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4,8/10
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LA TUA VALUTAZIONE
Laurie Strode ha difficoltà a venire a patti con il ritorno mortale di suo fratello Michael a Haddonfield nell'Illinois. Nel frattempo, Michael si prepara per un'altra riunione con sua sorel... Leggi tuttoLaurie Strode ha difficoltà a venire a patti con il ritorno mortale di suo fratello Michael a Haddonfield nell'Illinois. Nel frattempo, Michael si prepara per un'altra riunione con sua sorella.Laurie Strode ha difficoltà a venire a patti con il ritorno mortale di suo fratello Michael a Haddonfield nell'Illinois. Nel frattempo, Michael si prepara per un'altra riunione con sua sorella.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Chase Wright Vanek
- Young Michael
- (as Chase Vanek)
Recensioni in evidenza
Before I say anything, I am a fan of horror movies. I like eighties horror, I like some nineties horror, and there's still some horror movies coming out today that are fantastic. Rob Zombies take on Halloween 2 unfortunately does not fall into that category at all. His wife being in the film is completely unneeded. This I believe stems from Rob Zombies need to put his wife in every film he makes. Basically stealing from Friday the 13th, Mikey sees his mom telling him to kill in his head. Also little Mikey and a horse pop up pretty frequently too. And for some reason Laurie sometimes sees his psychotic hallucination, which makes no sense at all. Everyone is trailer park style. Bracket has a huge mullet. Laurie is an unwashed annoying vegan trailer park resident. Annie looks like she should have a pack of cigarettes in one hand and a can of lucky in the other. A very large portion, I'd have to say about 20-30 min of the movie was wasted on filler dream sequences. In fact, a good amount of this film was just that: filler. It's almost as if he was having trouble deciding if he wanted a slasher, an art film, a gore porn, or a survivor drama. And what he ended up making was a horrible mess. In the original films, you barely ever see him sans mask. I believe there were two scenes in parts 4 and 5. In this movie he's constantly shown without it. And his hair/beard makes him look like a mid 80's rob zombie in that crap white zombie band. And finally, the biggest tragedy: the characters. Even in the first remake, Myers acted more like leatherface than the shape. He's supposed to be quiet, robotic, unfeeling, not running into a room yelling and screaming and stabbing the crap out of anything that moves. He's not supposed to have any emotions period. That's what made him creepy. Then he turned Loomis from the hero, the guy who blamed himself for what this monster did and wanted to correct it, into a opportunistic weasel. Donald Pleasence's Loomis was a bit of a jerk, and a little bit nutty, but at least he wasn't a profiteering slimebag. Rob Zombie is the biggest hack in Hollywood currently. House of 1000 corpses stole so much from Texas Chainsaw massacre. Halloween 1 was a barely acceptable mess, and Halloween 2 almost made it look passable. Hopefully this sequel puts the stake back in the franchise, because god forbid a third one comes out, I will not even watch it.
Halloween II picks up where the last film left off with Laurie Strode a complete and utter basket case. She lashes out at her friends, her psychiatrist, and anyone else in her way. To make matters worse, Dr. Loomis has just released a new tell-all book about the events of the last film, revealing that Laurie is actually Michael Myers' sister which sends her into an even deeper depression as the anniversary rolls around and Michael returns to carve up a new batch of victims.
Writer/director Rob Zombie deserves a massive amount of credit for doing his own thing here. Whereas his first film felt like a less effective paint by numbers remake of John Carpenter's film with just a few of his own flourishes poking through, his sequel is one of the more interesting installments in the series.
There's a lot in this film that feels forced or out of place like most scenes with Michael Myers visiting with visions of his mother, his younger self, and a random white horse, but the dramatic moments between survivors Laurie, Annie, and Annie's father are heartbreaking and played with an unbearable amount of realism.
