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5150, rue des Ormes

  • 2009
  • 1h 50min
VALUTAZIONE IMDb
6,5/10
3758
LA TUA VALUTAZIONE
5150, rue des Ormes (2009)
DramaHorrorThriller

Aggiungi una trama nella tua linguaA young man is held hostage by a psychopath who will only let him go if he beats him in a game of chess.A young man is held hostage by a psychopath who will only let him go if he beats him in a game of chess.A young man is held hostage by a psychopath who will only let him go if he beats him in a game of chess.

  • Regia
    • Éric Tessier
  • Sceneggiatura
    • Patrick Senécal
  • Star
    • Marc-André Grondin
    • Normand D'Amour
    • Sonia Vachon
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,5/10
    3758
    LA TUA VALUTAZIONE
    • Regia
      • Éric Tessier
    • Sceneggiatura
      • Patrick Senécal
    • Star
      • Marc-André Grondin
      • Normand D'Amour
      • Sonia Vachon
    • 18Recensioni degli utenti
    • 29Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 9 candidature totali

    Foto11

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    + 7
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    Interpreti principali44

    Modifica
    Marc-André Grondin
    Marc-André Grondin
    • Yannick Bérubé
    Normand D'Amour
    Normand D'Amour
    • Jacques Beaulieu
    Sonia Vachon
    Sonia Vachon
    • Maude Beaulieu
    Mylène St-Sauveur
    Mylène St-Sauveur
    • Michelle Beaulieu
    Élodie Larivière
    • Anne Beaulieu
    Normand Chouinard
    Normand Chouinard
    • Jérome Bérubé
    Catherine Bérubé
    Catherine Bérubé
    • Josée
    Louise Bombardier
    Louise Bombardier
    • Francine Bérubé
    Pierre-Luc Lafontaine
    Pierre-Luc Lafontaine
    • Simon
    René-Daniel Dubois
    René-Daniel Dubois
    • Jean Guy Ruel
    Jacques Allard
    Jacques Allard
    • Lecteur de nouvelles
    Normand Poirier
    • Carl, surveillant institut
    Carmen Sylvestre
    Carmen Sylvestre
    • Madame Gaudreau
    Elisabeth Locas
    Elisabeth Locas
    • Reporter de nouvelles
    Roberto Mei
    Roberto Mei
    • Homme ensanglanté
    Rodger Edan Jakubowski
    • Enfant à vélo
    Paul Stewart
    • Psychiatre d'Anne
    Jean Belzil-Gascon
    Jean Belzil-Gascon
    • Chauffeur de taxi
    • Regia
      • Éric Tessier
    • Sceneggiatura
      • Patrick Senécal
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti18

    6,53.7K
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    Recensioni in evidenza

    alienworlds

    Strong psychological drama

    It reminded me of the films of Alfred Hitchcock for some reason-maybe Psycho more than his other films. Maybe a bit strong in places but it is a well done movie that makes the statement that people are often not as ready to deal with a serious situation as they might think they are, which defines the predicament a character in this film faces. Disturbingly possible is maybe another point the film tries to make, and in that sense I think maybe, but not in most places in Quebec. The sub titles didn't always convey the right meaning of the french dialogue but maybe that was just me, but I thought they worked well enough to follow the story and see the characters. True 'nouveau cinema noir', for people who like horror movies, even though it is billed as a drama.
    9CihanVercan

    Unfinished Games may cause Obsessions, but an Unachieved Purpose can Kill.

    Rising like Phoenix from the ashes, the Chess concept began to take over the plot as a plot twist from a claustrophobic drift in such a modest production; that was when the story created its greatest suspense which will never end. I consider the whole as a great and awe-inspiring achievement.

    After fell off his bike a film student Yannick needs to stop by a two-story town house to ask for first aid. The father of the family from that house suggests him to make a call. After he goes inside and leaves the door unlocked behind him, Yannick starts his fatal discovery with his first step inside. Very suitable movie poster for this exact moment, when the happenings start to take effect.

    First he witnesses the father of the family Jacques Beaulieu committing a murder in front of his eyes, second he's locked up in an unfurnished room, and then he starts having trouble with other family members. Right at this sequence, we see one of the finest achievements in the movie: Excellent-almost perfect- CHARACTERIZATION. What will come out of the blue is all the main characters in this film will have a terrifying destiny. When everything is running organized for Jacques Beaulieu's plans, Yannick turns the outcomes upside down. Like all the other viewers, me too became fond of the CHESSBOARD OF CORPSES. Jacques planned to array the chessmen from the characters he wanted to have, but Yannick's existence also altered the appearances on the chess board.

