The Firm

If you have seen the original version of this, then the chances are you will really want to see this. I have seen the original, so when i saw this first advertised, i almost wet myself with anticipation. Sadly, i have to report that I'm quite disappointed. Paul Anderson does a pretty good job as Bex Bissle, however the performance can only be described as lacklustre when compared to the tower of menace and intensity that Gary Oldmans original incarnation produced.

Now. If you are going to see this in the hope that its another Football Factory/Green Street/Rise Of The Footsoldier orgy of football and people bashing the crap out of each other, you will be sadly disappointed.

This film does however contain Elise tracksuits, Adidas trainers, some bad haircuts and a decent soundtrack. Oh and there is a lot of profanities if you like that sort of thing in a movie. thinking about it this movie doesn't have a great deal else. There isn't much talk about the beautiful game or the teams the firms themselves support, there isn't much in the way of beatings, and if I'm honest, not a great deal of violence. Im actually very surprised that this merits an 18 certificate.

However, the film is well acted, does feel quite indie and very British, though the trailer for that new Michael Caine movie was most likely the most excited i got in the whole 2 hours.

Yes see this movie if your interested in the subject matter, but if you haven't seen the original and want to watch a proper football hooligan movie, check that out instead.

The film offers a glimpse into the world of hooligans, a world I personally can't comprehend. Why someone would find enjoyment in beating up rival fan groups remains a mystery to me, and unfortunately, the film doesn't provide any answers. Still, it's well-crafted and keeps the viewer engaged with its tight narrative structure.

Despite the plot being entirely predictable and simple, the film manages to maintain suspense throughout its 1 hour and 30-minute runtime. There are no dull moments or instances where the pace falters. The film succeeds in delivering a gritty portrayal of its world, even if it doesn't delve deeply into the motivations behind it. For this solid entertainment, I give the film 6/10.

After seeing some magazine articles about the film I was full of hope that this may be the best football hoolie film yet and certainly give a 'truer' representation of what life was like following football in the early eighties. Unfortunately, the reality is that it really carries no direction, you don't really find out anything about any of the characters and the lack of violence doesn't do the film any favours. Gary Oldman was a real 'psycho' in the original, Paul Anderson does a reasonable job but just wasn't menacing enough. The fight scenes were very poor, showing stand offs rather than actual fighting, that just wasn't what happened when two firms arranged a meet in the 80's. The music bought back a few memories and the best part of the film was the clothing, at least they got that right to a certain extent with Sergio, Fila, Ellesse and Pringle getting a good showing. Overall, it's a watchable film but it's not a great football film, not a lot of action and it isn't the best hooligan film to date, the original still takes that accolade. It's a shame but I don't think the original 'Firm' is likely to be beaten.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

A re-make of the 1988 TV play with Paul Anderson taking over Gary Oldman's original role as Bex, the property agent whose buzz in life is being the head boy of The West Ham Firm. Young upstart Dom (Calum McNab) and his friend try to challenge his authority in a nightclub, but are soon put on the spot and made to issue a grovelling apology. But Bex takes a shine to Dom and invites him to join his army...but as events go on, it becomes more and more clear how Bex's drive for his 'buzz' has pushed him over the edge.

I'd been expecting an adaptation of The Sweeney to be Nick Love's next filmic venture, but instead this re-make of Alan Clarke's original TV film has arrived. It's still set in the 80s but nostalgia for that era is the main decent thing you take away from this film.

There's no drive to this version of The Firm, no 'oompth' or real wow factor. It may be that the 'football hooligan' movie has been done to death and everything's a bit too predictable, but the tracksuits the main characters wear are the most colourful thing about the film. It's like a joyless version of The Football Factory, with nowhere near as much energy or real raw power to it. The clashes between the rival firms, separated as best as they can by the police on patrol, have a realistic air of disorder and lack of control to them but there's no really juicy bust ups to any of it. The film sort of just ambles along with no real narrative flow or direction, and with a distinct lack of fun or excitement to the proceedings.

Performances wise, rising star Daniel Mays feels wasted as Bex's sworn enemy Yeti, whilst as the man himself Anderson gives no real power to the role. He must have known he'd have to pull off a miracle to deliver anything even close to Oldman's raw intensity, but even if you don't expect too much you feel short changed.

The one thing it can boast is a reliably decent 80s soundtrack. But you get the feeling Love might be starting to take himself a bit too seriously and could end up alienating the fan boys who first got him noticed. **

Despite Nick Love being the most criticised film director working in Britain today his remake of THE SWEENEY has topped the UK film this week . Of course the fact that it's made a million quid at the box office is probably down to the title . If the film was called RAY WINSTIONE PLAYING HIMSELF SORTING OUT SOME NAUGHTY CRIMINALS it probably wouldn't have been such a success but hey there's nothing like a little cynicism if only to irritate and annoy the luvvie film critics who can't get enough poncy art house cinema. This film a remake of the highly regarded Alan Clarke drama from 1989 is a previous attempt to be cynical

Clarke was along with Loach and Leigh the master of British realist cinema . Wisely Love decides not to follow this type of directing style . Instead he shoots a movie that has a wonderful rich look. The cinematography by the ironically named Matt Gray gives the impression that we're seeing an up and coming Roger Deakins in action and one wonders why Gray is confined to television . It's the cinematography that will be your abiding memory of this film

The problem is that while you're watching the film and old enough to remember the 1980s you'll be forever scratching your head wondering what year it's set in . Characters walk around in shell suits which were once considered to be cool in about 1989 or 1990 . Likewise the hairstyles indicate that it's 1989-90 when the first film was set . But this illusion is contradicted by the musical soundtrack with artists likeSoft Cell , Tears For Fears and The Rock Steady Crew which gives the impression it's 1983 or 84 at the latest . Indeed there's a TV report that Leon Brittain is home secretary which means it's set in 1983-85 . As someone who was a teenager in this period let me tell you now there's no way anyone would have a shell suit or that type of hairstyle in the early to mid 1980s . These anachronistic aspects are totally distracting . This is a pity because it tends to ruin the first half of the movie . The second half does borrow heavily from the original teleplay but no doubt anyone who can remember the original will say the original was better and harder hitting

This is a great shame because it's something of a brave decision by Love to retell the story from the point of view from Dom who was a relatively minor character from the 1989 FIRM . Cynics might say that's because there's no way someone of Love's reputation could get someone of the stature of an up and coming Gary Oldman to carry the film as the main character , can you imagine Danny Dyer as Bex ! . As it stands it's a much better looking and better made film than Love's 2007 effort OUTLAW and is fairly watchable