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"Sometimes you make choices and sometimes they make you." Mia has a great and loving family. A boyfriend who is in love with her and she is one step away from her dream of going to Juilliard. All that changes after a car wreck leaves her alone and fighting for her life. Watching her family and friends at the hospital and looking back over her life she must decide to stay living and chase her dreams or let go and be with her family. First thing I have to say is that while this is a sad movie it wasn't as depressing as I was expecting. The movie did a really good job of making it emotional without feeling forced. The movie was able to stay away from becoming overly melodramatic or too cheesy. On the other hand though the movie was a little generic in some parts and you were able to see certain things coming. The whole movie you are trying to guess whether she will stay or go and I had a feeling that the choice would make or break the movie. I could see points for both sides and I have to say that I thought the ending was perfect. Overall, a movie that wasn't cheesy but it was a little generic in some parts. The ending was perfect and really helped the movie. This was better then I was expecting. I give it a B.

'If I Stay' is without shame a picture aimed straight at the tear ducts, presumably in the belief that a good crying spell is both therapeutic and cathartic for the spirit. And the picture mostly works hard to earn its tears honestly: The characters are attractive and appealing and likable, and the actors playing the characters also are attractive and appealing and likable. This is the rare picture which features no bad guys. Everybody's a good guy.

Based on Gayle Forman's 2009 young adult novel of the same name, 'If I Stay' chronicles the emotional experience of a buttoned-up 17-year-old cello prodigy Mia Hall, played here by actress Chloe Grace Moretz, and her worlds-colliding romance with an up-and-coming young rock-and-roll guitarist named Adam. That both Mia and Adam are on the cusp of professional breakthroughs in their musical pursuits accounts for most the of the ups and downs in their relationship.

Unfortunately, their romance is in the middle of one of its downs when Mia and her family are involved in a catastrophic auto accident, casting Mia into an out-of-body experience in which she can observe the people she loves, but not communicate with them or interfere with their actions.

'If I Stay' is a picture that gives you the kind of satisfaction you get from being on time for an appointment, following your doctor's orders, eating the right cereal, taking your medicine as prescribed, or getting a flu shot: You might rather be watching 'Guardians of the Galaxy,' a 'Fast and Furious' movie or 'The Expendibles,' but you just know that a movie with this much cello music in it has got to be good for you.

And it is fairly good. Young Mia has wonderful support from her parents, a set of amiable former rockers played appealingly by Mirielle Enos and Joshua Leonard. Leonard especially, late of 'The Blair Witch Project' hysteria of 1999, has matured into a solid character actor and possesses a sort of good-natured, loopy appeal which in 'If I Stay' contrasts nicely with the buttoned-up performance of Moretz as his daughter.

In the film, it's shown in flashbacks that Mia's folks grew up and embraced responsibility when it became apparent to them that the late nights and party lights did not blend well with parenthood…an epiphany which makes even more perplexing their almost pushing young Mia out the door to be with her rocker boyfriend.

As Mia's rock guitarist boyfriend, Jamie Blackley is somehow manages to be sullen without actually pouting, and is simultaneously withdrawn and inarticulate about romance yet strong-willed and verbose about music. You can see why Mia's attracted to Adam, but if you're like me you might be more than a little conflicted about their falling into bed quite so quickly, especially if, like me, you view the picture with your girlfriend's adolescent daughter present.

Unfortunately, at some point—I'm not exactly not sure when, but I think it's about an hour into the picture—the narrative becomes sticky and manipulative, and the picture begins to rely on broad characterizations, familiar stereotypes, and the familiarity of plot devices from movies past, to sort of swindle the tears from the audience.

And that's too bad, because by that point I'd already decided I enjoyed the picture, and was unprepared to modify my opinion. That the scene which I believe began the manipulation featured the showcase moment for veteran actor Stacy Keach, as the crusty but lovable old Grandpa, made the cheat seem even more unexpected and surprising. Keach, much like Robert Loggia, seems like such an honest, sturdy, and dependable actor.

But having said that, about 80% of the success of 'If I Stay' belongs to young Chloe Grace Moretz in the central role as Mia. Moretz is earnest enough in her craft to make us care about young Mia even through her most puzzling and selfish interludes.

Moretz followed 'If I Stay' with a supporting role the high-profile action film 'The Equalizer,' with Denzel Washington. And combined with 'If I Stay' and Moretz' affecting characterization in the title role of the most recent remake of 'Carrie'—not to mention Hammer's under-appreciated 'Let Me In' and the 'Kick-Ass' pictures—it's plain that this is one young actress who's going places. Fast.

I liked 'If I Stay.' But I think I already told you that.

I was really excited to watch this after seeing the trailer, and not to say that I was disappointed but I was kind of expecting a bit more. The whole story basically revolves around her first love and whether she should stay. Though I appreciate that it wasn't as lovey-dovey as most young romances (or high-school relationships) tend to be, I would've liked if there was more to the story other than that.

The music element was pretty cool, and I wonder if she really plays the cello herself, because it looked really authentic. Same with the other actors in the band.

The acting was pretty good, it wasn't spectacular but it was good enough for the film. Moretz surprises me by the range of her characters, as I first knew her from Kick-Ass which is profoundly different. Blackley does a good job too, though I guess I didn't really feel the connection between the two,and maybe that's why I felt that there was something missing from the film. I didn't sympathize with them and so thought that the film was just all right. Though the parents had real character to them and they played the part of a family really well.

Another thing I noticed was that when Hall was a 'spirit' people still tended to move out of her way and it was really obvious. There was this one scene where her friend opens a door and she pushes it a bit further as if for the person behind...which was Hall as a spirit. That was not good. Do people actually see or hear her? If not, it should be consistent throughout. And it also seemed as if she could touch things, though people didn't notice.

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hey I loved this movie. If a movie stirs my emotions to a point where my body can't control itself, cry, laughter, anger etc, then in my mind it's done it's job. Movies are escapism. If you don't feel like you've been transported into the movie, then you're just not into it.

As a father I relate to this movie, the sacrifice the father makes for his talented daughter.. It well and truly stirred my emotions. It's a 10 in my book. The concept might appear cheesy to some, but it was up my ally.

If you're a romantic at heart, you will enjoy this flick. If you don't want to embrace being taken on a journey of what it might be like in he next world, then go check out something else.

I thought it was pretty good the first time. To be honest, I was half asleep when I first saw it, to the extent that I didn't realize I had seen it just based on the name of it, so I accidentally started streaming it today without realizing I had seen it before several months ago. I know, this doesn't sound supportive of this movie. For the record, I almost never watch movies more than once...I get too bored. After it started this second time, I did realize immediately that I'd seen it before, but I figured I'd stop it the moment I became bored, which I knew was inevitable given that I'd seen it before. Well, somehow I watched it all again, in its entirety. This time, I saw more depth than I'd seen before. Bottom line, this is worth watching. Of course, it's not perfect, and the main character looks like she's 12 rather than 17 or 18, which is a little bit creepy. But it has heart, and it's beautiful. Granted, I don't totally agree with the ending, but up until then it brought up questions that were very meaningful for anyone who has experienced loss. Kudos to this movie for being unexpectedly watchable for a 2nd run, and for actually being better another time around.