Nel 1979, un gruppo di giovani registi ha deciso di girare un film per adulti nelle zone rurali del Texas, ma quando vengono catturati dai loro solitari e anziani ospiti, il cast si ritrova ... Leggi tuttoNel 1979, un gruppo di giovani registi ha deciso di girare un film per adulti nelle zone rurali del Texas, ma quando vengono catturati dai loro solitari e anziani ospiti, il cast si ritrova a lottare per la propria vita.Nel 1979, un gruppo di giovani registi ha deciso di girare un film per adulti nelle zone rurali del Texas, ma quando vengono catturati dai loro solitari e anziani ospiti, il cast si ritrova a lottare per la propria vita.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 43 candidature totali
Geoff Dolan
- Deputy
- (as Geoffrey Dolan)
Matthew J. Saville
- Officer Mitchell
- (as Matthew Saville)
Riepilogo
Reviewers say 'X' is a horror film that blends 1970s slasher aesthetics with modern elements, praised for its atmosphere and visual style. Mia Goth's dual performance is lauded for complexity, while themes of aging and sexuality resonate deeply. The film's practical effects and gore receive mixed opinions. Some appreciate its thematic richness and artistic qualities, while others criticize its slow pace, predictability, and lack of originality. The transition between the film's halves sparks debate, with varied reactions to its pacing and structure. Overall, 'X' is a mixed bag, appealing to horror enthusiasts yet disappointing some with its flaws.
Recensioni in evidenza
A decent slasher, but does not deserve a 96% rating on RT. The kills felt conveniently cheap and honestly everything was underwhelming. I was hoping to to feel paranoid or scared, but didn't feel much of anything. Spent most of the movie hoping it would get better or surprise me a little but we've seen this all before.
Pros.
It has some decent gore Mostly good acting Lots of 70s horror Easter eggs/references Martin Henderson doing what has to be the best Matthew McConaughey impression I've heard in a long time (seriously I really expected him to say "alright alright alright) The early Eaten Alive nod and final payoff are both hugely effective Really solid soundtrack
Cons.
It's very slow to get started. And not in the gradual suspenseful build up of tension sense, but that very little happens for close to an hour.
Despite wanting to be a really smart horror, the film still falls into the standard tropes of characters being morons who make dumb decisions and doesn't really bring anything original to the table besides better quality (but not perfect) cinematography When the carnage begins, the lighting gets very dark and sometimes obscures the shots and detail which may be a creative choice but does somewhat reduce the enjoyment
Overall, very decent but not a game changer Worth watching.
It has some decent gore Mostly good acting Lots of 70s horror Easter eggs/references Martin Henderson doing what has to be the best Matthew McConaughey impression I've heard in a long time (seriously I really expected him to say "alright alright alright) The early Eaten Alive nod and final payoff are both hugely effective Really solid soundtrack
Cons.
It's very slow to get started. And not in the gradual suspenseful build up of tension sense, but that very little happens for close to an hour.
Despite wanting to be a really smart horror, the film still falls into the standard tropes of characters being morons who make dumb decisions and doesn't really bring anything original to the table besides better quality (but not perfect) cinematography When the carnage begins, the lighting gets very dark and sometimes obscures the shots and detail which may be a creative choice but does somewhat reduce the enjoyment
Overall, very decent but not a game changer Worth watching.
I originally watched this film as an introduction to Mia Goth's acting, which I must say is incredible this film. I was thrilled to see such a star studded cast including Jenna Ortega and Brittany Snow. That being said I think the writing did not live up to the casts potential. If you are looking for a nostalgic 70's/80's style slasher film, this might fit the bill. Motives of characters in this film left a lot to be explained and fell short in my eyes. That being said, this film serves as the introductory film to the prequel, "Pearl" which is far more better excecuted and "X" is totally worth the watch just to experience "Pearl" in all it's glory. Overall, his film was good but not great. However, I look forward to the character development in the partner films surrounding this plot line.
Didn't expect much. Paid homage to classic 70's horror movies. Unlikeable characters that were given sufficient depth to make you care enough to not want them to be the next kill which made it refreshing. A little too gorey in parts for me but a well shot movie none the less. Cannot understand for the life of me why they didn't just cast older people as the central characters though. Just pointless having younger actors in prosthetics for the sake of it. Would have been much better if they just cast older aged actors. A simple yet fun movie that was original enough but with clear nods to some of the classics from the past.
Ti West's movie really should have been called "E" for elevated. It sets itself up as a smart take on the slasher films of the 70s and early 80s. As a bonus, the film within a film has the filmmakers making an 'elevated' porn flick (as a bonus, actor Owen Campbell who plays the "Director" even looks a bit like Director Tobe Hooper).
