The Infiltrator

Bryan Cranston is Robert Mazur, the real life undercover man whose work in the 1980s connected the dots on the Sinaloa cartel and the international banks. Cranston is excellent.

The movie is suspenseful, with good performances by Amy Ryan, Benjamin Bratt and, g*d help us, John Leguizamo, with a very small and funny role for Olympia Dukakis. I have my doubts; given the fighting-the-drug-cartels movies that have been coming out in the last few years, I think the subgenre has been getting played out. I still had a very good time.

"The Infiltrator" brings the story of undercover agent Robert Mazur. As the movie opens (with Rush's "Tom Sawyer" blasting away), we are reminded that it is "Tampa, Florida 1985", and we see Mazur at work, in what turns out the be the last phase of an undercover job. Due to his length of service, Maruz is offered the possibility to retire with full benefits. Instead, to the dismay of his wife Ev, he decides to take on one more job, far more complicated and dangerous than he ever imagined. As this point we're not even 15 minutes into the movie, but to tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this movie is directed by Brad Furman, who previously brought us the Matthew McConaughey-fronted thriller "The Lincoln Lawyer". Screenplay is by Ellen Brown Furman (I imagine related to the director, but don't know for a fact). This is a narco crime drama that is essentially "The Sting" on steroids: can Maruz (in his undercover role as Bob Musella) and his rookie partner Kathy Ertz pull off a sting of gigantic proportions, right under the noses of the feared Colombia drug cartel of Pablo Escobar? As you have probably noted, the connection with Pablo Escobar is played up in the movie's marketing materials. The reality is that Escobar is perhaps hovering over the movie in spirit, but the movie in fact is a lot more about what happened with BCCI (the UK's Bank of Credit and Commerce International), the 7th largest private bank at that time. (And if you are looking for a true Escobar crime drama, check out "Escobar: Paradise Lost", starring Benicio Del Toro and Josh Hutcherson.) "The Infiltrator" has many great moments, and is tense almost from the get-go. Bryan Cranston, on the heels of the excellent "Trumbo" last year (but still best known for his work on TV's "Breaking Bad"), delivers yet another winning performance. But the big surprise for me was the outstanding work from Diane Kruger as the rookie undercover partner. She is superb (aside from being superbly beautiful). Lots of great songs throughout the movie, including The Who's "Eminence Front", which plays not once but twice in the movie!

"The Infiltrator" opened this weekend and I couldn't wait to see it. The Friday evening screening where I saw this at here in Cincinnati was attended very nicely, somewhat to my (pleasant) surprise. I found "The Infiltrator" to be a riveting narco crime-drama, the likes of which we don't get to see enough, and would encourage you to check it out, be it in theaters, on VOD or eventually on DVD/Blu-ray. "The Infiltrator" is HIGHLY RECOMMENDED!

Greetings again from the darkness. The war on drugs has become a bit of a punchline in the real world, but has proved to be fertile ground for filmmaking: Sicario (2015), American Hustle (2013), Traffic (2000). Additionally, the popular Netflix show "Narcos" takes on the same Medellin drug cartel as this latest from director Brad Furman (The Lincoln Lawyer, 2011). The movie is based on the true events of Robert Mazur's book "The Infiltrator: My Secret Life Inside the Dirty Banks Behind Pablo Escobar's Medellin Cartel" (a title that's very descriptive, if a bit long).

Bryan Cranston continues his impressive Hollywood run this time as Robert Mazur, the man who goes undercover to expose the money-laundering system of the cartel. His flamboyant alter-ego is known as Bob Musella, a character that allows Mazur (and Cranston) to show a side not typically seen. His antics get him inside Columbian Drug Lord Escobar's organization in the mid-1980's.

When Mazur realizes the traditional method of chasing the drugs isn't working, he decides the age-old idiom "follow the money" might be a better approach. This takes him inside the world of international money laundering, and he learns that banks and governments are quite dependent on this huge business of drug money movement.

There are specific groups of people here: the government agencies, the small task force, the corrupt (and appreciative) bankers, the various levels within the cartel, and even Mazur's family … all these forces intertwine to make life difficult for Mazur and his team, and provide a glimpse into the complexities of undercover work.

In addition to stellar work from Cranston, the cast is terrific. John Leguizamo plays Mazur's motivated partner Abreu; Diane Kruger plays his undercover fiancé; Juliet Aubrey is Mazur's real life wife who doesn't much appreciate his declining the early retirement offer; Olympia Dukakis provides a dash of comedy relief as Mazur's Aunt; Yul Vasquez is the creepy money manager for Escobar; Benjamin Bratt plays Roberto, Escobar's right-hand man and the key to Mazur's case; and Elena Anaya (The Skin I Live In, 2011) is Roberto's wife. Also present are Amy Ryan, Jason Isaacs and the always great Michael Pare.

There are a couple of standout scenes – one involving chicken and voodoo, and another with a briefcase mishap, but my favorite is the Happy Anniversary cake scene in the restaurant where Mazur flashes his alter-ego Musella for his real wife to see … and she is understandably stunned.

The movie does a nice job of capturing the look and feel of the era (30 years ago), but it's somehow missing the elevated suspense it portends to drag us and the characters through. Some elements seemed impossible to believe – why would Mazur risk his family's safety? The timeline was a bit muddled. We aren't sure how much time has passed, but there certainly don't seem to be enough interactions before Roberto is telling Mazur he is "like family". It plays a bit like those romance movies where the two leads are head over heels in love after a conversation or two. An element is missing and it affects the level of tension throughout the film. And that's something even a Leonard Cohen song ("Everybody Knows") can't fix.

LJ'S QUICK MOVIE REVIEW

"I think we've been doing this backward. We've been following the drugs to get to the bad guys. What if we chased the money?"

"The Infiltrator", starring Bryan Cranston, follows the fascinating tale of Robert Mazur, a U.S. Customs Agent who goes undercover in a drug cartel.

The stakes are extremely high. If Mazur's disguise isn't convincing, he will be brutally tortured and murdered. He, along with his two partners, have to deal with intelligent drug-lords, ruthless thugs, and shrewd businessmen. Watch as the trio concoct risky plans and false identities while avoiding the suspicion of their targets.

The severe tension is truly felt through the amazing performances. Cranston steals the show, while Diane Kruger, Benjamin Bratt, and Emir Areu are all top-notch. There are nerve-wracking moments where viewers sincerely fear for the characters' safety.

Overall, "The Infiltrator" is a riveting and complex movie with great direction and superb acting. If crime-dramas are your cup of tea, I highly recommend watching it.

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I watched this last night and it was a very enticing movie, but lacked something that could have turned a very good movie into something to be remembered.

Brian Cranston and John Leguizamo are both great in their lead and supporting roles. The supporting cast all do very well, the story from what l have read is a good enactment from real life into a movie, but somehow this film always pushes you towards wanting something more, something a little more gripping. Whilst l like the pace of the movie, the character development needed more, the backstory was very quickly done and felt far too pushed through. The directors didn't seem to want to develop the underlying tension between Cranston and Ryan or allow the audience to grow with any of the characters, where you feel the pain, anxiety, pressure.

The ending like so many films in Hollywood these days is rushed and feels like an anti-climax. It's not often l say this but the film could have used another 20 minutes or so to add other dimensions that would likely have left you feeling slightly more fulfilled. 7/10