Kuruthi

One night , 2 sides . What a movie , writer and director (manu warrior ) made a bold step , with an extremely powerful and conflict theme. Fresh , thrilling , realistic, raw movie. Malayalam movie proves it once again why they are considered as best in country.

Story wise and making wise a top notch effort. Hats off to all the cast and crew , and still shocked how they came upwith this idea. Performance wise every cast done well , that boy (nelson) roshan, mamookoya, prithviraj,srinda , shane , manikandan , murali gopi , i meant everyone. Even the guy showing up in the mosque. Well done team , and thanks for the movie.

1. Whether you want to Hate or Love ?

2. How would you want your children to be raised at home ? Talking Ill and complaining of people following other faith ?

3. How "Society and Social Media" can influence young minds ?

4. The essence of Being Human and Protecting another human from danger irrelevant of Caste, Creed or Religion

"The choice is Always Yours and Only You can Change a Situation for Better or Worse"

God Be With You All Reading This and Staaay Blessed, Amen.

It emphasizes man's basic instinct. Rach and every cast built strongly, and the performances make it true. Must watch.

And, Prithviraj Loves Malayalam Cinema.

Brilliant. Other than the strong message the movie is striving to put across, the making and the background score also deserve a huge applause. Felt like we were watching a Hollywood well-made thriller. Malayalam industry is sure going to places.

Kuruthi is brooding tale of vengeance and grit told through the ingenious conceit of the often-underused sub-genre of the home invasion thriller. Kuruthi is structured as a tightly knit thriller that unfolds within the confines of a house where the duality of religious fundamentalism and hatred take shelter for a seemingly never-ending evening of gore and fanatic revelations.

Prithviraj deserves to be lauded for his conviction in sticking his neck out by investing in such a risky project that supposedly deals with delicate themes.

The director Manu Warrier resorts to good old-fashioned filmmaking with the use of dual focus shots , extreme close ups of tense faces and spilt diopter lenses to stress on the building sense of dread within the limited setting and extracts tension with fiery exchanges between the characters trapped in their own living hell.