath is truly creepy, and chillingly prepared for his night of slaughter, and the Director's handling of how he is introduced carefully scene by scene is a championship of editing. The murders are brilliant, each one carefully choreographed, with great shock value. Some classic horror images here. The tension is palpable. Even before the kids are in danger the delicate dynamics of their social wiles just kind of screams 'this is trouble'. It was a great way to lead in. The actors are all accomplished. The characters themselves are not easy to enjoy, but they are very authentic, helped along by a jabbing script. Then there is the grand set itself, with the lighting and texture throughout being powerful. The sense of danger is just screaming off the walls. This movie has all the heart pounding guts of a really, really outrageous dare, and I loved every minute.

Some people just need to get off their high horse. This is a new generation of good British Drama. It's the emergence of a younger generation cultivating their own language, therefore the dialect is true to type of certain communities. Traditionalists are in denial that this section of society exists, and that their language has found its way into the movies.

The movie hosts a mix of teen crime, mischievous behaviour, youth cult and culture. It's the result of all growing up in a Tower Block in the same area, where the likelihood is that they all attended the same schools and went through the UK schooling system, and gang warfare - but these were not gangs - these were just a group of friends with 'attitude'.

A grimy & gritty low-budget London based urban slasher where a bunch of vile street rats get killed off one by one in a rundown abandoned Block of flats & it's a pretty bad film because the gang are vile & the type in real life you want to get killed off!!!

An all British urban version of an American Slasher & here i rooted for the KILLER!!!!