    It's not just unpredictable what's going to happen every other scene, it's also unique in story-telling, too. Deeply detailed PSYCHOLOGICAL LAYOUT, the leading actors(Yannick vs. Jacques) reflect their inner phobias, counter-phobias and behaviour patterns against each other in a very factual way. What's very engaging is the balance of justice which forces us to understand that humankind is not entirely good or evil. The evil character Jacques is only trying to save the public from criminals and sinners, while he's fighting against the evil, he becomes an evil on his own, under a self-built heresy.

    Very nicely done adaptation work offers a promising film and it succeeds in production aspects, too. Yannick's psychological trauma moments are served out with nice VISUAL EFFECTS and CINEMATOGRAPHY. It offers an unique style of tension without applying basic horror methods, spooky visuals and sharp shots which forces the viewer to wince.

    A few deficiencies on character and story development with possible plot holes: 1/ JACQUES'S ACT OF JUSTICE: Jacques never locks up innocents into the Room Of Sinners. But he kills a sinner in front of Yannick's eyes just because he's there to get aid for his bruises. As a serial killer of the 24 bodies and a thief to steal another 24 corpses, he should've been more careful with Yannick. 2/ MAUDE'S SUICIDE: She never attempted to suicide before suddenly deciding on helping Yannick to escape. 3/ When Yannick started first to see delusions, he sees A FAT MAN WITH GLASSES, and continues seeing the same man every time he sees another delusion. There is no story held for this supporting character. 4/ The story doesn't build the necessary bridge between the happenings and the results for each family member's destiny. Neither the mum or dad ever worried about Michelle, after Anne is sent to the afflicted children's school. When the movie is over, everybody's life will be different. This isn't a suitable premise for a movie in this genre. 5/ Anne's school never made any investigation nor at least a questionnaire about Anne's past.

    This film was examining the addiction to murder and the effects of violence in the family in one point. It came to a dead end, finished in a tragedy for everyone, which is idealistically appropriate with its examination. The second point supported the idea of the personal needs to trust the government's justice system to live in safety. Creating a justice other than the current system is only a fantasy. In this case, comparing with SCORSESE'S RAGING BULL, 5150 doesn't make the viewer to feel sad about Jacques the way we felt about Jake La Motta. Both Jacques and Jake seek their own sense of justice, but end up behind the bars. Another reference on Jake La Motta is occurred when Yannick chose to turn back to the Chess-game addiction instead of the choice of freedom, so his paranoia obsession on Chess took over his personal life; just like Jake La Motta happens to become a stage comedian but continue practising his punches and crochets in the backstage of the theater. Unfinished games may cause obsessions, but an unachieved purpose can kill. A Proudly Canadian film. Congrats.
    7killercharm

    Film student gets into a little accident on his bicycle

    Canada - Film student gets into a little accident on his bicycle avoiding a black cat. He goes to a nearby home to ask for assistance. When the resident tells him to wait outside while he calls our man a cab HE DOESN'T. I can't stress this enough. He does not wait outside as requested. Instead he barges right into someone's home and privacy. On top of that when he hears someone upstairs, what does he do but invite himself further into the residence. Once he sees blood all over this guy upstairs it's all over for our hero. Now the guy who lives here and has perpetrated what all has happened herein has no choice but to keep our hero under wraps. The story is about the struggle between the two, and other characters, i.e., the mama of the house and the two daughters who live therein to thicken the plot. I waited and searched for this movie for EVER. I am happy to say it was well worth it. This is such an individual flick, similarities to Whatever Happened to Baby Jane and Frailty notwithstanding.
    9kluseba

    Heavy and disturbing: A rare masterpiece!

    This is one of the best horror or psycho thrillers that I have seen in a while and also one of the best Canadian/Quebecker movies in the last years. The movie is based on the novel by Patrick Senécal, his novels "Evil words" (in french: "Sur le seuil") and "7 days" (in french: "Les 7 jours du talion") have also been adapted for the cinema.

    The story seems to be quite classic and simple: A young student has an accident with his bicycle in the new town where he wants to study as he is crossing a black cat. He wants to get help and rings at 5150 on Elm Street - the biggest mistake of his life! When he comes in, he hears somebody screaming in a room upstairs and he discovers that this guy is bleeding and suffering. But before the student can quit the scenery, he is discovered and imprisoned at the same place while the other poor guy doesn't survive. The young student is caught for months and his escape plans don't seem to work. He is filming his life in the small room and becomes somehow a member of the strange family: Jacques Beaulieu, the brutal, but very intelligent and charismatic father and taxi driver who is fighting the "evil one's": He tortures and kills old guys abusing children or young drug dealers. He is also a chess master and creates his "own" chess game in the basement: with dead bodies: his victims representing the black army and the good people (he is taking the bodies of dead social workers etc. from the cemetery) representing the white army. The young student has to prove that he belongs to the good or bad one's and finally Jacques Beaulieu offers a deal to the young guy: If he will beat him in a chess game and win with the black army, Jacques Beaulieu will accept and recognize that he was wrong and that the evil forces are stronger and liberate the student and so the games begin...

