L'amore di un figlio per suo padre. Spesso lontano per lavoro il padre non riesce a comprendere l'intensità dell'amore del figlio. Ironicamente, questo fervente amore e ammirazione per suo p... Leggi tuttoL'amore di un figlio per suo padre. Spesso lontano per lavoro il padre non riesce a comprendere l'intensità dell'amore del figlio. Ironicamente, questo fervente amore e ammirazione per suo padre e la sua famiglia crea conflitti.L'amore di un figlio per suo padre. Spesso lontano per lavoro il padre non riesce a comprendere l'intensità dell'amore del figlio. Ironicamente, questo fervente amore e ammirazione per suo padre e la sua famiglia crea conflitti.
- Regia
- Sceneggiatura
- Star
- Premi
- 37 vittorie e 59 candidature totali
- Asrar ul Haque
- (as Babloo Prithiveeraj)
Recensioni in evidenza
RK has really nailed it this time. This performance can be surely counted as one of his very best in terms of quality of acting. As much as I want to say the same thing for Rashmika, the element of common sense is simply not allowing me. Firstly, the quality of acting displayed by her is disappointing compared to her previous performances. And further I am still not able to understand why someone like her accepted the movie after reading the script.(may be due to RK). The character she plays feels like a clown in the movie.
The adult scenes in the movie were forcefully forced into the script and felt very unnatural. The first half of the movie is the most striking and impressive aspect, but sadly it starts to lose momentum every minute in the second half. Unnecessary and untimely placement of songs further declines the experience. The movie deviates from its original plot & theme several times which can be frustrating. Another frustrating part is that several dialogues in English and punjabi language are said so fast that 90% of audience fails to digest them. Lack of twists and turns makes it boring at times. Boby deols screen time is not more than 25 minutes, and that too without a single dialouge, which is again disappointing and surprising because the trailer of the movie makes him look like one of the leads.
But all things said, we cannot deny the fact that it is something very fresh and unique, which the audience will love. One of the most aesthetically appealing & enjoyable movie from Bollywood in long time. The message it delivers between a father and son is very beautiful and climax makes up for all the faults it has.
Purely a theatre movie will not be that satisfying if witnessed on mobile or laptop.
Basically people want drugs over ghee is such a true analogy. Sad but truth.. There is only violence and bad story in animal which you can't even ask your family to watch.
I am against any boycotting but Indian cinema needs to come out of the 'break the skull with hammer' approach. In fact bollywood is now not able to make their own script or movies so no they are copying South Indian movies.
Jawan was good movie but what was there in Tiger3(total waste).
We need good movies with stories, acting, songs...
Excellent BGM, magnificient cinematography and out of the world acting by Ranbir (what a brilliant actor he is!) fell short to save the movie ridden with lack of depth and emotion in the storyline. The loosely written plotlines and characters severely dilapitated Ranbir's character as well because the other characters were so underdeveloped. Lack of motive in even the central character resulted in a lack of conviction in the whole story to such a level that after taking in so much of grandly choreographed violence, one is left scratching head wondering everything happened for what exactly! Emotion got translated i nto only one sided shouting and the viewer is left alone to experience an exhausting and frantic TV debate show where only the TV anchor gets to shout.
Severe formula plotpoints and scenes , some of which are inspired from Godfather,OldBoy(2003), The man from Nowhere (2010) Rajneeti and even Kabir Singh were put together in such a way that one is left doubting whether the director wanted to copy from his own previous success just because it worked earlier. But it didn't result in anything like Kabir Singh because everything was so incoherent. The brilliant opening of the movie, by the director's own obcession of using pointless violence (or might be a desperate attempt to cover up the flaws in storyline) got reduced into one and only point- who can shout the loudest! Or thats what a predatory animal is supposed to do- a non-human who shouldn't be part of humane society but gets occassionally breaded by our society. It emanates an excruciatingly agonizing world around it; unable to love, empathize, dialogue & sense of integrity but is just filled with suffocating anger & treachery.
Yet, Animal fails on basically every level. It feels like the creation of an annoying 14 year old Indian boy than a film, and can only be described as TOO MUCH. This 3 hour and 24 minutes feels like an eternity as we zip from scene to scene, moment to moment, without much time to breathe. Not to mention, the film just feels excessive and it's not entertaining. It's honestly an exhausting affair.
