Quando John Connor, capo della resistenza umana, manda il sergente Kyle Reese all'anno 1984 per proteggere Sarah Connor e salvaguardare il futuro, una svolta inaspettata di eventi crea una c... Leggi tuttoQuando John Connor, capo della resistenza umana, manda il sergente Kyle Reese all'anno 1984 per proteggere Sarah Connor e salvaguardare il futuro, una svolta inaspettata di eventi crea una cronologia fratturata.Quando John Connor, capo della resistenza umana, manda il sergente Kyle Reese all'anno 1984 per proteggere Sarah Connor e salvaguardare il futuro, una svolta inaspettata di eventi crea una cronologia fratturata.
- Regia
- Sceneggiatura
- Star
- Premi
- 9 candidature totali
Matt Smith
- Alex
- (as Matthew Smith)
Gregory Alan Williams
- Detective Harding
- (as Greg Alan Williams)
Recensioni in evidenza
I was told multiple times that it was awful, boring, unwatchable, so foolishly I didn't.
However, I thought I'd give it a try, and I really liked it. Of course it's flawed, of course it's outrageous and over the top, but the good heavily outweighs the bad, it made me feel incredibly nostalgic, plenty of references and heads up to the first two films.
It was a huge gamble to bring Arnie back, I think he's brilliant here, I've never been a huge lover of him as an actor, but in this role he is iconic. He's great. Great to see Matt Smith.
Massive special effects, it's all guns blazing. It is perhaps a little too long.
Totally enjoyed it, 7/10.
However, I thought I'd give it a try, and I really liked it. Of course it's flawed, of course it's outrageous and over the top, but the good heavily outweighs the bad, it made me feel incredibly nostalgic, plenty of references and heads up to the first two films.
It was a huge gamble to bring Arnie back, I think he's brilliant here, I've never been a huge lover of him as an actor, but in this role he is iconic. He's great. Great to see Matt Smith.
Massive special effects, it's all guns blazing. It is perhaps a little too long.
Totally enjoyed it, 7/10.
Paradoxes puzzle and abound, contradictions, conflict, chaos all confound, no rhyme or reason to the madness, no method to the flatness, just concept caged confusion to astound.
It's all a bit cobbled and confused, inconsistent, quite erratic and diffused, some spectacular set pieces, the action seldom ceases, but the arc, the arch, the story's all bemused.
It's all a bit cobbled and confused, inconsistent, quite erratic and diffused, some spectacular set pieces, the action seldom ceases, but the arc, the arch, the story's all bemused.
Arnie is back again in a Terminator movie, and while all the special effects and explosions are back in all their twisted glory - the story just makes no sense whatsoever.
It's really not even comprehensible. I mean, I tried and all. However the story writers decided to seriously complicate the plot from a "Back to the Future" understanding of time travel and fast forward it all the way to a "Primer" levels of time travel. The end result is an incomprehensible mess of a story.
If the plot is just so utterly jumbled - that even IF I were to sit down and motivated to even try to understand it - it really doesn't matter. The end result is a story we don't understand. A story we don't care about. A story about people we don't understand and couldn't care less about - because we have no idea who what or why anything is even happening. It's as if the movie wants to say "Things are going to blow up! Just accept it!".
Terminator Genisys is a pure example about how movies can ultimately say nothing about the human condition and for all the special effects effectively mean zilch - and be all the worse for it. There was some subtle theme about being too trusting of technology with all our connected devices in there but it was so limp-wristed, so pathetically tacked on, and half-hearted that it deserves to be ignored.
But by golly, by jingo, by jimminy willers, there were a lot of explosions!
It's really not even comprehensible. I mean, I tried and all. However the story writers decided to seriously complicate the plot from a "Back to the Future" understanding of time travel and fast forward it all the way to a "Primer" levels of time travel. The end result is an incomprehensible mess of a story.
If the plot is just so utterly jumbled - that even IF I were to sit down and motivated to even try to understand it - it really doesn't matter. The end result is a story we don't understand. A story we don't care about. A story about people we don't understand and couldn't care less about - because we have no idea who what or why anything is even happening. It's as if the movie wants to say "Things are going to blow up! Just accept it!".
Terminator Genisys is a pure example about how movies can ultimately say nothing about the human condition and for all the special effects effectively mean zilch - and be all the worse for it. There was some subtle theme about being too trusting of technology with all our connected devices in there but it was so limp-wristed, so pathetically tacked on, and half-hearted that it deserves to be ignored.
But by golly, by jingo, by jimminy willers, there were a lot of explosions!
If it wasn't part of such a genre redefining franchise as Terminator, Genisys would be a perfectly serviceable action sci-fi. Sure the dialogue is clunky as hell, the convoluted time travel conceits don't ever really make sense and despite one decent twist it's a tad predictable. But hey this is blockbuster cinema and the action is great, the film rattles along at pace and the acting is genuinely not bad (Courtenay spending a large part of the film topless didn't hurt either!). But you can't escape the legacy. This IS supposed to be part of the Terminator mythology. Despite Arnie's best comedic efforts (he steals most scenes he's in) you can't get past what an inferior addition this is to join at least two of the most iconic sci-fi films of the 20th century. Whilst enjoyable enough in its own right, hopefully this will be the last attempt to resurrect the past Terminator glories.
A destruction of a franchise trying to reboot it and failing for the third time.
If you look closer Mr. James Cameron finished the franchise in the second. And many tried to re boot it twice creating spectacular failures. The third however is another same scenario film that establishes the same losing streak. Like I said a lot funds wasted for something useless without any premise.
The story tries to innovate bringing all the stories together but misses out the basics. Creating a good film.
Anyway the story ends with a hope of a new universe. Let's hope how it'll perform. No expectations though.
The story tries to innovate bringing all the stories together but misses out the basics. Creating a good film.
Anyway the story ends with a hope of a new universe. Let's hope how it'll perform. No expectations though.
Lo sapevi?
- QuizParamount green-lit two sequels to this film before it even opened, because regardless of how well it would do at the box office or with critics, all film rights to the Terminator series would revert back to James Cameron in 2019. However, both sequels were canceled after the film's critical and commercial failure, paving the way for Cameron to produce Terminator - Destino oscuro (2019). Unfortunately, the latter turned out to be an even bigger loss at the box office.
- Blooper(at around 1h 27 mins) Heavy vehicles, such as school buses use air brake systems. When a loss of pressure is experienced in the system, such as when John destroys the air tanks, the brakes auto-apply. The bus would therefore come to an immediate halt, not continue on with "no brakes" as is seen in the movie.
- Curiosità sui creditiThere is an extra scene during the credits.
- ConnessioniEdited into The Green Fog (2017)
- Colonne sonoreThe Terminator Theme
Written by Brad Fiedel
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Terminator: Génesis
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 155.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 89.760.956 USD
- Fine settimana di apertura Stati Uniti e Canada
- 27.018.486 USD
- 5 lug 2015
- Lordo in tutto il mondo
- 440.603.537 USD
- Tempo di esecuzione2 ore 6 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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