VALUTAZIONE IMDb
5,8/10
3923
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWhen a car breakdown forces a couple to seek shelter in a nearby home, conversations with the stranger inside soon suggest there's a killer among them.When a car breakdown forces a couple to seek shelter in a nearby home, conversations with the stranger inside soon suggest there's a killer among them.When a car breakdown forces a couple to seek shelter in a nearby home, conversations with the stranger inside soon suggest there's a killer among them.
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Recensioni in evidenza
Irul involves three characters played by Fahad, Soubin and Darshana inside a house where the discovery of a dead body creates tension among the three.
Credits shows writers list include 4 or 5 people. They did end up having decent dialogues included uet couldn't seal the plotholes.
Fahad as usual, did a wonderful job where he created curiosity in the beginning and tension post an hour. Darshana seems to have done a good job yet was irritating at times which is pretty fine.
The technical department and production set of the film is amazing considering the Covid protocol mediated limitations.
The only con apart from plotholes in the film is Soubin who not only struggles to keep up with Fahad and Darshana but also fails in conveying proper emotions when needed. He is unsure what to emote during scenes with Darshana in the car, the annoying "electrocuted by calling bell" scene, his appearance which ill fits his young character ( he does show his 40yrs of age) and worst of all his dialogue delivery which is apt only for 'Saji' from Kumbalangi Nights. Soubin is not able to improve his voice and dialogues even after failed performance in Ambili, Trance, and Android Kunjappan. Even Nivin Pauly who stayed in comfortable comic romeo typecast proved himself with Moothon after classes from Mumbai. Soubin should either improve or should reconsider his acting career. Even his monotonous comic roles has become irritating after 5 years.
Overall a good directorial debut, decent writing, great performances and cleverly cut down run time.
Srinath Bhasi/ Roshan Mathew could've replaced Soubin and it would've been a good thriller.
Credits shows writers list include 4 or 5 people. They did end up having decent dialogues included uet couldn't seal the plotholes.
Fahad as usual, did a wonderful job where he created curiosity in the beginning and tension post an hour. Darshana seems to have done a good job yet was irritating at times which is pretty fine.
The technical department and production set of the film is amazing considering the Covid protocol mediated limitations.
The only con apart from plotholes in the film is Soubin who not only struggles to keep up with Fahad and Darshana but also fails in conveying proper emotions when needed. He is unsure what to emote during scenes with Darshana in the car, the annoying "electrocuted by calling bell" scene, his appearance which ill fits his young character ( he does show his 40yrs of age) and worst of all his dialogue delivery which is apt only for 'Saji' from Kumbalangi Nights. Soubin is not able to improve his voice and dialogues even after failed performance in Ambili, Trance, and Android Kunjappan. Even Nivin Pauly who stayed in comfortable comic romeo typecast proved himself with Moothon after classes from Mumbai. Soubin should either improve or should reconsider his acting career. Even his monotonous comic roles has become irritating after 5 years.
Overall a good directorial debut, decent writing, great performances and cleverly cut down run time.
Srinath Bhasi/ Roshan Mathew could've replaced Soubin and it would've been a good thriller.
Good story. But a good story need some interesting expansion. You may use a single camera but that is no more artistic to keep moving thta camera often. This was never a thriller in any length of frame. Good thing - a short film.no guys do it better next time.
Many loose ends thru out the story.
First half is like stage drama standard , especially the dialogs are so artificial. Even great artists like Soubin and Darshana couldn't save it. Fahad was charming and that helps some what. The jumb scares were also artificial.
There is no brilliance in making everything weird!!
First half is like stage drama standard , especially the dialogs are so artificial. Even great artists like Soubin and Darshana couldn't save it. Fahad was charming and that helps some what. The jumb scares were also artificial.
There is no brilliance in making everything weird!!
Irul is a movie where you sit on the edge of the seat and predict the outcomes. Because the total set and vibes of the movie feels great to begin with. But as it progresses you realise that there are unnecessary drags just to build the anticipation. There come in moments where you feel like 'Ok... Move on now..'
There are some cliche peek-a-boo moments in the movie as well.
Though it's been a success in building anticipation... The whole movie does not leave you quite satisfied. This movie could've been turned into something much better.
Though it's been a success in building anticipation... The whole movie does not leave you quite satisfied. This movie could've been turned into something much better.
The build up was terrific. But the story and screenplay were horribly confusing and weak. Big disappointment.
Lo sapevi?
- QuizThe film has only three characters.
- ConnessioniRemade as Irul
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Dettagli
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Proporzioni
- 2.39:1
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