Bholaa Shankar

Chiranjeevi should stop making remake movies, literally this movie tested my patience to get out of the theatre, please don't waste your hard earned money to this waste movie, What is the use for chiranjeevi to look very young and Romance a young heroine is this necessary at this age.

And coming to director Meher ramesh. I need to see the guy who said him to become director and make direction.

0/10 for music 0/10 for dop 0/10 for cinematography 0/10 for editing All the elements go 0 for this movie.

And chiranjeevi should really come out of those jabardasth comedian elevations and bhajana.

And the music director he is a son of famous music director mani sharma and he is literally gave dumb music.

Watching the Telugu movie Bhola Shankar, headlined by Chiranjeevi and directed by Meher Ramesh, is like going back in time by a few decades but not in a good way. The film repackages outdated, formulaic tropes and presents them with the confidence that star presence - Chiranjeevi, Tamannaah Bhatia and Keerthy Suresh - is enough to salvage a listless narrative. Meher Ramesh, credited with 'story development', adapts an eight-year-old Tamil film Vedalam starring Ajith, which was no great shakes either. What unravels is a cocktail of a sappy brother-sister bond, cardboard-ish villain characters, a leading lady who is supposed to contribute to absurd fun and comes across as utterly silly, a lot of tasteless humour and loud, forgetful music.

Bhola Shankar is the Telugu remake of Tamil film Vedalam and it is a loyal remake with minor changes. Shankar (Chiranjeevi) has arrived in Kolkata along with his sister Mahalakshmi (Keerthy Suresh). The reason for him to move to Kolkata is get Maha admitted in a prestigious arts college there and he has another agenda, that is to kill the gang involved in human trafficking. Why is he after them is narrated in the flashback and how he kills them all forms rest of the story.

The original version too was below average, saved by Ajith's performance clubbed with Anirudh's bgm. The entire hype revolved around them and in the remake, it is exactly what missing. Sure, Megastar has given a committed performance to play to the gallery but there is no novelty factor. The narrative is so dated, right from the writing to execution, none of the scenes stood out. Even Chiranjeevi went through the emotions monotonously like everybody else on a paycheck.

The only thing they invested some ideas was on the inclusion of Pawan Kalyan songs and have Chiranjeevi imitate him for the sake of fans, otherwise the film remained a tedious watch throughout. None of the songs were memorable for Chiranjeevi's grace to save them. Action scenes were repetitive and nothing to boast about. In short, Megastar Chiranjeevi isn't enough to save this mess.

"Bholaa Shankar" conforms to the familiar formula of a mainstream mass masala film, heavily influenced by the iconic "Baashaa." However, the director's focus in this narrative has notably gravitated towards the sentiment surrounding the sisterly relationship.

The storyline unfolds as follows: Chiranjeevi, alongside his endearing sister Keerthi Suresh, leads a modest life. However, He finds himself entangled with the underworld, driven by a distinct purpose. The film then delves into the motivation behind his actions and the strategic elimination of these unsavoury characters, forming the core of the plot.

Within the commercial genre, the film delivers a collection of entertaining and high-energy moments, catering particularly to the tastes of Chiranjeevi's ardent followers. His charismatic screen presence serves as a delightful treat for his fan base. Keerthi Suresh is allotted a significant role, and her performance aptly justifies her character's presence in the film. Tamannah and Sushanth are underutilised.

Yet, the film is not without its drawbacks, showcasing several negative aspects and logical inconsistencies. Surprisingly, Mahati Swara Sagar has fallen short in both the composition of songs and the creation of a compelling background score.

In summation, "Bholaa Shankar" emerges as a production primarily intended for the aficionados of Chiranjeevi, unfortunately falling short of making a lasting impression on the broader general audience.

As a personal review, I must admit that "Bholaa Shankar" left me deeply disappointed. The film's attempt to replicate the success of the Tamil original "Vedhalam" falls drastically short, and Chiranjeevi's performance in the lead role is nothing less than disappointing. His portrayal lacks the charisma and depth that Ajith brought to the original character.

In all honesty, this movie stands as the worst cinematic experience I've had this year. The cringe-worthy moments, coupled with the uncomfortable romantic angle between Chiranjeevi and an actress of his daughter's age, were hard to overlook.

For those considering watching this film, I strongly advise against wasting your hard-earned money. The original version is freely available on YouTube with subtitles, offering a more fulfilling entertainment option. Rather than spending your money on "Bholaa Shankar," I'd suggest using those funds to treat yourself to a delicious meal through Zomato.

Chiranjeevi's decision to take on such roles only highlights the stark contrast between his performances and those of actors like Mammooty, who, at the age of 72, continue to excel in thought-provoking and artistic films. It's a reminder that there are far more rewarding ways to spend your time and resources than subjecting yourself to the disappointment that "Bholaa Shankar" brings.

My rating 0.00001/10.