Raaz: The Mystery Continues

One of the best Indian horror movie ever made . Mohit Suri is very talented director of Bollywood.

This film begins with a fashion model by the name of "Nandita Chopra" (Kangana Ranaut) having just completed a show and subsequently being invited to a party afterward. It's during this time that she receives a call from her former boyfriend "Yash Dayal" (Adhyayan Suman) inviting her to an awards ceremony that is taking place for which he is being considered as a possible winner for a news segment that he filmed previously. She reluctantly accepts and it's during this time that the two of them get back together again. Not coincidentally, it's also during this time that she begins experiencing hallucinations and discovers that a strange young man named "Prithvi Singh" (Emraan Hashmi) has begun stalking her for reasons yet to be revealed. Now rather than reveal any more I will just say that this film started out great but began to fizzle toward the end before totally collapsing in the final few minutes. As far as the actors were concerned, I thought Emraan Hashmi and Nandita Chopra performed adequately enough but neither were superior to Bipasha Basu or Dino Morea in the previous film. That being said, while this certainly wasn't a bad horror film by any means, I didn't think it rose to the same standard as its predecessor and for that reason I have rated it accordingly. Average.

I have personally failed to come across good Indian horror/thriller movies. But, Raaz seems to put in a good word for itself. It loses a point for Suman's role and acting. Otherwise, well worth watching. Firstly, it presents issues that our society REALLY faces. And secondly, it takes a look at the REAL evil and not just the regular outlook at good versus evil that we're used to seeing.

The movie starts off putting forth a lot of questions that were well answered as you watch the movie. The topics raised throughout the movie keep you guessing till the very end. I won't say more about the movie and ruin the suspense for you.

A good watch overall. Well recommended for the specific corrupt group of Indian population (the netas, and on and on). ;)

The first half of this movie was acceptable. Credit goes to Emraan Hashmi. The second half was abysmal to say the least. The theatre was packed. If it wasn't for Emraan Hashmi's brilliant performance & entry, I would certainly have left the theatre during the interval. The beginning of the film was somewhat bizarre. I kept on watching expecting explanations for what I just witnessed. As the plot unfolds, you realise that this movie is balderdash. The script was absolutely weak. This is a horror film and I was laughing. That isn't a good sign. Kangana Ranaut's acting skills were good. Adhyayan Suman is abominable as Kangana Ranaut's boyfriend/lover. He should quit acting altogether or at least improve his acting knowledge by joining 'ACTOR PREPARES'. His dancing was beyond ridiculous. The climax of this film was hilarious, especially Jackie Shroff's entry. This film is one to avoid at all costs. Only go to watch this film to witness Emraan Hashmi's revitalising performance. He's the anchor that saves this film from drowning.

Bonne chance.

Well, you are bound to raise the expectations bar high if you tag it as a sequel to one of the highest grosser of 2002. While the former was a rip-off of an Hollywood movie, the writing/ story in the sequel seems to be an original piece of work - barring the few scenes which are heavily borrowed from famous horror movies.

Emraan Hashmi:: Reprises his "Awaarapan" role. Look is copied from "Iron Man". But safely to say, he is confident.

Kangana:: This lass is getting better as each movie passes by. One gets to feel, she has yet again done a bit of Fashion in here too. And yes, her choice of costumes is indeed commendable.

Adhyayan Suman:: Confident for a new-comer and perhaps can polish his skills as he goes along.

Jackie Shroff:: Was good for his part however better writing was warranted to make his track integrate seamlessly with the plot.

When the Raaz unfurls, you feel a bit letdown. So is the father-son relationship which is quite Bollywoodish. I never the got the logic of linking this movie to Raaz - could have been a stand-alone in its own right.

Happened to watch back-to-back with "1920" and felt the latter a few notches above.