Il sistema non detto che ha plasmato l'America, raccontando come le vite di oggi sono definite da una gerarchia di divisioni umane.Il sistema non detto che ha plasmato l'America, raccontando come le vite di oggi sono definite da una gerarchia di divisioni umane.Il sistema non detto che ha plasmato l'America, raccontando come le vite di oggi sono definite da una gerarchia di divisioni umane.
- Regia
- Sceneggiatura
- Star
- Premi
- 8 vittorie e 32 candidature totali
- Marion Wilkerson
- (as Niecy Nash-Betts)
- Allison Davis
- (as Isha Carlos Blaaker)
- Suraj Yengde, Ph.D.
- (as Suraj Yengde PhD)
- Sales Executive
- (as Mike 'Spike' Topoozian)
Riepilogo
Recensioni in evidenza
I would think Native Americans should have given some sort acknowledgment from origin standpoint as they were first to be "casted" prior to African Americans.
I haven't read the book, but the movie does feel like abrupt in trying to connect and transition amongst different story lines or historical situations.
Then summarization in the end is just beautifully done. But movies felt too dense and compact in terms of content as the authors personal life events and challenges were being tried to intertwined hit socially and racial complexities.
The movie examines race in America and caste in India as well as the Holocaust in Germany. However, it fails to mention colonialism, which oppressed one half of the planet no less in the early years after World War 2. This is a serious omission.
Even during the discussion of caste in India, the colonial oppression of India by the British that lasted till 1947 is not addressed. And it might be added, the British took full advantage of the Caste system to consolidate their rule of the country.
Some parts of the movie lost my attention, but for the most part, I thought this was extremely well done. The acting was, all around, fantastic. The breakdown of the thesis at the core of the movie made sense, and the storytelling about the author herself kept the movie compelling.
I hope you leave the move also looking for ways to defy caste.
Instead she decided to look deeper, a lot deeper. Including traveling abroad. The research for her eventual book, upon which this movie is based, led her to examine the caste system which is present in many forms across many civilizations.
Definition: Caste - a social hierarchy that assigns a person or group a social class or standing based on their ancestry and ideas of "purity" and "pollution". It's a traditional practice that's rooted in the political, social, cultural, and economic structures of some religions or cultures. In Hinduism, castes are hereditary social classes that limit the occupations of their members and their interactions with other castes.
Clearly this does not separate people by race or skin color but by long-standing prejudices. In the USA the caste system assigned blacks, most of whom are direct descendants of slaves, to a lower standing. Even in my own lifetime I recall businesses having a separate entrance for blacks, separate water fountains, separate schools, and many hotels prohibited blacks from staying there. In this movie an incident is depicted where a little league baseball team with only one black kid goes to a community pool to celebrate their victory and the black kid is not allowed to swim. The pool manager says something to the effect that if he were to jump in, the pool would have to be closed and disinfected.
A good bit of time is also spent in India where the caste system is still very strict and those in the lowest of the social order have to clean cesspools by hand and have no hope of ever rising above that.
A very interesting and thought-provoking movie. My wife and I watched it at home on DVD from our public library.
The film's greatest strength lies in its ambition. It tackles weighty themes without shying away from unflinching honesty. Brutal historical reenactments punctuate Wilkerson's personal journey, forcing us to confront the ugly truths about humanity's capacity for cruelty. This approach can feel jarring at times, but it undeniably leaves a mark.
Origin stumbles a bit in its execution. The narrative structure can be disjointed, jumping between timelines and locations. While this reflects Wilkerson's own intellectual process, it sometimes left me feeling a tad disoriented. The film also leans heavily on dialogue, with some scenes feeling overly didactic. Think history lesson, not edge-of-your-seat thriller.
That said, the acting is uniformly strong. Ellis-Taylor delivers a powerhouse performance, capturing Wilkerson's unwavering determination and vulnerability with equal measure. The supporting cast, including Connie Nielsen as a sceptical German intellectual, adds depth to the exploration of these complex issues.
Visually, Origin is mostly a muted affair. The colour changes for present, flashbacks, historical events, and fictionalised episodes. The camerawork is steady and unobtrusive, putting the focus squarely on the characters and their stories. The score, a blend of melancholic strings and understated percussion, complements the emotional weight of the film.
While Origin doesn't quite reach the heights of DuVernay's best work, it's still a compelling and thought-provoking film. It's a film that will stay with you, prompting reflection and perhaps even uncomfortable conversations.
Origin isn't easy to watch. It's a movie that demands your attention and confronts you with uncomfortable truths. But if you're up for a challenging and ultimately rewarding cinematic experience, then this film is worth your time. Just be prepared to grapple with some heavy material.
Lo sapevi?
- QuizA Washington Post article titled "Budgets for 'prestige' films dried up. So Ava DuVernay found a new way." was released on 12/4/23; it details how DuVernay financed the film partly through grants, including from the Ford Foundation, which enabled her to make a bigger film.
- BlooperWhen Brett and Isabel are riding in the Audi, the speedometer is at zero and doesn't move.
- Citazioni
Isabel Wilkerson: And yes, not one of us was around when this house was built.
Isabel Wilkerson: But here we are. The current occupants of a property with stress cracks built into the foundation, and a roof that must be replaced.
Isabel Wilkerson: We are the heirs to whatever is right or wrong with it. We didn't erect the uneven pillars. But they are ours to deal with now.
Isabel Wilkerson: The cracks won't fix themselves. Any more deterioration is on our watch.
- Colonne sonoreI Am
Written by Stan Walker, Michael Fatkin, Vince Harder, Te Kanapu Anasta
Performed by Stan Walker
Produced by Michael Fatkin
Courtesy of Aki Aki, Sony Music Group, Universal Publishing Group, Harder Music Group
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Dettagli
Botteghino
- Budget
- 38.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 4.689.830 USD
- Fine settimana di apertura Stati Uniti e Canada
- 117.063 USD
- 10 dic 2023
- Lordo in tutto il mondo
- 4.837.191 USD
- Tempo di esecuzione2 ore 21 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1