Zenith

There is so much to unpack in this film. I saw it a decade ago and followed some of its meta-narratives online when it came out. I saw it again now. It's bewildering to think how much the context is the same but also different from ten years ago - from Anonymous to conspiracy theories to the pharmaceutical references and everything else- reality is truly stranger than fiction. I'll leave it at that, so as not to spoil the fun of discovering this unique film. Zenith is even more timely now than when it was initially released. Lots of comparisons to dystopian films and books have been made, but I would say James Graham Ballard is the most apt one. This film is a wild ride for free souls and open minds. If you take it literally and think that it doesn't make sense that people would take medication to feel pain, or that Jack's inner monologue is not a tongue-in-cheek literary reference, or trust his father to tell you the truth about that famous psychological experiment and consider the ending to be a cop out, you are missing the point. It's like saying why doesn't Godot show up in Waiting for Godot. Duh.

I have been so fascinated by this film that I have taken the time to register on imdb only in order to recommend it. I wouldn't go so far to call this a "review."

I'm a middle-aged professor and a fan of surrealism, who discovered Zenith upon the recommendation of one of my students, who wrote a paper on it, when we were discussing conspiracy theories -fact, fiction, deliberate manipulation and interpretation- in relation to psychology, as well as culture and society at large.

I truly enjoyed this film. I had to watch it twice to pick up on all its references and themes, since there are so many here, from the obvious, like the MIlgram experiment, over the lesser known, like Aleister Crowley or Edward Bernays, to some obscure surrealist literary and cinematic quotes, which I won't reveal, as they would spoil some of the fun of discovering this film for yourself. Zenith is like an onion, where each layer that peels off will reveal something new. It deconstructs language, the genre, even the process of filmmaking, with the fast-forward/rewinds, cut-tos, etc. It's playful and irreverent, mixing the fake and the real, the truth with lies, and the comic with the tragic.

You, the viewer, have to interpret the full meaning of the narrative. This intent is obvious, and not only because of the ending. It's difficult to go more in depth here without revealing too much. The storytelling method is surrealist -think David Lynch, Bunuel or Jodorowsky. Nothing is what it seems and everything has a double meaning. There is no reassuring closure in the end, no key to find one right answer for everyone, but that's what makes it so interesting.

To me, this is a memorable film, well worth the effort. If you enjoy complex and ambiguous narratives, you will enjoy this multi-layered film. Now, let me watch it a third time and see what I have missed.

Before I even get into the review of this movie I want to point out one crucial thing, this is NOT just a movie, this is what several people on the inter-webs calls an "alternate reality game" ultimately involving people who watch the film, listen to the album or read the book. Great example is Nine Inch Nails album "Year Zero".

Now let us get into the meat of this beefy film, a few reviews below me had to have been done by someone who is involved with Fred Phelps,maybe they decided to watch it with family, and then there is the possibility this person hasn't seen an indie movie in his entire life.

This movie follows very close with the styles of Fight Club, with the narration, and such events that I will not disclose for your sake.

This movie/mockumentary will start out kind of confusing but it wants you to hang in there because not only are the following hour and twenty minutes worth it, but are crucial for you to get ANY grasp on this film. Without partaking in the ARG. The camera styles used are just as you would expect on a low budget film, but it doesn't ruin or take away from the film at all.

The acting is far from sub-par, but very well for relatively unknown actors and actresses, with slips here and there but its easily over looked. Sets looked as though this dystopian 2044 would be possible.

But the end, I didn't quite get it, its not as out there cause they're really is no end at the end of the movie, it is open for YOU the viewer to help Jack out, find out the true end of everything.

But to say that they used the "F bomb" too much is BS, I have seen holly wood movies use it more, it sillier ways than this movie did, and to say that the "love" scenes were anything less than a standard holly wood "sex" scene is ludicrous, maybe if it was Channing Tatum and Katy Perry it wouldn't be as bad, or maybe if they played some John Mayer while it was going on, its crazy to say it was over used over played, it set the movie with a different feel.

And yes there may or may not be a "rape" scene, but you decide, and tell me what you think. Also note they're MAY be an abortion scene... MAYBE you can help me out with that, maybe you have the 4:3 version that I could borrow to see more.

Just trying to state the obvious, this movie is at its best a mind bending twist of crazy, and at its worst... a mind bending twist of crazy, its no Serbian Film...

there is very little that hinder this movie from being a top movie in 2010, or even being viewed once by all who have netflix.

If you don't watch this you are missing out.

This is the sort of analogies, the new metaphors, the "world has already ended, and we're just catching up with it" William Gibson-esque view of things we need to sort things out. If you haven't heard Nine Inch Nails' "Year Zero" and have never picked up "Adbusters," you might be surprised that people have been directing cultural impulses to address the situation (set(s)) we find ourselves in -- but then, you might be awed by the "complexity" of Marvel and think that vague passing references to overpopulation and toxic overfill qualify as addressing the capitalistic addition we've all been raised in. Forget that.

I just re-watched this film. Now almost a decade old, Zenith became a cult underground thing for people in the know back then and subsequently inspired more mainstream films and series that followed its themes, most obviously Mr.Robot. While these projects took some of the ideas and the look and style of Zenith, they toned them down and made them "safe" for mass consumption. Zenith was way ahead of its time and still is. While conspiracy memes and the one percent narrative have become common place by now, the film still leaves you with a lot to process and think about.