    Maude Beaulieu, the shy and silent mother who is afraid of her husband but who doesn't have the courage or abilities to stop him. He is suffering every day and her husband has even beaten her when she was pregnant. The young student tries to become somehow her friend and to use her to escape, but Maude takes the right decision way too late.

    Michelle Beaulieu, the eldest daughter is a sadistic, emotional and brutal girl and sometimes even more radical as her father, as she is making the young student suffer against the father's will. But when she has to prove that she is able to take the heritage of her father and to continue the battle against the evil persons, she isn't tough enough and becomes more and more disturbed.

    Anne Beaulieu, the youngest daughter, is somehow retarded and doesn't speak a single word. She has been beaten by her father in her mother's womb and apart of her mother, no one shows or gives her any love and she doesn't have any friends. She hates her father who is making her mother and herself suffering and even tries to kill him while the father wants to get her out of the house and in an isolated and therapeutic kindergarten.

    All those characters have their one personality and are brilliantly played. The movie is very close to reality and the brutal or horrifying scenes are rare, but when they come, they are really heavy and disgusting because they are so real. The movie has a dark atmosphere and every actor gives his best and his soul to this movie. A part of the family members, the main actor also begins to change and becomes more and more a strange freak who doesn't want to escape anymore - but who has found the sense of his life in wanting to beat the father and murderer in the final chess game as the armies of dead will finally be completed in a terrible way.

    The end of the movie is really disgusting and disturbing, so expect the worst: Patrick Senécal wants to show the evil, dark sides of the people, the things that lie underneath the surface and he does it in a brutal consequence and nobody gets out of his created nightmare in a good way! That's what makes this movie intense and disturbing - and different from so many other movie of the genre. This one here is really innovating and hardcore and maybe not as easy to watch for everyone because of its strong relation to reality.

    As you can read, this movie really surprised me and I think it's a genre highlight. The atmospheric horror grows with every minute of the movie and the grande finale is worth the wait! I just gave nine points because the basic story idea is quite simple and because the novel seems to be even more intense. Even if I told you now a lot about characters and story - the movie will still surprise and touch you! This movie should be more popular outside of Quebec too. So spread the words and have some fun with this movie: Welcome to Senécal's world of nightmares!

    Don't read any longer: watch it!
    6natashabowiepinky

    Remind me to stay away from any street with ELM in them...

    Picture the scene: There you are cycling along on a random street on your first day as a film student. The birds are chirping. The sky is blue. Life couldn't be any sweeter. Then suddenly. a puddy tat leaps out in front of you, causing you to brake. You're injured, and your vehicle and phone are bust. You head to the first house on your way, and a seemingly nice middle-age man tells you to wait outside while he rings for a taxi for you. He takes a while, so you poke your head round the corner to see what's going on.

    Suddenly, a noise from upstairs startles you. Could that be... Someone shouting HELP? You decide, rather stupidly, to investigate... sneaking past the old dude in the process. On the second floor, you enter a bare room... and there in it, is a guy bleeding to death with a stab wound. You panic, and rush to get help... but are stopped by the home owner. Soon, the corpse of the stricken knife victim will be gone, and you'll take his place in those not-too comfortable conditions. Beatings, imprisonment and loud rock music await. Wanna get out of there? You better be good at chess...

    The antagonist here is what's known as an 'everyday' psycho... he lives as a respectable citizen with his two daughters and wife, but his spare time is spent as a vigilante, killing those he regards as human trash e.g drug dealers and pedophiles. He is trying to train his oldest child to follow in his footsteps... without much success. His youngest is a mute, and his missus is nothing more than a put-upon doormat. And into their life comes this student. They all react differently to him... the psycho sees him as a potential protégé, the teenage girl sees him as a threat, the put-upon wife sees him as an opportunity to escape and the littlest daughter... well, she just stares blankly into space.

    It's a great set-up, and the film captures every moment of our lead's terror and eventual descent into madness as a result of his enforced caging. It's also nice to see a fully fleshed-out enemy who has a legitimate motive for his murderous activities, and his family are well written too. A revelation near the end when we discover what's in his basement is especially horrifying. It's not perfect... there are tedious spots, and you get the feeling if he REALLY wanted to escape early on, he could... the only thing keeping him there is the screenplay. But for unique ideas, and a pretty consistent feeling of dread, this is more than than worth a watch. 6/10

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    Dettagli

    Modifica
    • Data di uscita
      • 9 ottobre 2009 (Canada)
    • Paese di origine
      • Canada
    • Sito ufficiale
      • Official site
    • Lingua
      • Francese
    • Celebre anche come
      • 5150 Elm's Way
    • Luoghi delle riprese
      • Melrose Studios, Saint-Hubert, Québec, Canada
    • Azienda produttrice
      • Cirrus Communications
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 50 minuti
    • Colore
      • Color
    • Proporzioni
      • 2.35 : 1

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