VALUTAZIONE IMDb
4,6/10
1710
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaSix friends who turn the deserted the tower block they lived in as kids into a pirate radio station soon learn they are not alone, as a resident psychopath begins hunting them down.Six friends who turn the deserted the tower block they lived in as kids into a pirate radio station soon learn they are not alone, as a resident psychopath begins hunting them down.Six friends who turn the deserted the tower block they lived in as kids into a pirate radio station soon learn they are not alone, as a resident psychopath begins hunting them down.
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I would like to start by saying the only reason this movie made it to 3 stars, is solely because it has Jessica Barden. I actually enjoyed the acting and setting in this movie, everything else pretty much missed the mark. I want to say the directing in this movie wasn't good. It seemed fairly predictable and not very suspenseful. I feel like I already knew what was going to happen before it happened. The story had potential but lacked so much detail that it was hard to understand why things were happening. I think it is worth the watch, but only if it's out of boredom, not to entertain.
COMEDOWN is a low rent British horror film set entirely within the confines of a deserted tower block. The gritty realism and the setting made me hope for something along the lines of TOWER BLOCK or ATTACK THE BLOCK, but unfortunately this is nothing like those two (great) movies. Instead it's a cheap slasher, almost entirely devoid of imagination.
Headlining the cast is Jacob Anderson, best known to audiences for his role as Grey Worm in GAME OF THRONES. Anderson and his buddies, including a pregnant girlfriend and an obnoxious type (Adam Deacon, playing firmly to type) hole up in a run-down building to help run a pirate radio station, but their drug-fuelled highs come crashing down when a killer starts picking them off one by one.
COMEDOWN must feature one of the least menacing bad guys ever, and when you learn of his motivations you'll laugh out loud, they're that slim. The kills, which are what most horror fans will watch this for, are relatively tame, and there just isn't much in the way of suspense built along the way. It doesn't help that the dialogue is moronic throughout and that every twist in the script is well-choreographed. Add in some quite terrible cinematography, meaning 95% of this takes place in near blackness, and you have a quite unworthy film.
Headlining the cast is Jacob Anderson, best known to audiences for his role as Grey Worm in GAME OF THRONES. Anderson and his buddies, including a pregnant girlfriend and an obnoxious type (Adam Deacon, playing firmly to type) hole up in a run-down building to help run a pirate radio station, but their drug-fuelled highs come crashing down when a killer starts picking them off one by one.
COMEDOWN must feature one of the least menacing bad guys ever, and when you learn of his motivations you'll laugh out loud, they're that slim. The kills, which are what most horror fans will watch this for, are relatively tame, and there just isn't much in the way of suspense built along the way. It doesn't help that the dialogue is moronic throughout and that every twist in the script is well-choreographed. Add in some quite terrible cinematography, meaning 95% of this takes place in near blackness, and you have a quite unworthy film.
A grimy & gritty low-budget London based urban slasher where a bunch of vile street rats get killed off one by one in a rundown abandoned Block of flats & it's a pretty bad film because the gang are vile & the type in real life you want to get killed off!!!
An all British urban version of an American Slasher & here i rooted for the KILLER!!!!
An all British urban version of an American Slasher & here i rooted for the KILLER!!!!
... Makes another deeply unpleasant film that borders on being unwatchable
Yes the director of KIDULTHOOD is back and this time he tries his hand at horror in an inner London setting . This type of horror has been done before in ATTACK THE BLOCK , a film I personally despised because the anti-heroic protagonists deserved to get eaten by alien hordes . This film is no different and is a film I despise for the same reason as ATTACK THE BLOCK
If you're going to have a film where the protagonists are going to be fighting for their lives at least craft some type of characterization that will have the audience empathize with their predicament . Here I didn't know anything about the villain in the background stalking the teenagers . All I knew was that he was probably doing the gene pool a massive favour
Some commentators have criticised the " Estuary English / chav speak " dialogue but if we had the Royal Shakespeare Company speaking in pedantic Queens English this wouldn't have made any difference because most of the dialogue is downed out in a poor sound mix with some very dire muzak on the soundtrack just to remind the audience that this is a horror film
In summary this is one of those films that will alienate and outrage everyone from the most rabidly right wing reader of The Daily Mail to the most left leaning Guardinista . When you're watching a horror film and the most likable character is the villain that must be seen as a fundamental failure
Yes the director of KIDULTHOOD is back and this time he tries his hand at horror in an inner London setting . This type of horror has been done before in ATTACK THE BLOCK , a film I personally despised because the anti-heroic protagonists deserved to get eaten by alien hordes . This film is no different and is a film I despise for the same reason as ATTACK THE BLOCK
If you're going to have a film where the protagonists are going to be fighting for their lives at least craft some type of characterization that will have the audience empathize with their predicament . Here I didn't know anything about the villain in the background stalking the teenagers . All I knew was that he was probably doing the gene pool a massive favour
Some commentators have criticised the " Estuary English / chav speak " dialogue but if we had the Royal Shakespeare Company speaking in pedantic Queens English this wouldn't have made any difference because most of the dialogue is downed out in a poor sound mix with some very dire muzak on the soundtrack just to remind the audience that this is a horror film
In summary this is one of those films that will alienate and outrage everyone from the most rabidly right wing reader of The Daily Mail to the most left leaning Guardinista . When you're watching a horror film and the most likable character is the villain that must be seen as a fundamental failure
First of all, I didn't watch the trailer of the movie since I stumbled upon this movie by accident when I was searching for something to watch in IMDb. Eventually, it wasn't a nice movie and I didn't really enjoy it. The movie synopsis was very interesting and kinda mysterious, but it wasn't innovative because there are too many movies similar to this one. The storyline wasn't well-written, nor well-explained and it was very simple. The characters weren't interesting, nor well-developed and they were super annoying. The casting choices were just fine, but their performances weren't nice. In my opinion, the highlight of the movie was definitely the killcount, since the kills were very bloody and brutal. At least, it was a kinda intense movie, but there weren't any action-filled moments. Last but not least, the ending was absolutely predictable and it was just fine. Overall, "Comedown" wasn't a nice slasher film, not scary, kinda boring, but the kills were awesome. So, I'm not sure if I would recommend it to my friends...
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Written by Chris DeMello, Rebecca Ainsworth, and Karl Forshaw
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Dettagli
Botteghino
- Budget
- 2.000.000 USD (previsto)
- Lordo in tutto il mondo
- 39.624 USD
- Tempo di esecuzione
- 1h 30min(90 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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