Writer/director Rob Zombie deserves a massive amount of credit for doing his own thing here. Whereas his first film felt like a less effective paint by numbers remake of John Carpenter's film with just a few of his own flourishes poking through, his sequel is one of the more interesting installments in the series.
There's a lot in this film that feels forced or out of place like most scenes with Michael Myers visiting with visions of his mother, his younger self, and a random white horse, but the dramatic moments between survivors Laurie, Annie, and Annie's father are heartbreaking and played with an unbearable amount of realism.
It was quite the dilemma deciding whether Halloween II was a good film or a bad one. One thing is certain: it's a "weird" film, undoubtedly the most bizarre major studio release of the year. Rob Zombie's sequel or "vision" – as it's being touted – seems to have been envisioned with the aid of various hallucinogenics and mind-altering substances, withering away whatever was left of the original John Carpenter Halloween mythology after Rob Zombie's remake and leaving a nonsensical, uber-violent mess in its wake. This isn't a so-bad-it's-good movie, nor would I call it a just-plain-bad one; this is a so-weird-it's-good movie, a blood-drenched collage of absurdities and irrationality, which like a train wreck (a term some would use to refer to previous Zombie efforts), is hard to look away from. Little of the iconic original Halloween is left here – all that's left is Michael Meyer's mask, which itself is less recognizable beneath the grime and torn pieces – but perhaps it would be foolish to try to match the original masterpiece anyway. Zombie has crafted something entirely different; something quite frankly silly, dumb and, for lack of a more politically correct term, "retarded", but nonetheless entertaining, not in spite of, but because of this.
Picking up where the remake left off, Halloween II sees Laurie Strode recovering from her ordeal with psychopath Michael Meyers. Mentally-traumatized after both the Halloween day massacre of nearly everyone she knew and her own dispatching of Meyers – by way of shot to the head -, Laurie finds herself dreading the one-year anniversary of the serial killings, plagued with the irrational fear that the deceased Meyers will return to small-town Haddonfield to finish her off. Well, low-and-behold, Meyers is alive, and he makes it his mission to track down Laurie and finish what he started.
The general plot outline is as generic as can be, but it's hard to fathom or comprehend the insanity that occurs. Michael Meyers, the original mask-wearing soulless psychopath, the "pure evil" murderer, the "Big Cheese" of all horror movie villains, has now been transformed into a homeless vagrant who randomly eats dogs. Yep, that's right, he's a hobo that eats dogs now. When a film is remade, one expects some alterations, but this is akin to remaking Indiana Jones and turning him an extraterrestrial who molests children. There is practically no semblance of the original character...and the new ones just messed. As well, Meyer's is followed by his deceased mother, himself in child-form and a gigantic white horse, seemingly all figments of his imagination. Except they interact with Laurie as well...making them ghosts? Except Meyers isn't deceased, so it makes absolutely no sense for there to be a ghost version of him. Maybe Laurie is inexplicably psychic and seeing into Meyer's mind? Or maybe Zombie just ate a few too many shrooms. Either way, this mom-boy-horse trio follows Meyer's around as he kills various victims, instructing him on what to do next. It's as stupid as it sounds.
Dr. Loomis has also been changed significantly. The remake hinted at Loomis profiteering slightly off the Meyers incident, but here it has been taken to ridiculous proportions. He's now a prima donna celebrity who travels around in a jet black limo with his publicist, throws hissy fits at reporters and threatens to beat on woman. One sequence has Dr. Loomis appearing on a talk show alongside Weird Al Yankovic, with the famed disc-joker lampooning the doctor and Michael Meyers (making puns about whether this is the same guy who starred in Austin Powers) until Loomis finally explodes with anger on air at the hosts assertion that Meyers is a shark. If it sounds like this has nothing to do with the film, it's because it doesn't. This irrelevance not only pertains to the Weird Al scene, but all of Dr. Loomis's scenes. His entire role is a completely separate, unrelated tangent in which he gallivants around the country promoting his book. For that matter, even Laurie and Michael have about ten minutes in the way of plot. Laurie, up until the last fifteen minutes, never encounters Michael. The near entirety of Halloween II is Michael fighting random people – farmers, strippers, tough-guy scumbags – while Laurie lives her life as per usual.