Quite consciously taking it's set up from Tobe Hooper's 1974 TEXAS CHAINSAW MASSACRE, X has a group of randy pornographers renting a farmhouse from an elderly couple in the middle of nowhere in Texas (actually New Zealand). Writer-Director West's main idea here is to set up a contrast between the XXX filmmakers and the bible thumping civilians of the area. It's not an uninteresting idea, which, of course, plays off the the puritanical cliche in the slasher films of yore where the most sexually active characters are the most likely to g et killed off. In addition to MASSACRE, West includes nods to FRIDAY THE 13TH, Hooper's EATEN ALIVE and a very specific one to HALLOWEEN. X is set about 5 years after MASSACRE so that it can include a brief exchange about how home video will change the porno industry (adult films were already available on VHS for about 3 years).
The movie is very well directed, with savvy use of cross-cutting between the porn film in the making and the terrors that await the group. Mia Goth (in a dual role; actually a triple if you stay after the credits) and Brittany Snow are the two pornstars to be and each dive in with relish. Kid Cudi is the cocky stud, while Martin Henderson is solid as the confidant Producer. Jenna Ortega is the "crew" all by her lonesome (she manages to keep her clothes on - must have a better agent). Stephen Ure is the ornery old man who rents out his guest house.
As good as the filmmaking is, X ends up feeling too studied. The pacing is lugubrious even if it picks up towards the very end. Once the massacre begins (if not by power tools) it still ends up being fairly typical of the films it's commenting on, regardless of how well executed and 'elevated' it thinks it is. It's also too drawn out to satisfy some gore-hounds and once the blood starts flowing, probably too gross for the internet scribes dreaming of doing extended online essays dissecting it for it's elevated intellect. There are a couple of twists, but they aren't sufficient enough to compensate for the predictability.
In the end, it's not as clever as West thinks it is, and despite some good Directing chops and acting, it's simply too self-conscious to be much of a fun thrill ride.
Quite consciously taking it's set up from Tobe Hooper's 1974 TEXAS CHAINSAW MASSACRE, X has a group of randy pornographers renting a farmhouse from an elderly couple in the middle of nowhere in Texas (actually New Zealand). Writer-Director West's main idea here is to set up a contrast between the XXX filmmakers and the bible thumping civilians of the area. It's not an uninteresting idea, which, of course, plays off the the puritanical cliche in the slasher films of yore where the most sexually active characters are the most likely to g et killed off. In addition to MASSACRE, West includes nods to FRIDAY THE 13TH, Hooper's EATEN ALIVE and a very specific one to HALLOWEEN. X is set about 5 years after MASSACRE so that it can include a brief exchange about how home video will change the porno industry (adult films were already available on VHS for about 3 years).
The movie is very well directed, with savvy use of cross-cutting between the porn film in the making and the terrors that await the group. Mia Goth (in a dual role; actually a triple if you stay after the credits) and Brittany Snow are the two pornstars to be and each dive in with relish. Kid Cudi is the cocky stud, while Martin Henderson is solid as the confidant Producer. Jenna Ortega is the "crew" all by her lonesome (she manages to keep her clothes on - must have a better agent). Stephen Ure is the ornery old man who rents out his guest house.
As good as the filmmaking is, X ends up feeling too studied. The pacing is lugubrious even if it picks up towards the very end. Once the massacre begins (if not by power tools) it still ends up being fairly typical of the films it's commenting on, regardless of how well executed and 'elevated' it thinks it is. It's also too drawn out to satisfy some gore-hounds and once the blood starts flowing, probably too gross for the internet scribes dreaming of doing extended online essays dissecting it for it's elevated intellect. There are a couple of twists, but they aren't sufficient enough to compensate for the predictability.
In the end, it's not as clever as West thinks it is, and despite some good Directing chops and acting, it's simply too self-conscious to be much of a fun thrill ride.
Lo sapevi?
- QuizThe day after X: A Sexy Horror Story (2022)'s South by Southwest premiere, writer/director Ti West revealed that during a mandatory two-week COVID-19 quarantine in his New Zealand hotel, before production could begin on this film, he wrote a prequel, Pearl (2022). A24 saw the script and greenlit the movie even before production on "X" had wrapped. He asked star Mia Goth if she wished to remain in New Zealand and film "Pearl," and she readily accepted. The prequel released later in 2022.
- BlooperThe film set in 1979 makes reference to missing persons ads on milk cartons. However, the first usage of milk cartons for missing persons was not until 1984.
- Curiosità sui creditiThere are no opening credits. The title doesn't even appear on screen until the end.
- ConnessioniEdited into MaXXXine (2024)
- Colonne sonoreAct Naturally
Performed by Loretta Lynn
Written by Vonie Morrison, Johnny Russell
Courtesy of Geffen Records under license from Universal Music Enterprises
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Dettagli
Botteghino
- Budget
- 1.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 11.769.469 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.275.126 USD
- 20 mar 2022
- Lordo in tutto il mondo
- 14.745.049 USD
- Tempo di esecuzione1 ora 45 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.90 : 1
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What was the official certification given to X: A Sexy Horror Story (2022) in India?
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