Le vite di tre amici, dai giorni di scuola all'adolescenza, scoprono il vero motivo della loro esistenza.Le vite di tre amici, dai giorni di scuola all'adolescenza, scoprono il vero motivo della loro esistenza.Le vite di tre amici, dai giorni di scuola all'adolescenza, scoprono il vero motivo della loro esistenza.
- Regia
- Sceneggiatura
- Star
- Premi
- 8 vittorie e 28 candidature totali
- Young Kathy
- (as Isobel Meikle-Small)
Recensioni in evidenza
The film follows the friendship of three children growing up in a tightly-secured boarding school in Britain, beginning in 1978. They are cutoff from the outside world; a life without a choice, but a life with a designated focus. The story spans almost three decades, following them from childhood to adulthood. The surroundings are ever constant, even though the film follows them for three decades.
I would love to reveal what these special individuals are modeled and raised for, but giving away that revelation wouldn't be fair to the viewers. I must say, it's a very unique premise; one that gives the audience a very improbable connection between images and content. "Never Let Me Go" struck a nerve. I felt for these characters, very deeply. I wanted them to realize what these young and loving individuals could've achieved in the world they grew up in. They were brainwashed into thinking they were isolated from everyone else, but in reality, there were no boundaries. They could've escaped from the life they were brought-up in and should've rebelled from the establishment. Angry, sad, sweet, longing, optimistic—I love it when a film channels these ambivalent emotions and allows me to ponder about an alternate direction for the characters to venture into. If a film does that, then it must work.
After viewing this movie, I'm very curious about picking up the novel to see how the filmmakers translated the descriptions into these picturesque images. My guess is that the book is written on the same lines as "The Horse Whisperer"—with deft metaphors and rich characterizations.
As much as I wanted closure to the narrative, I think the film does a great justice by leaving the audience in the dark. It gives the viewer more room to think, and it stimulates an array of intelligent inquiries. "Never Let Me Go" dares the viewer to look beyond the beautiful imagery and delicate character interrelationships, and discover a multitude of hidden meanings and themes. Above all, this is an exquisitely crafted tale about love, loss, individuality, and the boundaries of life.
Two deepest of human emotions, love and betrayal are depicted in a subtle fashion in this movie. Cinematography and direction are good. Screenplay is slow in later half, yet gripping over all. Certain scenes sure will have a haunting affect on you.
Mulligan's acting is solid. Knighley's emotional performance is intense. But above all, I believe it's Garfield who stole the show, in the role of an isolated, confused and struggling boy.
I would say...Watch this movie with little expectations, you won't be disappointed.
Looking back at my viewing experience I was reminded of the early adaptation of 'Uncle Tom's Cabin' from the earliest era of films, in which the filmmakers expected you to have read the book and simply showed you interpretations of various scenes.
Alex Garland's screenplay boasted the ambition of including a little bit of everything from Ishiguro's 300 page book in his slightly under two hour movie. The result is a simple abridgment, we have time to realize the love brewing between the characters, the strained friendship between Mulligan's Kathy and Knightley's Ruth, and the dilemma of their caregivers at Hailsham. But the film lacks much the catharsis and the commentary that made the book so great.
Romanek has proved himself to be a capable director, but here he made some negative decisions which really removed much of the impact of the plot. Adam Kimmel's cinematography is a stand out here, and given the competition so far I wouldn't be surprised if he receives an Oscar nomination for his work.
The calm collection and stoic nature of much of the acting can be seen as insipid or uninteresting to some. But I found the acting to be quite appropriate, the tight lipped, proper British style of this movie provided an nice contrast and balance to a story which could have turned into a mindless melodramatic tear jerker if not handled correctly.
In the end, I think active viewer-ship is of paramount importance to this movie. The film is never interested in simply handing the audience its ideas. Rather it called upon us to dig for meaning. I would say the plot itself served as a bit of a metaphor, and that intrigued me. And, despite some of the negative artistic liberties which were taken in this adaptation, I feel that it did well enough to create an involving, though provoking, and sometimes heartbreaking experience.
Despite its flaws, 'Never Let Me Go' has been one of the few strong film that we've had this year. And, if your one of those people who goes to the movies once or twice a month, I'd say 'Never Let Me Go' is one of your better bets for an agreeable experience at the movies right now.
The world the film is set in is 1980s England and it looks very similar to the real world. But it's not our world and I had a hard time fully realizing all the characterizations for characters in a world that I don't quite know and understand. But it's just such a well done film that my interest was piqued and the story had me captivated, or at least curious, from beginning to end.
The film was incredibly well shot, making dreary England look spectacular but still getting the feeling of damp and cold across. It was also really well cast. The kids playing the younger versions of Keira Knightley, Carey Mulligan and Andrew Garfield looked and sounded just like them and were able to carry the beginning of the film. As others noted, Garfield also really stood out for me and his character moved me.
I recommend "Never Let Me Go" because of the high quality of film-making. The science fiction elements are rather subtle so it's more for fans of romantic dramas, but it's an interesting enough film that it can cross into most genres.
Lo sapevi?
- Quiz"Never Let Me Go" is Carey Mulligan's favorite novel. She was certain someone would make a film adaptation, and had hoped they could wait until she was old enough to play Kathy. She couldn't bear the idea of anyone else portraying Kathy, although she acknowledged that she thought other people would be able to do a better performance. She actively campaigned for the role.
- BlooperTommy runs in the sand out to the wrecked boat on the beach. Soon after, all 3 friends look at the boat, but Tommy's footprints in the sand are gone.
- Citazioni
[last lines]
Kathy: It's been two weeks since I lost him. I've been given my notice now. My first donation is in a month's time. I come here and imagine that this is the spot where everything I've lost since my childhood has washed out. I tell myself, if that were true, and I waited long enough, then a tiny figure would appear on the horizon across the field, and gradually get larger until I'd see it was Tommy. He'd wave and maybe call. I don't let the fantasy go beyond that. I can't let it. I remind myself I was lucky to have had any time with him at all. What I'm not sure about is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we've lived through, or feel we've had enough time.
- Curiosità sui creditiThe Hailsham School Song can be briefly heard at the very end of the credits.
- Colonne sonoreHailsham School Song
Melody courtesy of Harrow School Enterprises, Ltd.
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Nunca me abandones
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 2.434.652 USD
- Fine settimana di apertura Stati Uniti e Canada
- 111.734 USD
- 19 set 2010
- Lordo in tutto il mondo
- 9.918.232 USD
- Tempo di esecuzione1 ora 43 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1