The rest of the film is a compilation of pumpkin people, vans running into cows, "golden showers", discussions about fornicating with corpses, and sex with a guy in a wolf costume who sounded suspiciously like Michael Cera. It's weird, undoubtedly convoluted, but in the end it's pretty entertaining. It's punctuated with displays of head smashings, throat slittings, and other displays of excessively graphic violence. Nudity is slightly down from the first one, but there are still several scenes involving bared breasts. In the end, between all the nonsense, gore and nudity, Halloween II is a big-budgeted, toned-down Hollywood stab at a Troma movie. In other words, a pretty fun movie.
I'm one of the few who actually enjoyed Rob Zombie's remake of Halloween – a lot. For reasons I won't get into here I enjoyed it immensely, but at the same time I could completely understand why so many disliked it. It took some of the things that made the original Halloween so great in many people's eyes and switched them around completely. Those who despised the first Halloween for that reason will likely loathe this second installment with a passion. However, if one can go into Halloween II not expecting a Halloween movie – or even a reasonably scary horror – they might just have a good time. It's not "bad" per say – although it's hard to say what Zombie intended it to be – but it's enjoyable in its bizarreness. Worth checking out if you don't mind Carpenter's story being completely bastardized.
Picking up where the remake left off, Halloween II sees Laurie Strode recovering from her ordeal with psychopath Michael Meyers. Mentally-traumatized after both the Halloween day massacre of nearly everyone she knew and her own dispatching of Meyers – by way of shot to the head -, Laurie finds herself dreading the one-year anniversary of the serial killings, plagued with the irrational fear that the deceased Meyers will return to small-town Haddonfield to finish her off. Well, low-and-behold, Meyers is alive, and he makes it his mission to track down Laurie and finish what he started.
The general plot outline is as generic as can be, but it's hard to fathom or comprehend the insanity that occurs. Michael Meyers, the original mask-wearing soulless psychopath, the "pure evil" murderer, the "Big Cheese" of all horror movie villains, has now been transformed into a homeless vagrant who randomly eats dogs. Yep, that's right, he's a hobo that eats dogs now. When a film is remade, one expects some alterations, but this is akin to remaking Indiana Jones and turning him an extraterrestrial who molests children. There is practically no semblance of the original character...and the new ones just messed. As well, Meyer's is followed by his deceased mother, himself in child-form and a gigantic white horse, seemingly all figments of his imagination. Except they interact with Laurie as well...making them ghosts? Except Meyers isn't deceased, so it makes absolutely no sense for there to be a ghost version of him. Maybe Laurie is inexplicably psychic and seeing into Meyer's mind? Or maybe Zombie just ate a few too many shrooms. Either way, this mom-boy-horse trio follows Meyer's around as he kills various victims, instructing him on what to do next. It's as stupid as it sounds.
Dr. Loomis has also been changed significantly. The remake hinted at Loomis profiteering slightly off the Meyers incident, but here it has been taken to ridiculous proportions. He's now a prima donna celebrity who travels around in a jet black limo with his publicist, throws hissy fits at reporters and threatens to beat on woman. One sequence has Dr. Loomis appearing on a talk show alongside Weird Al Yankovic, with the famed disc-joker lampooning the doctor and Michael Meyers (making puns about whether this is the same guy who starred in Austin Powers) until Loomis finally explodes with anger on air at the hosts assertion that Meyers is a shark. If it sounds like this has nothing to do with the film, it's because it doesn't. This irrelevance not only pertains to the Weird Al scene, but all of Dr. Loomis's scenes. His entire role is a completely separate, unrelated tangent in which he gallivants around the country promoting his book. For that matter, even Laurie and Michael have about ten minutes in the way of plot. Laurie, up until the last fifteen minutes, never encounters Michael. The near entirety of Halloween II is Michael fighting random people – farmers, strippers, tough-guy scumbags – while Laurie lives her life as per usual.
