L'amore di un figlio per suo padre. Spesso lontano per lavoro il padre non riesce a comprendere l'intensità dell'amore del figlio. Ironicamente, questo fervente amore e ammirazione per suo p... Leggi tuttoL'amore di un figlio per suo padre. Spesso lontano per lavoro il padre non riesce a comprendere l'intensità dell'amore del figlio. Ironicamente, questo fervente amore e ammirazione per suo padre e la sua famiglia crea conflitti.L'amore di un figlio per suo padre. Spesso lontano per lavoro il padre non riesce a comprendere l'intensità dell'amore del figlio. Ironicamente, questo fervente amore e ammirazione per suo padre e la sua famiglia crea conflitti.
- Regia
- Sceneggiatura
- Star
- Premi
- 38 vittorie e 59 candidature totali
- Asrar ul Haque
- (as Babloo Prithiveeraj)
Recensioni in evidenza
While the first half engages with its fast pace, the second half unnecessarily prolongs the story, leaving the film feeling overly lengthy and lacking character development, especially with Ranbir Kapoor's character. His abrupt temporal shifts lack clear reasoning, contributing to a disjointed narrative.
Despite a touching emotional scene between Anil Kapoor and Ranbir Kapoor towards the end, it arrives too late, leaving the audience fatigued and eager for closure. The credit scenes, though appealing, add to the film's unnecessary length.
Ranbir Kapoor's character, portrayed as a hero, raises concerns due to his criminal actions, lack of respect for others, blatant misogyny, and attitude problems. The film's attempt to celebrate such a character is problematic, as it glorifies a man-child who in reality needs therapy.
Actress Rashmika Mandanna's performance is very poor, making her unfit for the role. She was struggling to deliver convincing dialogue and lacked depth in her portrayal.
It's disheartening to witness Bollywood failing with films like "Animal." The industry has the potential for impactful cinema but seems to fall for subpar narratives. They should strive for better storytelling and more nuanced character portrayals and should avoid the pitfalls of glorifying problematic characters for the sake of entertainment.
Excellent BGM, magnificient cinematography and out of the world acting by Ranbir (what a brilliant actor he is!) fell short to save the movie ridden with lack of depth and emotion in the storyline. The loosely written plotlines and characters severely dilapitated Ranbir's character as well because the other characters were so underdeveloped. Lack of motive in even the central character resulted in a lack of conviction in the whole story to such a level that after taking in so much of grandly choreographed violence, one is left scratching head wondering everything happened for what exactly! Emotion got translated i nto only one sided shouting and the viewer is left alone to experience an exhausting and frantic TV debate show where only the TV anchor gets to shout.
Severe formula plotpoints and scenes , some of which are inspired from Godfather,OldBoy(2003), The man from Nowhere (2010) Rajneeti and even Kabir Singh were put together in such a way that one is left doubting whether the director wanted to copy from his own previous success just because it worked earlier. But it didn't result in anything like Kabir Singh because everything was so incoherent. The brilliant opening of the movie, by the director's own obcession of using pointless violence (or might be a desperate attempt to cover up the flaws in storyline) got reduced into one and only point- who can shout the loudest! Or thats what a predatory animal is supposed to do- a non-human who shouldn't be part of humane society but gets occassionally breaded by our society. It emanates an excruciatingly agonizing world around it; unable to love, empathize, dialogue & sense of integrity but is just filled with suffocating anger & treachery.
RK has really nailed it this time. This performance can be surely counted as one of his very best in terms of quality of acting. As much as I want to say the same thing for Rashmika, the element of common sense is simply not allowing me. Firstly, the quality of acting displayed by her is disappointing compared to her previous performances. And further I am still not able to understand why someone like her accepted the movie after reading the script.(may be due to RK). The character she plays feels like a clown in the movie.
The adult scenes in the movie were forcefully forced into the script and felt very unnatural. The first half of the movie is the most striking and impressive aspect, but sadly it starts to lose momentum every minute in the second half. Unnecessary and untimely placement of songs further declines the experience. The movie deviates from its original plot & theme several times which can be frustrating. Another frustrating part is that several dialogues in English and punjabi language are said so fast that 90% of audience fails to digest them. Lack of twists and turns makes it boring at times. Boby deols screen time is not more than 25 minutes, and that too without a single dialouge, which is again disappointing and surprising because the trailer of the movie makes him look like one of the leads.
But all things said, we cannot deny the fact that it is something very fresh and unique, which the audience will love. One of the most aesthetically appealing & enjoyable movie from Bollywood in long time. The message it delivers between a father and son is very beautiful and climax makes up for all the faults it has.
Purely a theatre movie will not be that satisfying if witnessed on mobile or laptop.
Lo sapevi?
- QuizSandeep Reddy Vanga chose to retain the Punjabi song "Arjan Vailly" in its original language in the dubbed versions, feeling it was very original and impossible to interpret.
- Citazioni
Ranvijay Singh: When I went seeking evil, I couldn't find any evil. When I looked within, there was no one more evil than me.
- Curiosità sui creditiIn the post-credits scene, Asrar, Abid and Abrar's other younger brother, Aziz, a professional assassin in Istanbul, learns that Vijay was responsible for killing Asrar and Abrar. After successfully undergoing a plastic surgery to become Vijay's doppelganger Aziz, along with Abid, sets out to exact vengeance on Vijay and his family.
- Versioni alternativeThe Indian theatrical version was certified A (adults only) after some cuts were made. While the modifications suggested by the Examining Committee were waived off based on the filmmaker/applicant's justifications and submissions, a number of verbal cuts were made to the audio as well as the subtitles. The only visual cuts made were to an intimate scene, where the closeup shots were removed.
- ConnessioniReferenced in Unstoppable with NBK: Wildest Episode (2023)
- Colonne sonoreArjan Vailly (Hindi)
Music by Manan Bhardwaj
Lyrics by Bhupinder Babbal
Performed by Bhupinder Babbal
Additional Vocals by Sandeep Brar
Backing Vocals by Anirudh Loomba, Paras Kamboj, Charanjeet Sharma, Amandeep Singh Giran, R.D. Singh, Vicky Jass, Gagan Gags Sharma, Kunal Shandilya, Gaurav Verma
I più visti
Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 15.004.482 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.524.534 USD
- 3 dic 2023
- Lordo in tutto il mondo
- 92.850.083 USD
- Tempo di esecuzione3 ore 24 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1