In uno storico hotel di Istanbul, una giornalista viene riportata indietro nel tempo per fermare un complotto che potrebbe cambiare il destino della Turchia moderna.In uno storico hotel di Istanbul, una giornalista viene riportata indietro nel tempo per fermare un complotto che potrebbe cambiare il destino della Turchia moderna.In uno storico hotel di Istanbul, una giornalista viene riportata indietro nel tempo per fermare un complotto che potrebbe cambiare il destino della Turchia moderna.
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Love the story & setting. Beautifully filmed!!! A serious subject matter, and the moments of comedy, very well timed. It does help to know a little history to follow this series. Stay alert & focus because the back and forth through portal of time can get confusing. NOT A COPY of Outlander! Give this a chance. The styling and hair for Hazal Kaya, is not so good, took away from her acting, so distracting. I know the role is a young, mess of a woman, yet the styling still fails her. We can give her a break. Male lead, perfect, and the hotel manager fantastic. Turkish film making is fantastic, stories and everything else! Why do people compare this to shows like Breaking Bad and Game of Thrones, they are totally different, and depends what kind of movies you like. It is not a fair comparison.
A joyful surprise and a pleasant show filled with real history facts.
A good alternative to English and American series with this time travel experience.
The Pera Palace truly existed and welcomed guests as famous as Ernest Hemingway or Josephine Baker. Agatha Christie wrote her novel "Crime on the Orient-Express" at this hotel.
A good alternative to English and American series with this time travel experience.
The Pera Palace truly existed and welcomed guests as famous as Ernest Hemingway or Josephine Baker. Agatha Christie wrote her novel "Crime on the Orient-Express" at this hotel.
It's a good story with twists wrought by time jumps which initially might tend to confuse the viewer. For a while, the story wavers before picking up pace towards the latter third of the show.
A story that links Turkey's founder Mustafa Kemal Ataturk is invariably fascinating as Turkey is a fascinating country. The story takes place just 4 years before he becomes the first president of the Republic of Turkey.
The set design and costumes are amazing. Meticulous effort has been expended to capture the tone and vibes of the period.
Hazel Kaya and Tansu Bicer are a good team, and the viewer avidly follows their extraordinary adventure.
A story that links Turkey's founder Mustafa Kemal Ataturk is invariably fascinating as Turkey is a fascinating country. The story takes place just 4 years before he becomes the first president of the Republic of Turkey.
The set design and costumes are amazing. Meticulous effort has been expended to capture the tone and vibes of the period.
Hazel Kaya and Tansu Bicer are a good team, and the viewer avidly follows their extraordinary adventure.
A time-travel murder mystery set predominately in 1919 Istanbul. It doesn't take itself too seriously, the plot is well handled - for the most part, pretty decent acting and some nice scenery. Most importantly, the characters are likeable and by the end I was up for a second series.
Began watching with zero expectations, wavered a few episodes in but glad I persevered. It seemed a bit all over the place to begin with, but I gradually learned to trust the writers knew where they were going. There are some neat twists and turns and points where it was initially confusing - only to be resolved quite satisfyingly.
It features a strong female lead, notably, a character with strengths and weaknesses - it makes some mild feminist points without being woke or overbearing (other writers could learn something here). Not sure how historically accurate any of it is (it is a time travel story after all) and it does delve into some intriguing alternative history.
The Brits don't come out of it too well - something of a common theme lately, but it's inoffensive stuff.
Began watching with zero expectations, wavered a few episodes in but glad I persevered. It seemed a bit all over the place to begin with, but I gradually learned to trust the writers knew where they were going. There are some neat twists and turns and points where it was initially confusing - only to be resolved quite satisfyingly.
It features a strong female lead, notably, a character with strengths and weaknesses - it makes some mild feminist points without being woke or overbearing (other writers could learn something here). Not sure how historically accurate any of it is (it is a time travel story after all) and it does delve into some intriguing alternative history.
The Brits don't come out of it too well - something of a common theme lately, but it's inoffensive stuff.
Reviewers are thinking the lead role has done poor acting, but the actual problem is the script. The character Esra is a journalist who wants to do something big in the world, but she talks and acts likes a 5 year old or less. The character herself is portrayed as the biggest idiot of Istanbul, so we cant blame the actress for this. She was just acting the way the script demanded it to be. Sometimes I felt I was watching the film, 'The Princess Bride' or some movie of that kind. It's like a parody and is filled with potholes.
I am writing this review after watching the 5th episode of the show and unable to take the poor screenplay...
I am writing this review after watching the 5th episode of the show and unable to take the poor screenplay...
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- منتصف الليل في بيرا بالاس
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- Tempo di esecuzione45 minuti
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