Riceboy Sleeps

I had to write this review, because I was a bit surprised to read that some reviews said the movie didn't go deep enough? That the movie didn't deliver? This movie was só much better than I expected! I liked the fact that the story was divided in three parts and if you have lived in the nineties, it's nice to recognize the clothes and other small details from that time. The characters were very realistic and very well played! Since I am an andopted Korean living in Europe myself, some of the things the boy did and felt were very recognisable. Although the story contains some really heavy issues, the director succeeds in keeping things 'light' by not overdoing heavy dramatic scenes. Just raw authentic emotions. Some stories inside the story of the movie were pure poetry and full of wisdom. I did cry a couple of times because of the beautiful way the movie shows how we are all connected to our roots.

Not for the faint of heart, Riceboy Sleeps is one of the finest films of the last few years. The coming-of-age story takes on many themes involving race, identity, and family while remaining an incredibly personal and original testament to the experience of an immigrant mother and son. It provides an insight into a world otherwise impossible to fathom. Excellent camera perspectives throughout and beautifully shot, following each character almost too long but with a beautiful intent. The aspect ratio changes several times throughout and appears to be on real film stock, giving marvelous saturation to each scene and the degree of realism is nearly unmatched, but could be likened to films including The Florida Project and Moonlight. It's a very tough and touching movie. I saw this by chance in the Madrid Film Festival and feel so lucky! I would not have known! Shim is a wonderful director and I can't recommend this highly enough.

One of my favorite Director ever is Richard Linklater. And watching this movie gave me vibes of the old Linklater movies. Though, this film is much more concise with an arc.

The movie is split into 3 part with 3 different moods. Begins as a coming of age story. Has the digital noise with a 4:3 aspect ratio. Colors are muted. And i thought at first it was just an artistic choice(being that it takes place in the 90's). However, it plays into the storytelling.

The things we talk about from our childhood after a certain age gets fuzzy. With every emotion turned up. The happy moments seem like the happiest one has ever been. While the sad moments are the worst.

The 2nd third, The colors and contrast changes. The cinematography is cleaner and warmer. But, still the aspect ratio is the same and still feels like 90s film with a slightly bigger budget. And it shows how the age of adolesence is quite a life turning experience. And the risks of escapism.

The final 3rd is much more modern. With a full screen ratio. And beautiful sweeping shots.

All in all. An amazing movie. Very well acted. The emotion is real and each moment with the characters is empathetic. Even some of the side characters are very endearing. A wonderful experience. And i recommend this to any fan of movies.

9/10.

Watch it.... That's all I have to say, just WATCH it. This film connects deeper to immigrants and shows the struggles of an immigrant boy and his mother. The movie shows the boy's childhood struggles and teenage struggles in a subtle/honest yet beautifully shown. This masterpiece also shows the beautiful bond of a mother and son in the most true yet spectacular manner. Not only the story and screenplay's spectacular, but also the artistic side of films. The vivid tones set an intimate and cozy/warm feeling that enhances the relationships and emotions in the movie. In my opinion, this film is perfect in every manner; art of cinema, emotions, dialogue, acting, wonderful cinematography, and much more. MUST WATCH!

A single mother and her young son immigrate from Korea to Canada, and she struggles (and reasonably succeeds) in making a new life and adjusting to their new surroundings. The story is told in 3 acts. First is when the son enters Grade 1, second is when he is a teenager in Canada, and third is when she takes him to Korea to learn about his roots.

The director gives memorable sweeping vistas of Korea, as opposed to the more gritty views of life in Canada. But neither country is fully accepting, and it is interesting to see the hypocrisy of a school that tolerates verbal assaults, but has zero tolerance of physical assault. Things do get easier as more immigrants arrive, and life becomes less lonely.

There are interesting vignettes of Korean culture, but they do not seem to drive the plot forward, and there are major loose ends.