Das letzte Schweigen

I had two films to review which actually are quite similar.

One is this Das letzte Schweigen, The Silence, and the other one which is from Belgium is called The Treatment.

Both films are excellent thrillers European style, which is slower, more surgical the their Hollywood counterparts if you wish, being The Treatment a little bit more dynamic in terms of pace but not that much really.

These movies are sometimes hard or even painful to watch because they deal with a very disturbing matter which is the children sexual abuse by adults mostly men, pedophiles, sexual predators filling the worst space possible in terms of sexually oriented mental illness, and I say this because despite our feelings for these monsters, (they are people truly sick, they can not help themselves, to the point that many of them want to be castrated or even executed because of the remorse and the guilt) are truly hard, particularly people like me with kids of our own.

This film is made almost documentary like, it brings to mind John Mc Naughton's Henry, portrait of a serial killer with the great performance by MIchael Rooker, being that character a guy in a murderous rampage not only with kids but everyone who get close.

Great acting of the whole cast, with Ulrich Thomsen who is mostly known for the american TV show Banshee, which is full of violence, sex, crime and there Thomsen shines as the former Amish crime boss as one of the two deranged sexual abusers here.

I'm not going to say anything to spoil this movie. Just that it's very well made, disturbing trough and through and from start to finish this is not your typical pop corn thriller but a study of extremely sick people, dark, depressing and showing you that monsters are out there for real and many of them are there to stay.

I'm not getting into technical aspects because in that field the film is correctly made but in my opinion the story and how this is told is the important thing.

Really a serious take no prisoners thriller if you are not afraid of real life nightmares.

When the bicycle of a 13-year-old Sinikka is discovered in the exact same wheat field where a heinous murder/rape took place 23 years prior, retired police detective Krischan senses that the two crimes are connected, and vows to bring the killer to justice. The fact that Krischan was unable to catch the killer two decades prior still haunts him to this very day, but perhaps with the help of ambitious young officer David, this time he will find a way to bring closure to the case. Later, as the investigation begins and a sweltering summer heat wave washes over the town, the young victim's parents begin to experience an overwhelming sense of dread concerning a clean cut husband and father who had recently visited their home.

This slow-paced thriller is stunning by all means. The characterization is very well done and cinematography is amazing showing the semi-rural countryside of Germany, the camera angles are fantastic explaining many things about the characters.

The narration is amazing because it has so many ends to tie and agony of the characters has been portrayed impeccably. The direction is watertight; everything is well placed and told significantly.

An original thriller from Swiss born Baran bo Odar, kudos to him.

Recommended to quality cinema lovers.

8/10

In 1986, an 11 year old girl Pia is raped and murdered in a wheat field near a small German town by one man while another watched. Her bicycle was left in the field and the killer was never found. The man who watched takes off after the murder. Twenty three years later, 13 year old Sinikka Weghamm goes missing after the local fair. Her bicycle is found at the site of Pia murder.

This is another dark psychological crime thriller. It is a good representation of the ugliness amidst the normal everyday society. The dark subject matter is normal for these types of movies nowadays. It would be shocking 20 years ago. Today, it's on network TV. The actors do a fine depicting these characters under stress. It remains intriguing until the end.

Most murders are committed by people who know their victim, a fact that is standard fare in most whodunits. Rarely are murders committed at random, although the recent horrific thriller Funny Games (1997, remade 2007) presents the worst possible scenario.

But random murders do occur in real life: all over the world, people disappear and forever remain 'dead' with family and friends who are forever in limbo, unable to achieve closure. Only sometimes are the perpetrators caught.

With that thematic background, The Silence presents just that scenario with the rape and murder of a young female teen that remains on the books of the local police for 23 years – until it happens again to another teen, on the same day of the year, at the same place, and with the same modus operandi.

