Brestskaya krepost

In case you've come upon this movie by accident, I'd suggest you go ahead and watch it, and then return return back to read the reviews.

The Brest Fortress pushes war movies to a completely different level of realism, poetry and emotional force. It is so visceral, so real and so emotionally powerful that by the end you're part of the battle and no longer a detached viewer. Not a single shot is wasted, not a single line of dialog is a filler, not a single acting even from extras feels like acting, not a single moment do you feel that this is a movie and not real life. The makeup, the wounds, the dirt, the blood, everything is real and it all hits you with one of the best cinematography in a war movie since Ivan's Childhood. And The Brest Fortress pays homage to that great movie in many ways.

Russians suffered unimaginable horrors during WWII and that trauma in their psyche along with their great heritage of story telling and great cinema combines to create another great Russian war movie.

I feel privileged to have watched this movie, knowing that its still unknown in the west, there is not even a wikki page about it yet.

"- This fortress, fortress here, we keep the defense, - This fortress, fortress here, we keep the defense..."

This film is perhaps the best, but certainly one of the best war films made in the past 20 years in Europe. Talking about the legend of the Second World War, the epic Brest fortress that was first attacked by the Nazi hordes, the first day of the war with the USSR 22nd June 1941.

The story tells of a young boy who is a trumpeter in the orchestra in Brest fortress and all the time movie battle through hell trying to find a girlfriend who is lost in the war. During his quest he survives the horrors of the battle in which he actively participate.

The film is full of scenes of war, desperate efforts of the Russian soldiers who defended the fort, during the most certainly futile struggle. While it is a fortress under siege, the German army has penetrated far beyond the fortress that is doomed to fail, but even when they find out, Russian soldiers decided to fight to the end. Excellent film directed complemented by the strong acting and perfect music. Scenes of war are almost epic, presented with the harsh reality.

Brest Fortress is something similar like the American fort Alamo, just became much larger and more powerful symbol of the perseverance of Russian troops, tragedies, and ultimate victory.

The film certainly has to be seen, and the quality of acting, directing and scenes of war, beyond almost all the western movies so far recorded.

The film shows the people and the destiny woven through this historical epic about the Brest fortress. Avoided, and quite nice, skilled and successful, politics and ideology, and instead of great political speeches film shows pure heroism, struggle, and an iron will, not only from the military fortress of the crew, but also the entire Soviet people to defend the country from the fascist hordes .

Ordinary people, cooks, musicians, soldiers, doctors, civilians become suddenly, on that fateful morning of the 22nd June 1941, heroes, they want it or not, they like it or not. The film shows the harsh reality. Absolute lack of preparation and complete negligence of the Soviet army before the dawn of war, a total neglect of the defense of the nation from German aggression. Shows the persistent struggle of the army commander, Major Gavrilov and warning of impending war.

And Germans come as a shock bolt from the blue. The collapse of the Soviet military is obvious. Mass deaths, the collapse front, panic and chaos. From such chaos and terror, the rise of the heroic figures of defense fortress. Major Gavrilov, political commissar of Fomin and many others that his example of heroism, defiance and leadership endured ten times stronger against the German enemy, to the last drop of blood, the last bullet, the last drop of water ...

Long after the movie, in your ears will ring a continuous repetition of words spoken бѕ radio operator from the fortress:

"- This fortress, fortress here, we keep the defense, - This fortress, fortress here, we keep the defense..."

If you read my title, you might consider the comparison perhaps the most famous American world war epic odd, but I'll explain that shortly.

To get the necessities out of the way--the film describes the fall of the Brest Fotress in far western Belarus (or Byelorussian SSR, in this case). The film does not elaborate on the history, as already pointed out: it does not point out that Brest was captured from Poland just two years earlier, courtesy of the Brest-Litovsk Treaty. Nor does it mention the Polish population of Brest, forced west or deported to the east by the government after that fact. And finally, it does not mention that Brest, like the rest of Western Belarus, was subject to a Polish colonization effort after Poland annexed it (during the first Polish-Soviet War, which they won) and under military rule due to conflicts between Poles and Belarusians. All of this is, as it happens, not relevant to the movie makers, and given how few people have heard of the first Polish-Soviet War, the Polonization of West Belarus, or the deportation of Brest's Polish residents, it's not surprising. Outside of the CIS countries and eastern Poland, you'll be surprised to find anyone know knows Belarus is its own country. Brest is a rough, rural, but otherwise idyllic countryside town--unbelievable from a western perspective, perhaps, but not in conflict with survivor narratives we have today, and intended to set up the disaster that follows.

