Nel West End della Londra degli anni '50, i piani per una versione cinematografica di una commedia di grande successo si interrompono bruscamente dopo l'omicidio di un membro fondamentale de... Leggi tuttoNel West End della Londra degli anni '50, i piani per una versione cinematografica di una commedia di grande successo si interrompono bruscamente dopo l'omicidio di un membro fondamentale della troupe.Nel West End della Londra degli anni '50, i piani per una versione cinematografica di una commedia di grande successo si interrompono bruscamente dopo l'omicidio di un membro fondamentale della troupe.
- Regia
- Sceneggiatura
- Star
- Nominato ai 1 BAFTA Award
- 4 candidature totali
Recensioni in evidenza
Sam Rockwell gives a great lead performance as the calm amongst a very chaotic storm of over the top performances with an impressively strong accent that never slips. Saorsie Ronan is the standout though with fantastic comedic timing and an always lovable presence.
Tom George's direction is really good, thankfully not too focused on homaging Wes Anderson and instead delivering a stylish film with some snappy editing and nice split screen. The music by Daniel Pemberton is good, matching the films quirky nature.
A. See How They Run.
I was so looking forward to this that i can't help feeling a tinge of disappointment. Towards the end of See How They Run, i was feeling almost nauseous with the use of split screen. It's every 5 minutes, and i'm not joking.
The movie thinks it's a lot cleverer than it is (telling us how the movie will end, the clever wink winks all the time). Some of the humour is great, mostly involving Saoirse Ronan who shows she's gifted in physical comedy and slapstick as well as everything else she puts her mind too.
The movie, for a whodunit, fails to fill the story with credible suspects and towards the end i had mostly lost interest in who the murderer was even going to be. Adrien Brody is great for the amount of screen time he receives but whenever he, Sam Rockwell or Saoirse aren't on screen, the movie drags.
Tom George's direction isn't the best and it makes me wonder what the film could look like if in better hands. Outside of the split screen issues, quick cuts are another constant but just makes me think of better directors and the lifting Tom George is taking from superior movies.
I went in to this hoping for another Knives Out but sadly this is nowhere near it.
The chemistry between Ronan and Rockwell is what sells this. They nail it. I could watch these two on screen for a hundred more movies. The humour in the film is very clever. It may not make you laugh out loud all too often, but it will certainly bring a smile to your face.
The actual whodunit mystery itself is good, without being mind-blowing. It suffices in keeping the audience interested and curious while also giving the lead characters plenty of room to do their thing. This was a good one. 7/10.
The performances are good and we loved the butler at the end. We could even guess some of the lines and also the ending, but it didn't matter. Yes, there were Wes Anderson type moments and yes, the make up and hair was wrong for the the period for Saoirse Ronan, and there was an absence of smoke in the pub etc it's supposed to be 1950s England... but I guess it was going for theatrical rather than realism.
If you want an easy going film that makes you laugh and smile - this is the film. (And so much better than the remakes of Agatha Christie)
There is a really good cast with great characters, all bringing different things to the film. Having real life characters add something to the film as well.
I laughed a lot during the film with some of the characters and some of the jokes being very well done.
Its a reminder that there can be a great film made without the need for huge amounts of cgi, huge budgets and massive casts. This is just well written, well portrayed and with brilliant camera work, and just works really well.
Lo sapevi?
- QuizRichard "Dickie" Attenborough greets the detectives as "Darling." This was a real-life quirk of Attenborough's which he admitted he would often use if he forgot someone's name.
- BlooperAt the end, Inspector Stoppard is awarded the King's Medal for police etc. This movie is set in 1953; while Queen Elizabeth ascended to the throne in February 1952, the name of the King's Medals were not changed to Queen's Medals until May 1954, so it is accurate that the award Stoppard received would be called "King's."
- Citazioni
Max Mallowan: Better make that eight for dinner, Fellowes, and let Agatha know.
Fellowes: Yes, sir.
Max Mallowan: And get a shovel to clear the path.
Fellowes: Yes, sir.
Max Mallowan: And do we have enough coal?
Fellowes: Yes, sir. Three bags full, sir.
- ConnessioniFeatured in 2023 EE BAFTA Film Awards (2023)
- Colonne sonorePrendi, Prendi, Per me sei libero
From the opera "L'Elisir d'Amore"
Written by Gaetano Donizetti
Performed by Magyar Állami Operaház Énekkara és Zenekara (as Hungarian State Opera Chorus and Orchestra)
Conducted by Pier Giorgio Morandi
Courtesy of Naxos
By arrangement with Source/Q
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Mira cómo corren
- Luoghi delle riprese
- Freemasons' Hall, 60 Great Queen Street, Covent Garden, Westminster, Greater London, Inghilterra, Regno Unito(The Ambassadors Theatre, bar)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 40.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 9.586.237 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.007.657 USD
- 18 set 2022
- Lordo in tutto il mondo
- 21.966.634 USD
- Tempo di esecuzione1 ora 38 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1