Unlike other serial killer movies – for example, The Silence of the Lambs (1991) – we know the identity of the killer from the get-go. Moreover, we also immediately know there are two perpetrators, although one of them is obviously reluctant to participate, even passively as he watches. As the two criminals, Ulrich Thomsen (as Peer Sommer) and Woltan Mohring (as Timo Friedrich) give strong and believable performances that center upon their individual but similar proclivities for depravity: brave actors both to take on such abhorrent roles.

But why a gap of 23 years? Well, that's where the story really starts, after we see the first murder in the first five minutes. And when the second murder occurs, so also occurs the retirement party for the local police detective (Krischan Mittich played by Burghart Klaussner) who failed to solve the first; so also the return to duty of an eccentric, grieving, widowed officer (David Jahn played by Sebastian Blomberg) who is obviously still distraught by the loss of his wife (to cancer) and who engages in bizarre activity; and so also the emotional awakening of the mother of the first murdered teen (Elena Lange played by Katrin Sass), who has been locked in unrelenting grief for over twenty years.

And in that mix there is repressed and introverted Timo – now a successful architect, beautiful home, lovely wife, two munchkins, the works – who, when he reads about the second murder, knows immediately who it is and decides something must be done… But, what?

As the police investigate, and as the clues are revealed, the net – so to speak – tightens without the two miscreants knowing. But, as viewers, we know it all, and gradually we move to the edge of our seat as we see how the wrong decisions are made, how the wrong inferences are drawn, how actions by one can be misconstrued by another all too easily, and ultimately how facts can be ignored or discarded for political expediency or professional jealousy and for the need to close a case, once and for all.

Arguably, suspenseful story doesn't get much better than this; although some viewers might argue about narrative holes and coincidence. However, because it's so believable it's so much better, especially the ending which I'm sure many – maybe most – viewers will not see coming, including me. Only in the last thirty seconds, perhaps… when the full irony hits you between the eyes.

The setting is semi-rural, ordinary and faultless; the production is well paced, even at two hours; the dramatic acting – there is absolutely no comic relief – is flawless; and the direction is so good, well, a glance or look truly is more effective than a thousand words. The background music is appropriate but, at times, borders on clichéd, I think. However, this is a movie I'll watch again – not only for the story but also for the narrative structure that combines so many different threads of lives shattered by indifference, inaction, inadequacy or inconsolable sadness.

Highly recommended.

November 2011.

Suspense fans tired of low-brow, explicit exploitation movies may want to check out "The Silence," an absorbing German thriller that delivers the suspense without sacrificing the drama. At a confident and steady pace, the script allows the characters to develop powerful, yet subtle performances.

On July 8th, 1986, a eleven year old girl Pia (Helene Doppler) is raped and murdered by Peer (Ulrich Thomsen) while a second man, Timo (Wotan Wilke Möhring), watches with equal parts of disgust and arousal. The two dispose of the body and return home, but while Peer began to destroy any potential evidence, Timo has already packed and boarded a bus out of town. 23 years later, to the very day, another young girl goes missing with only her bike and bag left behind at the very spot where Pia was abducted years ago. Writer/director Baran bo Odar's film, "The Silence," follows the distraught families, the police, and the two men behind the original unsolved case in a story that explores grief and guilt, obsession and duty.

It's a well-acted, emotion-charged drama whose murder mystery is almost secondary to the human element. It's a complex examination of the many facets of humanity in which even those who commit the most heinous acts aren't complete monsters. The film is about tragedy and the everlasting impact on those involved, from the victims to the perpetrators.

Director Baran bo Odar maintains a sense of morbid fascination in a film that in someone else's hands might become overwhelmingly unpleasant. Despite its nearly two-hour running time, it never becomes dull or depressing, thanks in part to large cast of characters whose nuanced portrayals strike a chord of truth -- terrifyingly so for any parent. Even though the conclusion isn't exactly overpowering, the journey is remarkably nuanced and compelling – and most certainly an uncomfortable one.