VALUTAZIONE IMDb
7,5/10
7748
LA TUA VALUTAZIONE
Bilal parte per un viaggio avventuroso attraverso l'Europa e vuole arrivare in Inghilterra per vedere il suo amore che vive lì.Bilal parte per un viaggio avventuroso attraverso l'Europa e vuole arrivare in Inghilterra per vedere il suo amore che vive lì.Bilal parte per un viaggio avventuroso attraverso l'Europa e vuole arrivare in Inghilterra per vedere il suo amore che vive lì.
- Regia
- Sceneggiatura
- Star
- Premi
- 13 vittorie e 19 candidature totali
Mehmet Selim Akgul
- Zoran
- (as Selim Akgül)
Behi Djanati Atai
- La mère de Mina
- (as Behi Djanati Ataï)
Éric Herson-Macarel
- Le policier du centre de rétention
- (as Eric Herson-Macarel)
Recensioni in evidenza
The seventeen year-old Iraqi-Kurdish Bilal (Firat Ayverdi) has crossed the Middle East and Europe trying to reach England to meet his girlfriend Mina (Derya Ayverdi) that lives with her family. However he is caught in Calais, France, and sent to a refugee camp. Meanwhile the swimming coach Simon Calmat (Vincent Lindon) is divorcing his wife Marion Calmat (Audrey Dana) and he meets Bilal that wants to have swimming classes with him. Soon Simon learns that Bilal wants to cross the English Channel to be with Mina and the love of Bilal affects him. Simon befriends the teenager and decides to help him. But France penalizes those who help illegal immigrants and a neighbor denounces Simon to the authorities.
"Welcome" is a French film with an emotional view of the illegal immigration, one of the greatest social problems of the century. We see on the news Mexican, Cuban and South American refugees trying to immigrate to the USA; Middle East and African refugee trying to immigrate to Europe; African, Central American mainly from Haiti and South American refugees coming to Brazil. In common, all these people expect to have a better life in the new country. But most of them do not have professional qualification and increase the legion of unemployed or subemployed and illegal workers in the new country.
The director Philippe Lioret brings a different and romantic approach to this problem, with a love story entwined with the sympathetic gesture of solidarity of a man that is needy since he is divorcing his beloved wife and is punished by the French laws for helping the immigrant. The beautiful story is heartbreaking; the performances are top-notch; and this movie introduced a debate in France about illegal immigration. My vote is eight.
Title (Brazil): "Bem-Vindo" ("Welcome")
"Welcome" is a French film with an emotional view of the illegal immigration, one of the greatest social problems of the century. We see on the news Mexican, Cuban and South American refugees trying to immigrate to the USA; Middle East and African refugee trying to immigrate to Europe; African, Central American mainly from Haiti and South American refugees coming to Brazil. In common, all these people expect to have a better life in the new country. But most of them do not have professional qualification and increase the legion of unemployed or subemployed and illegal workers in the new country.
The director Philippe Lioret brings a different and romantic approach to this problem, with a love story entwined with the sympathetic gesture of solidarity of a man that is needy since he is divorcing his beloved wife and is punished by the French laws for helping the immigrant. The beautiful story is heartbreaking; the performances are top-notch; and this movie introduced a debate in France about illegal immigration. My vote is eight.
Title (Brazil): "Bem-Vindo" ("Welcome")
An outstanding film! The history is very believable, the life of clandestine as in documentary, a very responsible cinema! And the actors all are excellent! It is sometimes necessary, in our small comfortable life and our well arranged existences, to receive a shock, and that's what came to arrive with shocking film of P.Lioret, which tackles the current and extreme problem of the clandestine. Under terrible conditions, they are ready to risk their being, hoping to create a better future. In addition to the fact that this history is inspired of an actual reality, one can only accept these characters: The swimming coach, splendid in his role; an ordinary man, monopolized in the beginning of the film by his sentimental problems, also by love for the woman who has left him, will take the risk to help in secrecy a young Kurdish refugee, which wants to cross the English Channel by swim. The total lack of humanity from governmental organizations, certainly reduced a little by work of voluntary NGOs, put us vis-à-vis intolerable and unbearable situation that had been forgotten in the West. So I say Merci to Mr. Lioret for this original and humanist film!
