Il funerale è servito

'Unnecessary' is probably the best single word description of Neil LaBute's "Death at a Funeral." I mean, there's really no precedent for the release of a same-language remake a paltry two and a half years after its original, and yet the guest list arrives for this new "Funeral" with almost as fast a turnaround as a Hollywood sequel. Hell, Chris Nolan hibernated on his second "Batman" film longer.

Nevertheless, the reality is that the decidedly Afro-American-friendly version of the dysfunctional family comedy (notable only because it really is the later film's sole distinguishing feature), is now in theaters, leaving anyone who remembers the Frank Oz original to ponder why.

LaBute and star Chris Rock, who also served as a producer on the film, cheekily 'adapt' U.K. writer Dean Craig's screenplay by peppering it with hip-pop pop-culture nods to Usher and R. Kelly, and leaving the rest, in essence, unchanged. On one hand, I appreciate the sentiment in that it doesn't presume to outdo its progenitor, but that's its problem as a standalone piece: it's either identical or inferior in every conceivable way. As such, the majority of its first-time audience will probably appreciate the comedic build-up having not been spoiled on the gags, and that's fine for right now, but it poses a potential dilemma, say, ten years down the road.

When film buffs and historians look back on "Death at a Funeral" (which they honestly have little reason to), the choice between the two versions will be obvious. Plus, they'll have no idea who "Usher" is.

Likewise, even today I'd recommend a rental of the 2007 film over a ticket to its 2010 counterpart, because, well, the original is the original, and for all its faithfulness, the remake actually accentuates what's lost in translation. The pop-culture one-liners clash with the characters on the page, and leave them feeling half-formed and sloppy on the screen—Are we watching Chris Rock do what makes Chris Rock hilarious, or are we seeing him play a repressed, introverted protagonist? The answer, messily, is both.

On that level, there's a creative integrity to the original performances that is impossible in LaBute's version. Martin Lawrence, Danny Glover, Tracey Morgan, Zoe Saldana, Peter Dinklage, Luke Wilson, and others comprise an undeniably talented cast that does an admirable job performing characters that were written as upper-crust Englishmen, but watching Rock sulk his way through the film makes it abundantly clear that they're not being themselves.

There's also the not-so-insignificant matter of LaBute's bland artisanship. In the past, he's been responsible for equally lifeless big-screen adaptations of his own stage plays, and a spectacularly poorly-received remake of "The Wicker Man"—It begs the question, why was he asked and trusted to shepherd this project? There's no single performance in the film that feels particularly informed by his hand, and LaBute fails to bring a single funny idea to the table. In adhering so rigidly to "Funeral" prime, his remake is marked by an absence of directorial and comedic vision.

I have no qualms with anyone who enjoyed "Death at a Funeral" for the first time via the LaBute/Rock version. A lot of what made the British comedy memorable has survived, and even with a jaded precognition of the gags, I mined a couple laughs. However, the fatal flaw of the 2010 adaptation is that the 2007 version exists. It's not like it's antiquated or anything; it's three years old.

Anyone with an open mind can still appreciate the original "Death at a Funeral," and its immediate availability for less than the cost of a night at the movies makes the 2010 remake quintessentially one thing—Unnecessary.

Despite having double the budget and some pretty big Hollywood stars the 2010 release adds nothing whatsoever, and in fact is in many ways inferior.

Not only are there some very lacklustre performances in particular from Chris Rock and Martin Lawrence as the two sons of the deceased, but the camera work in some sections is truly awful with the decision to use "handheld" or steadicam photography resulting in the picture shaking so badly in some sections that it is almost hard to watch.

Despite all this many of the best moments of the original are copied perfectly and work just as well as they did the first time around meaning that there are several good laughs to be had, but when you've got the choice of watching this or the original there's really no contest.

Distinctly average.

Watch english version and then you see how its a dirrect copy but not as good.

Death at a Funeral (2010)

*** (out of 4)

Remake of a 2007 British film, this comedy is certainly done in bad taste but the talented cast bring enough laughs to make it worth viewing. The "story", if you want to call it that, is rather simple as a group of people show up at a funeral only to have one thing go wrong after another. This includes the dead man's sons (Chris Rock, Martin Lawrence) constantly fighting, a man showing up claiming to be the lover of the dead man and we even get a white boyfriend who everyone hates and they're really going to hate him after he accidentally takes some acid. This is a rather vulgar movie that makes a living on bad taste and dirty jokes but what makes them so funny is that no one wants the stuff to be vulgar. It's strange but all the characters here are good people who mean no one any harm yet they just get into situations where they're forced to do things that they normally wouldn't do and that's what makes the film so funny. The film contains a terrific cast lead by Rock and Lawrence but we also get Danny Glover, Tracy Morgan, Luke Wilson, Loretta Devine, Peter Dinklage, James Marsden and Keith David. All of the actors are obviously given it their all. Sometimes they deliver wonderful jokes while at other times they fall flat on their face but no matter how the joke comes out you can at least see how hard they're working to try and make the laugh. One of the highlights of the film is when the crippled character played by Glover gets diarrhea and has Morgan rush him to the bathroom but his hand gets stuck in the toilet as the old man sits down. Another running gag has the father being gay and hiding it his entire life and his son played by Lawrence gets upset because the lover is white. The movie runs a very quick 90-minutes but every ten-seconds there appears to be a new joke being thrown out. I give the film credit for pushing all the right buttons and at least attempting to make fun of more dramatic situations. There's no good flow to the movie and the story is certainly nothing special but people are tuning into this thing to laugh and they'll be doing that quite a bit from start to finish.

This film is about the funeral of a family man. the funeral turns out to be very eventful with many surprises.

"Death at a Funeral" is almost the same as the British original, be it the title or the plot. The British one was really funny, I remember myself laughing very hard when I watched it. This remake, is mildly funny, but it is just in a different league. It uses cheap humour to make people laugh, and it lacks the witty dialog of the original. Moreover, characters are less sympathetic and more annoying in this remake. Despite a few funny moments, I would stay "Death at a Funeral" is an uninspired remake of a great comedy.

Maybe filmmakers will bear in mind that remaking such a recent film in the same language with the same plot is not such a good idea, as it will inevitably draw comparisons between the original and the remake.