Blood and Oil

An outstanding television drama charting the search for answers to suspicious events which befall an Englishman employed in the oil business in Nigeria.

Tremendous acting draws the viewer in as the horrors committed in pursuit of wealth dawn on both the distraught wife of the Englishman and the sassy PR representative of the oil company whose father is a rich Nigerian. They both face moral dilemmas which exemplify the complexity of the situation they find themselves in. And watching them respond is powerful stuff.

The revelations of the deep-seated corruption blighting Nigerian politics and business are counter-balanced by ground roots attempts to bring a share of the wealth to the poverty-stricken indigenous peoples of a country being plundered of its oil.

Shot in South Africa, the representation of dangerous hinterland in Rivers State where militant gangs hide out and the secure comfort of the hotels in Port Harcourt serving multinational firms related to the petroleum industry, rang true.

I found this a mentally stimulating story which had me researching for fact amid the fiction. And on first investigation it appears 'bang on the money'.

Many conspiracy thrillers feature as their hero an initially cynical journalist, keen to get the story but not actually caring. 'Blood and Oil' perhaps shows us why by featuring two heroines who do not fit this template: the earnestly emoting wife of a murdered oil worker, and a glamorous PR consultant who may be repeating her employers' lines, but who genuinely believes them to be true. The plot, set in the region of the Niger delta, predictably exposes their illusions; but the characters are too pure for the story, in a world where everyone in power is corrupt there's something wholly predictable about the basic narrative arc, and too much seems just too neat, and consequently shallow. To give one example, when it seems that no-one can help the widow as she tries to track down her husband's mistress, it turns out that the one person who knows something and is willing to let her know is the kindly gardener she had met earlier; there's a definite feeling of scriptwriting by numbers here. The acting is mediocre and lacking in subtlety (I've rarely seen a drama where internal feelings are so universally telegraphed on the actors' faces); while the final conclusion, where the PR person finds redemption by working for a good cause, is also glib and questionable (because she can afford to do so; and because some might say that a better world needs less PR, rather than a redistribution of resources). In any case, she still looks as glamorous dressed in quasi-ethnic garb as she had done earlier in a business suit. 'Blood and Oil' deserves credit for tackling a difficult and weighty subject; but it's not truly serious drama.

As someone who grew up in Nigeria, I find it intriguing to hear some of the negative reviews of this movie. I can only assume that the reviewers know nothing about the country and its people. This was a very realistic portrayal of the country, the dramatic way that emotions are displayed, the seemingly chaotic lifestyle, and the nature of the oil business in Nigeria. I will definitely recommend anyone who wants to get an objective assessment of life in Nigeria. It gives you a good, albeit brief glimpse into other aspects of living in Nigeria which includes not just the poorest but also some middle class workers. It is a great movie. Highly recommended.

Really have enjoyed this two part series. Enough time given to develop the characters, actors are believable. I am not familiar with Nigeria, but the story line kept me hooked. I realize that the story line follows what is happening in that part of the world and it is frightening. I wish BBC would male a CD available for purchase in the United States. I would recommend this, specially if you like movies that take place in Africa, don't mind violence, because there is a great deal of violence in the series, although the violence is part of the story. Actors include David Oyelowo, of The No. 1 Ladies' Detective Agency, Naoomi Harris, Jodhi May and Paterson Joseph, also from The No. 1 Ladies' Detective Agency. The story line follows the kidnapping and what follows.

I almost did not bother watching this after reading the first two reviews on here, so thanks to jegpad for persuading me to give it a go. This was top notch both as a political thriller and a human drama, with fine performances from both the two female leads, Naomi Harris and Jodhi May. The script was constructed tightly, with twists and intrigues enough to hold the viewer's attention, yet filmed to allow the performances room to breathe, so the full emotional impact was felt.

The film also provided an enlightening insight into the politics of a part of the world our mass media largely shy away from, an issue touched on in the drama. We would rather not know. (A theme cleverly mirrored in the discoveries the two protagonists make about the men in their lives.) And while the crushing institutionalised corruption and exploitation were exposed, and with it our complicity as western consumers, there was sufficient sense of humanity to spare the film from utter bleakness.

Oh and to the poster who thought it too neat that "the one person who knows something and is willing to let her know is the kindly gardener she had met earlier", she had met him because he worked on the grounds of her husbands apartment, which was also the reason he knew of the comings and goings.