Sulla base degli archivi reali di padre Gabriele Amorth, noto come l'esorcista capo del Vaticano, che mentre indagava sul possesso di un giovane, scopre che per secoli in Vaticano hanno cerc... Leggi tuttoSulla base degli archivi reali di padre Gabriele Amorth, noto come l'esorcista capo del Vaticano, che mentre indagava sul possesso di un giovane, scopre che per secoli in Vaticano hanno cercato a tutti i costi di tenere nascosta la verità.Sulla base degli archivi reali di padre Gabriele Amorth, noto come l'esorcista capo del Vaticano, che mentre indagava sul possesso di un giovane, scopre che per secoli in Vaticano hanno cercato a tutti i costi di tenere nascosta la verità.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 3 candidature totali
- Julia
- (as Alex Essoe)
- Young Amorth
- (as Edward Harper Jones)
Recensioni in evidenza
This was not the case with this film. I'm not an accent specialist nor a native Italian speaker, but Russell's portrayable had me convinced.
The story itself was exciting and intriguing. There were some nonsensical aspects of course. Its a very fictional film with its own share of contradictions that are noticeable. The authenticity of the Vatican traditions and language barriers might have been compromised, but as a normal viewer, none of it was recognizable thus not bothered.
Overall I give this a 7. It's not going to leave a lasting impression on me, but It was a good to watch.
The film does not attempt to do anything particularly new or groundbreaking in the genre, but everything it has is handled with care and precision. The direction is fantastic, with a very quick pace that makes each scene have a sense of urgency as our characters attempt to perform the exorcism. There is particularly deep lore that is established within the church structure, with different factions and politics at play that add a slightly different dimension rather than just your run-of-the-mill "insert random priest here."
My favorite aspect of the film is the acting. I think all of the adult characters do a tremendous job here. Russell Crowe kills it in every scene he is in and definitely gives an entirely different take on the exorcist character. Where most are intensely serious and melodramatic, Crowe adds a bit of whimsicalness and youth to the character that creates a calming presence to every intense scene. His rapport with Daniel Zovatto is excellent. The two really play off each other well and carried the film in many ways. Alex Essoe was great, although underutilized. The two children were okay. The boy gave a very stereotypical portrayal of a possessed child, and the daughter was flat in many ways.
My only complaint about the entire film is its lack of originality and the story. Every single beat is something that we have seen before; there were no new or fresh ideas that were interjected into the story. The tension was fine, but nothing was particularly scary. Overall, if not for the film's fantastic director and cast, it would have been a bomb.
Score: 63% 👍 Verdict: Decent.
Some of the effects were good but nothing I haven't seen before. Russell Crowe was enjoyable to watch but it was difficult to take his character seriously and I'm not sure as a viewer I was supposed to. It was all just a bit too silly for my taste. I didn't believe the setting, it was too fantastical and the family characters were more like caricatures. It sort of hinted at a story for them but that didn't really go anywhere. So, superfluous and silly but not awful.
Lo sapevi?
- QuizWhile researching the life and work of Fr. Gabriel Amorth, Russell Crowe discovered that Amorth's personal favorite movie was L'esorcista (1973), so much so, that Amorth became good friends with its director William Friedkin who later directed a documentary of Amorth's work as an exorcist, The Devil and Father Amorth (2017). This would be the second to last film Friedkin directed to be released in his lifetime before his death on August 7, 2023.
- BlooperThe Ferrari sticker on Russell crowe's Lambetta moves locations.
- Citazioni
Father Gabriel Amorth: A mother's love is the closest thing we know to God's love.
- ConnessioniFeatured in Projector: The Pope's Exorcist (Russell Crowe) (2023)
- Colonne sonoreShe Sells Sanctuary
Written by Ian Astbury (as Ian Robert Astbury) and Billy Duffy (as William Henry Duffy)
Performed by The Cult
Courtesy of Beggars Banquet Records Ltd.
By arrangement with Beggars Group Media Limited
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- El exorcista del papa
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 18.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 20.009.380 USD
- Fine settimana di apertura Stati Uniti e Canada
- 9.006.368 USD
- 16 apr 2023
- Lordo in tutto il mondo
- 76.987.621 USD
- Tempo di esecuzione1 ora 43 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1