Aggiungi una trama nella tua linguaSparks fly during Christmastime when a romance novelist meets a handsome man who looks like the leading character in her books.Sparks fly during Christmastime when a romance novelist meets a handsome man who looks like the leading character in her books.Sparks fly during Christmastime when a romance novelist meets a handsome man who looks like the leading character in her books.
- Regia
- Sceneggiatura
- Star
- Child at Christmas Brunch
- (non citato nei titoli originali)
Recensioni in evidenza
'Christmas Ever After' turned out to be very nicely done. Is one of the better ones and has one particularly big surprise that was not expected at all. Is it a great film? No, none of the 2020 Lifetime Christmas films are though in all fairness. Is it worth watching? Absolutely yes (as is enough of this particular batch), and one of the recently seen Christmas films that surprised me a lot. While not everything in 'Christmas Ever After' works, a lot does and very well indeed.
Am going to start with what could have been better. The plot is nothing special formula-wise and in terms of how it maps out. It's another film that is a bit of a slow starter, where it takes time to set up and the dialogue is on the awkward side.
Do agree that Bill Marchant is too over the top in his role and came over as annoying. The ending felt too hasty.
However, a lot is good. Ali Stroker's performance was courageous and heartfelt, as well as easy to endear to. Daniel Di Tomasso matches her in charm and his gentle warmth and sincerity help him come over as very likeable. Their chemistry is beautifully done, tasteful and sympathetic with no judgement and they are very natural together. Melia Charlotte Cressaty is adorable without being too cute. Lifetime have always varied when it comes to having characters that are interesting and worth caring for, 'Christmas Ever After' is a case of both.
Visually, the film is professional looking rather than looking on the cheap, the scenery is lovely. The music is not used too much and has an appropriate sound. The direction shows somebody at ease with the genre and while there is nothing innovative it's not routine or dull either. Furthermore, a great job is done with the Christmas atmosphere, where it does feel like Christmas and in an affectionate way. Some lovely Christmas touches, especially in the second half, and there are some very sweet, but not sickly, scenes. The script did have a nice mix of funny and poignant lines, especially the banter between the leads. The story may be thin but has a warm heart and charm and doesn't take itself too seriously. While the first quarter is not easy to get into at first, a vast majority of the second half is great.
Overall, well done. 7/10.
Story: 1.50/2 - Direction and Pace: 2.75/4 - Performances: 1.25/2 - Enjoyment: 1.50/2
Total 7/10
Christmas Ever After is a coincidental tale of romance and family. And having experienced plenty of chance meetings and fluke opportunities in my life, I have a warm place in my heart for this type of story, especially if the coincidences smack of truth, which these, on the whole, do. I also adored how the writers portrayed romance novelist Izzi Simmons. Though confined to a wheelchair, the only disability she has is the inability to choose the right man: Because Izzi is looking for perfection in Mr Wright. But, like I always say, "I'm perfect because I know my imperfections". Perfection is an impossible yardstick to measure by, but it's amusing to watch her try. Will she change her Mr Wright wishlist? When she meets the doppelgänger of the Icon of Romance himself, Matt, Izzi finally realises the truth of the human soul; we are imperfect, and that imperfection may be just what the author needs. The director has a marvellous talent for imbuing the picture with warmth, whether it's through relationships or visualisations; Christmas Ever After was a joy to watch. I especially like the typing scenes where the narration appears on the screen. The director chose the correct font to accent the romance and the right colour to tie in with the warm tones of Izzi's romantic writing room. It emphasises how much work has gone into the picture. And the exceptional work comes not only from the writers and director but also from the splendid cast. No one outshines the other, as they're on an equal skill footing. And for this style of story, it's perfect.
If you are looking for a charmingly heartwarming movie this Christmastime, you could do much worse than Christmas Ever After. It's witty, well thought-out, exquisitely directed, and marvellously acted. It's a fine film to cuddle up with your loved one while sipping a mug of hot chocolate on a cold and dreary day.
Please check out my HO! HO! HO! Christmas Belles list to see where I ranked the movie.
Take Care, Stay Well, And Best Wishes For A Merry Christmas.
Lo sapevi?
- QuizIn the scene on Christmas Eve when Matt is looking at the photos of his late wife, they're actually photos of the actor and his real wife.
- BlooperMila tells Izzi, "Your holiday themed book was supposed to be available for the holidays," referring to the reason she won't allow the final draft deadline past Christmas Eve. Even though the book is for next Christmas, that statement makes no sense in a pure rationale perspective of not having some flexibility in the deadline.
- Citazioni
Bob: Izzi. What do I owe the pleasure again?
Izzi Simmons: I just have a quick question.
Bob: Let me guess. You saw the remodeled aesthetics.
Izzi Simmons: About that. Um, my floors... I mean, your floors, technically, they used to have a distinct squeak. But the thing is, now the squeak is gone and there's a carpet over the floorboards.
Bob: I'm sensing you don't like the carpet.
Izzi Simmons: Was this your idea?
Bob: No, it was, uh, his. Meet the new owner of the B&B, my son. He just moved back from Seattle.
Izzi Simmons: Desmond?
Matt: Uh, actually, no. It's uh... It's Matt.
Izzi Simmons: Matt?
Matt: Yup. Matt.
Izzi Simmons: Your name is Matt?
Matt: Yeah. Like, short for Matthew.
Izzi Simmons: You look exactly like... You know what, um, never mind. This is, this is so... This is something, this is confusing and confounding and a little bit exciting.
Matt: Uh, okay. Well, to answer your question, uh, you're not hearing that squeak cause I fixed the floorboards. It's actually very simple, you just sprinkle a little baby powder over the squeaky floorboard, work it in the seams. Lubricates the wood, keeps the boards from rubbing together.
Izzi Simmons: Neat. That's, like, so neat.
Matt: Yea, well. I realized it's only a temporary solution. So, uh, we went carpeted.
Izzi Simmons: No, you went carpeted. We went squeaky floors, right, Bob?
Bob: Oh, I'm going Switzerland on this one.
Matt: Are you?
Izzi Simmons: I'm gonna go out of this room. Um, I have to leave, um, my editor is calling and I have to take this in my room.
Matt: Your phone didn't ring or buzz.
Izzi Simmons: Um, I meant, I have to call her. You know how editors are.
Matt: No. Not really. How are they?
Izzi Simmons: They need to be called back.
Matt: Well, you better call her back then.
Izzi Simmons: That's what I'm gonna do. Bye!
- ConnessioniReferences Seinfeld (1989)