TOO MUCH brutality and gore. It's completely unnecessary, off putting, and difficult to watch. We're supposed to like our protagonist (more on him later), yet he's needlessly cruel and violent, like everyone at a certain point in this film. It feels really "off" tonally, and comes out of nowhere. The scene where Bobby Deol was introduced started off nicely, but then goes off the rails with the blood and gore, and it ruins it completely. Not to mention the unnecessary...sex scene. Yeah. More on THIS later too.
Ranbir Kapoor's Vijay is a psychopath, who is as mentioned before, cruel and violent, but unstable, rude, callous, condescending, misogynistic, and difficult to empathize with. We have to spend a bulk of the film with this man, and the movie is constantly asking us to sympathize and respect him, but he deserves none of it. I like films with "unlikable" protagonists, but a film has to give us a reason to connect with them from time to time. I don't want to hear anyone complain about Leo's Jordan Belfort ever again; a guy we know is terrible, but you can't help but like him. Vijay is not that.
The film is supposed to be about who is trying to kill Anil Kapoor's Papa (that's not his real name, but it might as well be, and to be fair, he's really good in this), and lead us into some corporate and maybe political intrigue. But the film wastes it with a paper thin, poorly told plot and villain's whose performers give it their all and are compelling via performance, but definitely terribly written. They're two dimensional and their motives feel rushed, and not to mention, the film can't help but be a bit Islamophobic as well. (There's subtext to these Modi era Bollywood movies).
But frankly, the worst thing about this movie is its celebration of toxic masculinity and misogyny. I'm no Bechdel Test wielding feminist, but my God, this movie really hates women. They're either doeish sex objects or lack any agency at all. There's a really dark and twisted attitude towards sex and relationships this movie portrays, glorifying domination, fear, and abuse, all whilst desperately trying to convince us the main couple have a happy and successful marriage. Vijay can't help but undermine and demean every other woman he sees, treating them as sexual objects, intimidating them, or insulting them. And what's disturbing is the movie seems to want to paint him as "the man men want to be, and the man women want to date."
There's legitimately a stretch of this film towards the end where I genuinely worried we'd see explicit violence against women, like some wife slapping or choking or worse, SA or the R word. I'm not joking. I saw this with three women. You can imagine how they felt.
Yeah, I'd maybe watch this high and laugh at with friends again, but for anyone else, PLEASE avoid this trashfire.
Lo sapevi?
- QuizSandeep Reddy Vanga chose to retain the Punjabi song "Arjan Vailly" in its original language in the dubbed versions, feeling it was very original and impossible to interpret.
- BlooperVarun Malhotra, big industrialist of the country gets was killed in a meeting still his wife reet is unaware of such incident or breaking news.
- Citazioni
Ranvijay Singh: When I went seeking evil, I couldn't find any evil. When I looked within, there was no one more evil than me.
- Curiosità sui creditiIn the post-credits scene, Asrar, Abid and Abrar's other younger brother, Aziz, a professional assassin in Istanbul, learns that Vijay was responsible for killing Asrar and Abrar. After successfully undergoing a plastic surgery to become Vijay's doppelganger Aziz, along with Abid, sets out to exact vengeance on Vijay and his family.
- Versioni alternativeThe Indian theatrical version was certified A (adults only) after some cuts were made. While the modifications suggested by the Examining Committee were waived off based on the filmmaker/applicant's justifications and submissions, a number of verbal cuts were made to the audio as well as the subtitles. The only visual cuts made were to an intimate scene, where the closeup shots were removed.
- ConnessioniReferenced in Unstoppable with NBK: Wildest Episode (2023)
- Colonne sonoreArjan Vailly (Hindi)
Music by Manan Bhardwaj
Lyrics by Bhupinder Babbal
Performed by Bhupinder Babbal
Additional Vocals by Sandeep Brar
Backing Vocals by Anirudh Loomba, Paras Kamboj, Charanjeet Sharma, Amandeep Singh Giran, R.D. Singh, Vicky Jass, Gagan Gags Sharma, Kunal Shandilya, Gaurav Verma
I più visti
- How long is Animal?Powered by Alexa
- Is there an English dub available?
- Why is there no police in the film?
- How long are both halves of the film?
Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 15.004.482 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.524.534 USD
- 3 dic 2023
- Lordo in tutto il mondo
- 92.850.083 USD
- Tempo di esecuzione3 ore 24 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1