The movie DOES offer some historic context, however--it begins with Major Gavrilov's warning of an impending disaster for Brest, and the Brest Fortress, in the event of a German invasion, though he is dismissed by skeptical comrades more trusting of their country's "ally". When the war begins in earnest, Gavrilov, Commissar Fomin, and Lieutenant Kizhevatov rally a bloody, nearly fanatical defense of their country and, for many, their home against the German invasion. This makes up the meat of the movie, with the narrative of a foster student Sashka, attached to a military band, caught in the middle. The war cinematography is thrilling and exciting, comparable to the aforementioned "Saving...", albeit with an emphasis on brutal close-quarters fighting--exaggerated, potentially, for the necessity of emphasizing the difference between mechanized warfare in the field and indoor fighting in somewhere like Brest or Stalingrad. Seeing the Soviet defenders--mostly Red Army men, joined by die-hard Frontier troops and a few NKVD Rifle Battalion NCOs, from what I see--counter-attack German positions with shovels and chairs as well as rifles and machineguns seems unbelievable at first, but it doesn't clash with the western narrative of a primitive Red Army, or accounts of hand-to-hand fighting from both world wars. The disastrous results that usually follow serve as a reminder that this isn't something fantastical like "Enemy at the Gates" or an optimistic adventure like "Inglorious Bastards". Thhe defenders themselves are portrayed as human and vulnerable, capable of tears, despair and emotion at inopportune times--though it suffers from a "blink and you'll miss it", situation the scant non-Slavs shown in the Red Army.

As a war movie, it's portrayal of the German enemy is naturally important. The Germans are portrayed, as usual, as organized, very competent, and extremely clever--an infiltration scene early on, wherein German commandos impersonate NKVD NCOs to enter the fortress highlights this. However, there's hardly any more demonization of them then in "Saving Private Ryan" or "Band of Brothers", in part because they're also portrayed distantly and hidden, in contrast with the very human Soviet defenders--with a few exceptions. In one, some Germans are shown about to assault a captured woman, who is ultimately gunned down--this is hardly unbelievable, and it serves more to show the guilt felt by a (civilian) Byelorussian at having used the distraction she provided to escape his own fate, than the Germans being ravenous monsters. In another, the advancing Germans gun down fleeing civilians from a machinegun position. Damning, certainly, but consider: during the German occupation, between 2 and 2.5 million people in Byelorussia, of nine million, perish. The scene, if fictionalized, is likely intended to demonstrate the particular callousness the Germans, as a whole, displayed towards "Reichskommissariat Ostland". Aside from this, Germans usually seem distant and, on occasion, just as desperate as their Soviet enemies.

"Fortress" stands well with its American counterparts, and even decently with epics like "Come and See", ending with a sobering tribute to the film's historical personalities--the vindicated Pyotr Gavrilov is explained as having survived German captivity only to be imprisoned for the act of surrender (though the movie inaccurately suggests such a fate befell "most" POWs, when it was primarily inflicted on officers and others who carried more "blame"), only to be rehabilitated and made Hero of the USSR in 1957, in a damning critique of the country, and Stalin's, complacency towards Germany. The Jewish Commissar Fomin, being twice a target of the German Commissar Order, is executed immediately. The movie goes out of its way to defend those who did surrender, suggested they only did so at the behest of the defenders, after army men begged their families to take the German offers for leniency. Soldiers who surrender are shown as only having been human, witnesses to extraordinary violence, and are understandably broken, and even have a degree of sympathy from those who fight on. All and all, this is a well-done, particularly sympathetic, and highly enjoyable war epic that maintains the tradition of sobering portrayals we've expected from CIS cinematography on the Second World war.

A convincing and brutal drama about the war's ugly and scary face, which is as much poignant as it is riveting and engrossing from start to finish.

