The Long Call

I really, really tried to like this more but the boredom of the direction and script defeated me. The stationary camera fails to keep our eyes interested, despite some of the gorgeous scenery. Then there's a stony Ben Aldridge who fails to capture our empathy.

The makers of the show must've known there were problems: the music is far too intrusive and just as tedious as the dreary dialog. Music this gratuitous is usually used to compensate for an unremarkable script or tepid direction, both of which this series possesses.

There are moments of real plot movement here but they are far too rare. You become involved, then are brought back down by some dull religious or backstory dialog that prompts you to fast forward through the dreary talk.

The Long Call is adapted from the first novel of a new series by Ann Cleeves (Shetland & Vera) so comes from a fine pedigree.

The show follows a gay male detective, (amazingly for the first time on UK TV) Matthew Venn as he returns to a strict evangelical community in Devon to attend his father's funeral before investigating a murder.

It was stylish but the direction was poor technically and trying too hard to be edgy it ended up being distracting. The scene in the first episode between Neil Morrissey and Pearl Mackie was bizzarely shot, you'd think they'd let a passerby have a go behind the camera...

Main problem though was that the lead actor Ben Aldridge was too ineffectual and bland, he spent most of his time standing still and thinking aloud with his hands in his designer trouser pockets. The story would have been better told in fewer episodes or over 90 minutes. The script was ponderous.

New detective shows do need time to bed in - and I do hope they get a second series to try and nail it. The ending was good and satisfying but sadly this series was very much style over substance and too slow. I can't blame the many viewers that abandoned ship.

Having just binged on Shetland (all in 2 weeks), Broadchurch and Hinterland plus a few others ..... this one is again very similar to those just mentioned. Lead man in charge is slightly damaged due to life in general and all with a strong woman being his second. Above titles in order of best first etc.

This series doesn't pick up any speed and just makes it way through the 4 episodes slowly and methodically. Really not much real action .... what you should pay attention to is the writing and the acting. I would unfortunately be placing this show at the end of above list. Watch the others first if you have a chance ... but the scenery is as usual ... awesome.

Casting is very well done, love Juliet Stevenson but major kudos to Anita Dobson .... wow does she shine in the drab and harried portrayal of Grace. Also one character that kept drawing my attention and not sure why. I then checked her name .... Aiofe Hinds .... ahhh Ciaran Hinds daughter another up and coming actor in family.

I read the book first. I'm glad some things were cut, however, some background was glossed over in the series which should have been emphasized.

The lead detective is too low key, even in the book. He lack the spark Vera has. It's like he's muddling through. The book had too much background on the character s private lives. The series does as well, although to a lesser degree. Mystery fans want a clever puzzle. The puzzle MUST be front and centre, not the private lives of the cops.

Wonderful acting and beautiful scenery. Took a while to get into the story but really enjoyed it.

Anita Dobson is tremendous especially in the closing scenes.