The rest of the film is a compilation of pumpkin people, vans running into cows, "golden showers", discussions about fornicating with corpses, and sex with a guy in a wolf costume who sounded suspiciously like Michael Cera. It's weird, undoubtedly convoluted, but in the end it's pretty entertaining. It's punctuated with displays of head smashings, throat slittings, and other displays of excessively graphic violence. Nudity is slightly down from the first one, but there are still several scenes involving bared breasts. In the end, between all the nonsense, gore and nudity, Halloween II is a big-budgeted, toned-down Hollywood stab at a Troma movie. In other words, a pretty fun movie.
I'm one of the few who actually enjoyed Rob Zombie's remake of Halloween – a lot. For reasons I won't get into here I enjoyed it immensely, but at the same time I could completely understand why so many disliked it. It took some of the things that made the original Halloween so great in many people's eyes and switched them around completely. Those who despised the first Halloween for that reason will likely loathe this second installment with a passion. However, if one can go into Halloween II not expecting a Halloween movie – or even a reasonably scary horror – they might just have a good time. It's not "bad" per say – although it's hard to say what Zombie intended it to be – but it's enjoyable in its bizarreness. Worth checking out if you don't mind Carpenter's story being completely bastardized.
- Dylan, allhorrorfilms.com
Yes I'm one of the few people who thoroughly enjoyed rob zombie's remake of halloween. So I was extremely excited to find out he was making the second one.
I love Zombie's directing style and I do think he is somewhat talented. But this movie just wasn't his best. The style and feel of the film was perfect. But the storyline was complete trash. He should have stuck to the original story.
Zombie's "re-imagining" of the second coming of Michael Myers was way off. Yeah he spiced up the original with Michael's backstory, but he completely redid the second one.
So if you just want to see people get stabbed with a cool directorial style and nice lighting(oh and boobs, lots of those) then yeah you might like it.
But for what it's worth, the backbone of any good movie is good source material, and the source material for this was Zombie's lackluster screenplay.
Shame. The first one was so promising. This one definitely ended it. Not only because Zombie says he won't direct another, but because it went so far downhill from the first one it basically killed itself.
Oh and the final scene in the movie is ridiculously laughable and will most likely give you a WTF look on your face.
5/10 for this one. Just don't take it too seriously and think of it as another slasher flick and you may enjoy it for what it is. Just another slasher flick. Nothing special here.
I love Zombie's directing style and I do think he is somewhat talented. But this movie just wasn't his best. The style and feel of the film was perfect. But the storyline was complete trash. He should have stuck to the original story.
Zombie's "re-imagining" of the second coming of Michael Myers was way off. Yeah he spiced up the original with Michael's backstory, but he completely redid the second one.
So if you just want to see people get stabbed with a cool directorial style and nice lighting(oh and boobs, lots of those) then yeah you might like it.
But for what it's worth, the backbone of any good movie is good source material, and the source material for this was Zombie's lackluster screenplay.
Shame. The first one was so promising. This one definitely ended it. Not only because Zombie says he won't direct another, but because it went so far downhill from the first one it basically killed itself.
Oh and the final scene in the movie is ridiculously laughable and will most likely give you a WTF look on your face.
5/10 for this one. Just don't take it too seriously and think of it as another slasher flick and you may enjoy it for what it is. Just another slasher flick. Nothing special here.
