A Little Help

This indie dramedy casts cutie-pie Jenna Fischer (of TV's "The Office") as Laura, a woman suffering from a variety of problems—dead-end marriage, unappreciative son, bitchy sister, condescending mom—that no amount of beer and cigarettes can make go away. Then things take a turn for the worse. The movie is about how lies infect the soul—how they grow, like a cancer, and end up spoiling life. There are impressive turns by Ron Liebman and Lesley Ann Warren as Laura's parents, and Kim Coates as a calculating attorney—the embodiment of Satanic dishonesty, he might as well have been carrying a trident. "A Little Help" may not wind up in a lot of the year's Top 10 lists, but I found myself caring about the characters, warts and all. (For once, Fischer is photographed in a way that is not particularly attractive). A winning effort by first-time feature writer/director Michael J. Weithorn.

first of all, not much comic as stated in the genre Movie is about a married lady life in turmoil after she suspects her husband on cheating her. Being unloved and insecure she is turning alcholic resulting in child and house ignorance ( as u can see unwashed dishes and clothes spread all around in the background).

Her husband dies of heart problem. Laura tries to overcome her alcoholic tendencies and admit her son (Denis) to a private school out side the city on her imposing mother and sister demand. Alone & ignored, eager to have new friends, Dennis lies to his teachers and classmates that his father was a hero of 9/11. Laura reluctantly promises not to reveal the truth about his father death to friends.

on the other hand, Laura was forced to file a case against the doctor who failed to diagnose her husband condition and claim insurance money for her family benefit. Attorney part has been played diligently.

Inshort, there are some scenes in the movie which portray real life experiences but some points remain unanswered till the end like mother son relation and devotion in real sense

I don't know exactly how to put this into words but what appeared to be a nice drama movie in the beginning turned out to be an average boring movie till the end. Overall the movie presented a psychic storyline with a disturbed girl finding her way out of her husbands death. Coming to the acting, one can say that most of the characters did justice to what they were put through. I am a kind of person who usually don't miss a single scene of movies, even I also had to skip a few parts at the end. Direction was not very good because the movie actually fail to leave some mark in your mind and it is a kind of movie that you won't even remember its name after a week or so.

I personally would give this movie 6.5/10 if possible; it isn't particularly good, but as other reviewers have commented, I appreciated the rawly exposed main character Laura (Jenna Fischer). I don't think the characters make believable individual families, but together the chemistry of the actors remind me of 'The Royal Tenenbaums', which I felt was as overrated as this movie is underrated.

The plot of the movie is contrived, but if one looks at the writer/director (Michael J Weithorn), it makes perfect sense that the characters are very unique, but there is simply not enough time to develop them fully. The setting (Long Island, 2002) lends this movie some interesting flavor and some of the scenes where I laughed out loud were because they were ironic/sarcastic and generally dry, which I feel accurately depicts the vanilla suburbia that surrounds the concrete jungle of NYC. There is a theme of class warfare that I found interesting even if it did not develop into a great ending.

For people who haven't seen it but might try it on Netflix, etc., it can best be explained like this: the first 25 minutes introduce many characters and would make an interesting TV pilot, and the rest of the movie tries to awkwardly make the people pieces fit together into a situation that would be better delivered as several half-hour episodes/seasons on basic cable. The ending is not particularly gratifying, but the reflections on life and the character development make it a sentimentally rewarding movie. Go into it with low expectations, and you will be pleasantly surprised. Watch it a second time, and you will be rewarded with its subtlety.

I like Jenna Fischer. Everybody likes Jenna Fischer. That said, she's like Rashida Jones, great in an ensemble, but nowhere near enough gravitas to pull off the lead. It's a question of intensity. Even in a light weight movie, the lead has to have some sort of inner tension that can be seen and heard. Fischer is just too easy to look past. You can't bring yourself to worry if she's going to be okay, because you know she will be. She radiates that innocent girlishness that makes men instinctively protective. In fact I'd wager that she's one of those women who hasn't gone more than a month without a steady boyfriend since high school, because 'good guys' won't leave her alone. Also, the directing was beyond lazy. I doubt he told anybody what do ever, including the editor. Frankly, I know a pretty talented guy who could recut this and make it a much better film. Honestly, that may be all it needs. Revised opinion, re-release it after cutting it so Fisher gets more close ups and the dialog moves faster. 6 out of 10

Revised, revised Opinion: Wrote review while watching movie (was in about 1:26). Now that it's over my advice is to avoid. Unless you're a hardcore Fischer fan, it's not worth the time investment. Everything that's set up basically just hangs there. The characters don't get smarter (except learning not to tell gigantic lies you can't support). In fact, the writing pretty much loses all direction and just becomes forgettable nonsense with no resolution, point or lesson. 4 out of 10