Sono vergine

The industrial strength superhero is a well established part of modern day media while the folk heroes that preceded them are mostly forgotten.

This show is the black Paul Bunyan, man.of the community vs the industrial superhero, enforcer of the corporate state. Of course the show's Paul Bunyan is not equipped for this showdown even with his supporting team of Oakland, CA neighborhood X-Kids who are more concerned with using their powers to do their jobs, score, and help others impoverished by the system.

While the Paul Bunyan folk tale is a celebration of the boundless opportunity and natural resources of the earlier American experience (at least for some people), this version exists in a decaying landscape of fast food, desperation, and death.

It's weird, surreal and sometimes preachy, but definitely worth a watch.

Really good. That's all I can say. The best art to me is the kind I can't effectively describe. It is itself. That's the highest compliment I can give. This show never did what I expected but felt 100% appropriate to itself the whole time. It was engaging and bizarre and sweet and packed a punch and I love seeing stuff like this get made. It's worth the watch and I don't even mind if there's another season or how the second one goes, this one stands on its own and will still be enjoyable for me no matter what else happens to it in the future. Definitely recommend checking it out now and not worrying too much it's just a good ride.

What a weird series. I mean that in the best way possible. Having loved sorry to bother you, i had a feeling there would be some political/social critiques, but by the last episode it dives fully into those. It's not subtle, but that's the point. It's meant to open the audiences eyes.

The performances are top notch from everyone, especially jharrel jerome though. He captures the anxieties that a 13ft tall man who has been hidden from the world would feel, and it feels so awkwardly realistic. I love how boots riley dives fully into the weirdness of the show as well. He clearly had his vision, and it looks like he didn't let anyone stand in his way.

I really hope there's a season 2 because they leave us on a subtle cliffhanger, but a pretty big one at that. I thoroughly enjoyed this and it's originality. Give boots riley more money to make his ideas come to the screen!!

Nice concepts, and a strong cast. Excellent production design and special effects. I like the cartoon quality of several characters and the idea that it might touch upon some facets of superhero stuff, but not dive all the way in. I've watched only two episodes, yet I can tell that I would have preferred this story delivered as a movie. Like "Stranger Things" and various SciFi series and movies coming out over the last decade, it's become really trendy to produce a far-fetched fantasy story, with quirky lead characters who struggle (or sometimes thrive) in odd circumstances. The two actors cast as his parents are committed, but their attitudes are one-dimensional... this is a writing problem, and not the actors' fault. The jury's out whether I will finish this season.

In our current mass media landscape oversaturated with superhero stories, it's become increasingly hard to find ones that stand out from the pack. Gone are the days of Sam Raimi's Spider-man where the storytelling was played straight, with bright colors and energy that seek to evoke the feeling of reading a comic-book. In the 2020's, we have reached peak of the superhero craze, and it seems studios have bottlenecked their output into two different flavors of media:

1. Superhero stories that infuse their characters into a different blockbuster genre (a superhero spy movie, a superhero sci-fi epic, etc.) 2. Superhero stories that ask "what if Superman was BAD?"

"I'm a Virgo" is the third Amazon show I've watched that falls into category 2, and despite not advertising itself a superhero show, it contains the most interesting answer to that question by far.

In the other two Amazon shows I mentioned, "The Boys" and "Invincible", the drama comes from the insurmountable odds of defeating an antagonist who wields godlike powers. There's always the looming threat of this evil Superman figure who is capable of wiping out all the heroes (or anti-heroes) without breaking a sweat. In "I'm a Virgo", this threat is also present, as "The Hero", a sort of Iron Man/Batman archetype played by Walton Goggins, always shows up to intimidate the characters who seek social change. The show starts off slow, introducing us to this familiar-yet-bizarre universe (similar in tone to Donald Glover's Atlanta) and the players that inhabit it. Eventually, however, we reach a turning point that forces our main characters to confront this force of "justice".

The main between this show and those other two is the conclusion. Without spoiling anything, the finale of this series is some of the most thought-provoking, well-explained examinations of what it means to be superhero, and why anyone who tries to take on that mantle will fail. There have been plenty of superhero media that examines the inherit fascism associated with being a superhero, but almost all of them reach the conclusion that "we should kill them" or worse, "I'll just be better". This show does not say either of those things, and I hope more people get to experience Boots Riley's superhero manifesto for themselves.