Sorry Bhai!

I started watching it alone not realizing that it was something that I needed to see with my wife as it turned out to be an extremely engrossing entertainer. Sharman Joshi is someone who I have come to look upon as a talented actor but I could never remember his name until this film. His uncanny ability to deliver comedy effortlessly both impresses and surprises me. Boman Irani and Shabana have real chemistry. They are not just bystanding, intervening, stereotypical Hindi-film parents. They are integral to the storyline. Chitrangada Singh (I never new her name before this film) has not had to try hard (or wear less clothes or wear crazy outfits) to look gorgeous. No crazy mind-numbing jhango sets or bolly-typical dresses to insult one's taste and intelligence. No boorish loud mouths filling the gaps in creativity, or tear jerking long drawn out funerals and death scenes. These folks looked like real people with real lives that people identify and connect with. Songs are well chosen and well blended and do not stick out like a sore thumb breaking the continuity of narrative. I wanted to listen to more of its music after the film was over. I attribute a large part of the success of its music to KK's Mere Khuda. Joyful experience. Would like to see more of Hindi films along the same lines.

Taking the decidedly uncomfortable premise of a man hooking up with his brother's girl, Sorry Bhai is a brave little film that puts a fresh spin on the tale. Bumbling younger brother Sharman Joshi arrives in Mauritius with his parents Shabana Azmi and Boman Irani to attend elder brother Sanjay Suri's wedding, and ends up falling in love with his brother's fiancée Chitrangada Singh. The triangle that ensues involves Sharman, Chitrangada and – no, not Sanjay who seems to wisely move on – but the boys' overbearing mother Shabana who gets herself irreparably entangled in this awkward mess. At the very core of Sorry Bhai's drama is the magnificent Shabana Azmi who takes her role and immediately sinks her teeth into it, constructing a character that is all flesh-and-blood. From the little moments – like the one in which she follows Sharman and Chitrangada into the woods, only to hurt her foot before she can confirm her suspicions – to the significant ones (which include her clashes with her daughter-in-law to be), Shabana is always on the ball, and makes her character omnipresent in the movie, even when she's not physically around in every frame.A word of praise also for the immensely gifted Boman Irani who has a tougher job at hand – making a solid believable person out of what was probably a three-line character sketch on paper. Boman adds the right comic touch and just the perfect hint of melancholy to create an affectionate lug of a father who speaks less but delivers gems every time he does. The plot of Sorry Bhai may be simplistic, but the film is not so much about the plot as it is about the characters, and director Onir does a fine job of writing complex, flawed characters who don't come with any easy answers. Chitrangada's character, for one, is a tough nut to crack – why does she appear almost unaffected when Sanjay puts off their wedding to attend to a pressing business commitment; why does she suddenly decide to pursue Sharman with such dogged determination; does she really feel no responsibility to Sanjay for what's just happened? These are important questions all, but the answers are hard to find. Much like life, if you think about it. Of the three leads, Sharman Joshi plays his part with such sincerity, you're willing to look at his flawed character with renewed sympathy. The radiant Chitrangada Singh is awkward in places, but puts up a good show nevertheless, especially in her scenes with Shabana. Sanjay Suri, despite the weak characterisation, does the best he can with his role, in particular nailing the film's one defining scene in which Sharman makes the big confession, to which he responds with shock, anger, and even a little affection. Sorry Bhai is not devoid of faults – the film occasionally gets too talkie, and in some places a little silly too – but the film's real charm lies in those memorable moments the director creates between his two favorite players – Shabana and Chitrangada. That's the reason to watch this film.It's a strong character-driven drama about imperfect people trying to find their own happiness in the world. Don't miss it.

Sorry Bhai! Sounded like a very stupid title for a movie. But once I saw the film, it made all sense and nothing else, Bhai!. It is a tale of two brothers, their upper middle class Indian parents, ambitions, and a girl.

The movie starts off with some very slow dialogues and without much direction towards what is coming in the next 1.5 hours. It slowly and steadily gains more meaning. In short, it tells you what everyone feels, but is untold in Indian cinema. It gets those hidden feelings that a guy can have towards his brother's fiancé, out of the closet, and on your face. Difficult to digest? But it does it in a way that you don't even feel awkward about it. It adds meaning to it. A perfect script, could have been a bit more crisp, and some better acting by all the cast, would have gained this one 9/10. But I'll still give this bold attempt to show the society what happens to 'normal people' and how they deal with it, a 7/10.

Onir has made the heartfelt My Brother Nikhil and the ponderous Bas Ek Pal before this, and must have wanted to do a romantic comedy-drama for a change, but maybe this is just not his genre.He fails to hold your attention for two hours. The biggest blame for the same goes for the poor scripting. Sorry Bhai is predictable from the word go and the dull pace literally puts you off to sleep. The film "Sorry Bhai" has a set of elderly couple romancing on screen and three youngsters who are confused over their relationship. The film has a simple script with no twists and turns but the actors are smart to make the show less tedious. A few moments in the film are catchy and most of the part is predictable. The film has been shot in Mauritious and the locations are beautiful. Actors are non glamorous but effective performers and dialogues are impressive. Only weakness is the script that has low scope to get dramatic. Sharman Joshi as the younger shy brother looks fine in his role. Shabana Azmi and Boman are amazing and their on screen chemistry has been exploited well in the film. Sanjay Suri is OK. Chitra looks OK performance wise. A Below Average Flick ...

Sorry bhai is the testimony to the fact that Bollywood is moving forward and the new crop of directors on the right track. The performances have all been wonderful. Sharman Joshi is developing as a good actor and if he chooses his films wisely he can one day become one of the best. Sanjay Suri proves that he is the best from among all model turned actors. The chemistry between Boman Irani and Shabana Azmi is better than what is between most actors and actresses today. They both look a very good pair on screen. Chitrangadha Singh is not only a good actress but is one of the most beautiful ladies of Bollywood and she proves that one can look sensual and hot without shedding clothes. Sharman Joshi has a tinge of comedy in his acting which is only going to help him achieve greatness.

Now about the story and direction. The story is fresh and is shot beautifully. The family relations - between brothers, mother and son, father and son, husband and wife - have been portrayed excellently. There is not an instance in the film where you will get bored. A very good script supported by some really good performances makes Sorry Bhai a real good movie. A must watch.

This year has given us some really good 'not so commercial' movies and Sorry Bhai can be said to be the top runners among them.

It breaks my heart to see films like Kabhi Alvida Na Kehna and other crappy movies like those getting nominated and winning awards just because they are made by a known director and are under a big banner whereas some really good movies and performances like this one just sits and watch. Its high time we have an Oscar like award for Bollywood movies where awards are given to performances, characters and not people who are influential.