Sospettando che suo marito sia infedele, la ginecologa Dr. Catherine Stewart assume una escort di nome Chloe al fine di testare la sua fedeltà. Presto, i rapporti tra tutti e tre si intensif... Leggi tuttoSospettando che suo marito sia infedele, la ginecologa Dr. Catherine Stewart assume una escort di nome Chloe al fine di testare la sua fedeltà. Presto, i rapporti tra tutti e tre si intensificano.Sospettando che suo marito sia infedele, la ginecologa Dr. Catherine Stewart assume una escort di nome Chloe al fine di testare la sua fedeltà. Presto, i rapporti tra tutti e tre si intensificano.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 5 candidature totali
- Alicia
- (as Laura De Carteret)
- Trina
- (as Tiffany Knight)
Recensioni in evidenza
If there is a sub-genre called sexual thriller, "Chloe" would be the prototype. The plot works very well, it's very engaging. The sexual mystery and tension are captivating, and the copious nudity does not even come across as over the top or contrived. Just as you thought you guessed the whole plot, it twists in the most dramatic way. There is so much suspense, excitement and mystery to the story. "Chloe" is a very good film with a wow factor, that keeps me glued to the screen.
Set in Egoyan's home town of Toronto, Chloe tells the story of the eponymous call girl (Amanda Seyfried) who is hired by gynecologist Catherine Stewart (Julianne Moore) when the latter starts to suspect her husband (Liam Neeson) is having an affair. Chloe's job is to casually approach him and see if he falls for her charm, thus indicating his propensity for adultery. However, as the girl's reports get more and more graphic, Catherine realizes she has put herself in an awkward position, one that it will be difficult to get out of.
A fascinating hybrid between psychological drama and erotic thriller (there's a vague hint of Fatal Attraction throughout the movie), Chloe is a rarity due to its attempt to analyze sex and its consequences without necessarily resorting to openly titillating imagery (a characteristic Egoyan shares with another Canadian maestro, David Cronenberg). The only downside of this approach is the same flaw that was much more evident in Where the Truth Lies, namely a deliberately slow pace that affects the thriller aspects but enhances the emotional poignancy, something that comes off as a paradox given the seemingly cold subject matter.
Furthermore, there is no coldness to be found in the carefully crafted performances: Neeson and Moore play the troubled couple with conviction, especially when things start getting more complicated (Moore's suspicious wife is a tour de force turn that should have received some award recognition), but the heart of the film lies, quite predictably, in Seyfried's hands, and she rises to the challenge by proving that she can do Big Love-style quality work on the big screen, embodying a complex, intriguing character light years away from her roles in Mamma Mia! and Mean Girls.
Overall, Chloe is a very good movie: sexy without being gratuitous, psychological without getting pompous and, like its title character, delightfully surprising.
Dr. Catherine Stewart suspects her husband is cheating on her, so she hires a local prostitute to seduce him, and report back with news. The things that Chloe has to say really turn on Dr. Stewart, and the two women start to fall for each other. But when Catherine decides it is time to pull the plug, Chloe isn't so eager to go away.
Chloe grows increasingly eerie, and profound, which draws you in, but in the last twenty minutes, it comes close to falling apart. The picture benefits greatly from by Paul Sarossy's cinematography featuring nuances of harsh light and warm colour tones, that highlight all the interiors. What we have here a classy looking B-movie. It is intriguing but not great art.
Chloe this movie also has an erotic thriller about seducing and manipulating other peoples and it has a message. Don't belive anything and anyone you hear from people. Julianne Moore is fantastic and the women can act. She is awesome actress she is one the actresses I like and that's rarely by me. Liam Neeson is excellent as always I love this guy. I love Taken, Non-Stop in which Julianne Moore and Liam Neeson reunite again. A Walk Among the Tombstones, Unknown and Run All Night. I love the actor even in this drama he is so good. The thriller that was in this movie reminds me in other movies like are: Fatal Attraction. The Game, Disclosure and The Boy Next Door.
8/10 this is a tragic love story and that a good one, It worked by me I understand the character, the movie worked better then in other movies. In my opinion I like it! Atom Egoyan did a good job directing this movie. Response to a nutcase below me: the movie is not bland it is at least much better than your stupid dumb movie Batman Vs Superman: Dawn Justice. F**K Off!
Lo sapevi?
- QuizIn the middle of March 2009, Liam Neeson interrupted filming his scenes in order to visit his wife Natasha Richardson in the hospital after she had a skiing accident. The brain injury she received from this accident led to her death a few days later. Just a few days after her death, Neeson voluntarily returned to the set and completed his performance. The filmmakers changed the script accordingly, and Neeson completed his performance in two days.
- BlooperThroughout the film, Catherine receives text messages from Chloe. The dates that appear on her cell phone do not progress. One date towards the start of the film reads "March 27th," and another towards the end of the film reads "March 25th," despite that meaning time is moving backwards.
- Citazioni
Catherine Stewart: How do you do this?
Chloe: I try to find something to love in everybody. Even if it's a small thing. Something about the way someone smiles. There's always something, there has to be. I try to make myself generous. I do things I don't want to do. I... I think about what not to criticize. And the strangest things come back to me.
Catherine Stewart: Like?
Chloe: You.
Catherine Stewart: Me?
Chloe: Yeah. Yeah people like you walk into my life.
- Curiosità sui creditiDaniel Pellerin (with thanks for 25 years of great work, from Atom)
- ConnessioniFeatured in The Rotten Tomatoes Show: From Paris with Love/Dear John/Frozen (2010)
- Colonne sonoreExcerpt from 'Don Giovani' - Aria No. 4 'Madamina, il catalogo è questo'
Written by Wolfgang Amadeus Mozart (uncredited)
Performed by Ildebrando D'Arcangelo, Wiener Philharmoniker, Daniel Harding
A production of UNITEL in co-production with ORF and Classica in co-operation with the SALZBURG FESTIVAL
I più visti
- How long is Chloe?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Una propuesta atrevida
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 14.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 3.075.255 USD
- Fine settimana di apertura Stati Uniti e Canada
- 900.688 USD
- 28 mar 2010
- Lordo in tutto il mondo
- 13.657.649 USD
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1