The doomed fortress of the border town of Brest was built a hundred years before the first onset of German deceitful invasion into the Soviet land at early dawn of June 22, 1941. It had been changing hands several times before, notably in 1918 when it was surrendered to the Germans under notorious Brest Peace Treaty. It was released thereafter to the Poles, then liberated by the Red Army, then transferred to Poland again. Under the Polish administration the fortress was first affected by German air raid in 1939 and significantly damaged under the massive onslaught of the German troops.

Before the end of 1939 the city of Brest (and its fortress) was finally incorporated into the Soviet Union. By the commencement of war, the Brest fortress was a home to a number of Soviet military units - infantry battalions, reconnaissance and artillery regiments, miscellaneous attached units and troops, all-in-all up to 8000 servicemen and several hundreds of their families, wives and children were stationed therein.

The film starts unfolding peacefully on the eve of the war - a regular day in the lives of ordinary people in a military compound - orchestra rehearsals, dancing, shopping, kisses, Saturday evening film screening - the late peaceful everyday routine...

Persistent rumors that the Germans were cranking up preparations for a breakthrough on the border were considered as sabotage and eventually suppressed. But anticipation of imminent disaster was intensified by a particularly creepy late night scene of the special vanguard troops disguised in Soviet military uniform disembarking from a train following subdued German language orders.

Heavy artillery fire that all of a sudden pierced silence at the daybreak of June 22 instantly inflicted heavy human and material losses, disrupted communication, cut off power supply and destroyed military munitions. Followed by meticulously coordinated combat assault immediately afterward, it took the inhabitants by surprise and split the garrison into several relatively small and isolated pockets of nevertheless pretty fierce resistance.

Under massive German attacks the city was defeated fairly early, whereas the small number of the besieged Brest fortress survivors with scarce resources, deprived of food, water and medicine, and with narrowing hope for reinforcement or backing from the retreating regular forces, kept on defending the small plot of Soviet land against the invaders for many days.

Though the essence of the story is certainly a portrayal of the valor of Soviet soldiers that lost their lives defending the first citadel and symbol of Russian resistance, the film manages to avoid as much as possible worn-out heroic clichés and propagandistic pathos that were often compulsory elements even in the best examples of Soviet war movies of the past. Yet, unlike many politically engaged modern movies, it resists the temptation to deride the peculiarities of Soviet lifestyle of that time and to speculate on the popular issues of "Stalinist regime's atrocities".

Instead, the film focuses on accurate capturing of a full range of authentic human emotions from joy, love and devotion at the early beginning of the film through angst, fear and pain as it progresses to hopelessness and despair. It tells the frightening story of regular people, which lives were turned upside down overnight when they end up face to face with unstoppable deadly force menacing their families, their loved ones, their own lives and their country.

It pulls no punches when it comes to depiction of enormous destructions and horrors of war with first rate set designs and visually arresting special effects, but the main asset of the film is, of course, excellent nuanced performances from the entire cast especially the leads - Korshunov, Merzlikin and Derevyanko.

The story is told as if from the perspective of a teenage boy witnessing the outbreak of war and providing narration already as a war veteran that has survived the worst war in modern history. It may be emotionally draining cinematic experience for many viewers, but I believe it could be especially conducive for the younger generation to acquire better understanding of the actual tremendous price the nation has paid for the great Victory.

I don't like reading subtitles, but I will for a particularly good movie, and this certainly is one. I also don't normally gravitate toward war movies, but again, I'll make an exception for a good one, and I give this one a 9. It might be even better than that. There is so much for the eye here; I'm very impressed at the amount of work which must have gone into making every shot look so real. Also, the soundtrack was not overwhelming; for the most part, what we see is what carries the emotion, and that is a testament to the power of the events and the quality of the reconstruction of them for this movie.

There's a lot of violence, shooting, dying, etc. here, but not a lot of really nasty gore, which is something I appreciate. I'm sure the reality may have been even uglier than what is shown in this movie, but I don't need to see every last ounce of gore to know that war sucks and people get horribly maimed and killed. What is shown is enough to make the point well.

Very high quality movie; strongly recommended.