Zombie's first remake was a little different by having a background story of a young Michael Myers and how he turned into a killer. This movie was just your typical slasher film; plus it was annoying as to how many dream sequences there were. The film picks up were the last one left off. Somehow a dead Michael Myers escapes a crashed coroner van and brutally kills the van's passenger. A year later and it's almost Halloween again. Michael has visions of his mother, a white horse, and his younger self telling him to bring them all home, including his sister. So, we are too believe Michael has been living for a year in hiding and not killing and all of a sudden knows it's Halloween so returns to his hometown. We have some kills at a strip club and some rednecks. And before long he's chasing Laurie.
FINAL VERDICT: There are a few good scenes for the gore fans and that's the best thing I can say about the movie. I wouldn't pay to see it, but if you catch it on cable, it's good for a bad horror movie.
FINAL VERDICT: There are a few good scenes for the gore fans and that's the best thing I can say about the movie. I wouldn't pay to see it, but if you catch it on cable, it's good for a bad horror movie.
Lo sapevi?
- QuizWhen Rob Zombie had to have a few days worth of footage shipped off for developing at the start of production, the film canisters were accidentally x-rayed by airport security, ruining the film reels and forcing several days worth of re-shoots.
- Blooper(at around 42 mins) During Loomis's interview in front of the dilapidated Myer's house it is obviously not the same house used in the previous film.
- Citazioni
[from alternate ending]
Michael Myers: [before stabbing Loomis] Die!
- Curiosità sui creditiStills of crime scene photographs of Michael's murders are shown over the credits.
- Versioni alternativeThe Director's Cut runs 14 minutes longer (119 minutes). Among the changes:
- The opening scene with Laurie walking and Loomis being placed into the ambulance is longer.
- The hospital dream scene has an extra sequence of Laurie attempting to cross over a pile of bodies.
- An on screen title that said "One Year Later" in the Theatrical Cut now says "Two Years Later."
- During the breakfast scene, Laurie and Annie now argue about going to the psychiatrist.
- More dialogue with Laurie and the psychiatrist. Laurie looks at a framed inkblot on a wall and says that it looks like a white horse.
- Loomis' press conference is expanded. Loomis discusses Michael's Oedipal complex, as well as the idea that Michael perhaps saw Loomis as a father figure.
- Added sequence where Laurie runs a bath and begins to freak out.
- Laurie stopping to play with a pig on her way to work is removed. She instead goes to the psychiatrist and tells her about playing with the pig (we see a few seconds of it, now in flashback), and how it triggered a nervous breakdown of sorts. When the shrink denies her more pills, Laurie freaks out and swears.
- The scene where Annie finds Laurie drinking a beer in her room has been expanded: They have another fight.
- A non-masked Michael (along with Young Michael and his mother) angrily looks at a billboard that advertises Loomis' book.
- When Laurie and Maya come home from the party, there is a short added sequence of them making tea in the kitchen prior to going upstairs. There's also an added shot of Michael apparently walking out of the house.
- Brackett's reaction to finding Annie's body is longer, containing video flashbacks of real-life actress Danielle Harris as a child.
- The ending is significantly different: After Loomis enters the cabin, Michael throws him through a wall, and the two of them wind up outside. Michael then removes his mask, yells "DIE!", and stabs Loomis. The cops then open fire and kill Michael. Laurie then comes out, takes Michael's knife, and approaches Loomis with it, implying that she may stab him. The cops then open fire on her and seemingly kill her. We then fade to the same hospital footage seen at the end of the theatrical cut as a cover of "Love Hurts" plays on the soundtrack.
- Colonne sonoreEine Kleine Nachtmusic 2nd Mvt.
Written by Wolfgang Amadeus Mozart (as W.A. Mozart)
Performed by Rundfunkblasorchester Leipzig (as Leipzig Radio Concert Orchestra)
Courtesy of DeWolfe Music
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Halloween 2
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 33.392.973 USD
- Fine settimana di apertura Stati Uniti e Canada
- 16.349.565 USD
- 30 ago 2009
- Lordo in tutto il mondo
- 39.421.467 USD
- Tempo di esecuzione1 ora 45 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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