The noun's meaning: a cordial greeting or hospitable reception given upon arrival; as well as its verb and adjective are horribly absent in Calais.
The crossing of the Channel is a treacherous endeavor for asylum seekers and illegal immigrants. The Channel Passers charge an arm and a leg (with little to no regards for safety conditions) for their clandestine operations. If caught asylum seekers and illegal immigrants are processed, tried, and sentenced to a life in limbo.
Their status allows them to stay in Calais but they are unwelcome and not allowed crossover to the Promised Land. Social workers are kept under careful watch and harassed by the authorities.
It is illegal to welcome an asylum seeker in your home. Jail time is awarded to good souls.
From Calais; when the fog clears, you can catch a glimpse the white cliffs of Dover: 34 km of rough waters to reach the Promised Land. By boat it takes 35 minutes to cross the Channel. By swimming the world record was set at 6 hours and 57 minutes by a professional swimmer.
After traveling over 3000 km; from Iraq to France, Bilal; a Kurdish refugee, will attempt to crossover the Channel, by any means necessary.
This is a beautiful but devastating movie that will haunt your nights and dog your days.
Simply put: it is a must.
The crossing of the Channel is a treacherous endeavor for asylum seekers and illegal immigrants. The Channel Passers charge an arm and a leg (with little to no regards for safety conditions) for their clandestine operations. If caught asylum seekers and illegal immigrants are processed, tried, and sentenced to a life in limbo.
Their status allows them to stay in Calais but they are unwelcome and not allowed crossover to the Promised Land. Social workers are kept under careful watch and harassed by the authorities.
It is illegal to welcome an asylum seeker in your home. Jail time is awarded to good souls.
From Calais; when the fog clears, you can catch a glimpse the white cliffs of Dover: 34 km of rough waters to reach the Promised Land. By boat it takes 35 minutes to cross the Channel. By swimming the world record was set at 6 hours and 57 minutes by a professional swimmer.
After traveling over 3000 km; from Iraq to France, Bilal; a Kurdish refugee, will attempt to crossover the Channel, by any means necessary.
This is a beautiful but devastating movie that will haunt your nights and dog your days.
Simply put: it is a must.
"I knew a boy who tried to swim across the lake, It's a hell of a thing to do, They say the lake is as big as the ocean, I wonder If he knew about it" (Yoko Ono,lyrics slightly modified)
Lioret is one of the most promising French directors .His "Je Vais Bien Ne T'En Fais Pas " deeply moved the crowds .His "welcome" is at least as good,as harrowing and as...pessimistic , noir as his precedent effort.
He chose the right actor as the lifeguard :Vincent Lindon was perhaps never better in his part of a disoriented man ,estranged from his wife , in search of the meaning of his life .With his weary face ,his disenchanted looks ,he seems to carry the weight of the world on his shoulders .Which he does ,in a way.
France ,par excellence the country of refuge (particularly political refugees),is shown in a less-than-flattering light than usual;on the other hand ,one can wonder whether the United Kingdom is really the promised land as it appears in the film.In Calais ,people who gave a shelter to illegal migrants were actually troubled by the Police .Although this is not a true story,all that happens to the lifeguard is credible.
Images of Police vans,of sad beaches ,of free meals ,of informers (the neighbor claims that Simon helps the young Kurd in return for sexual relations!)
The divorced hero has become a cliché;but Lioret makes brilliant use of the screenplay cliché: it's perhaps because Simon has become a lonely man that he takes in his young protégé (one should note he's got no children whereas he is in his fifties ).Simon is ready to give all: his reputation ("yes I'm a gay,I sleep with him ,and I sleep with guys that's why my wife walks out on me" ),his dear treasures (his gold medal:"I gave him" ),and maybe even his job .
To swim across the Channel to get to your girlfriend Mina is an impossible task when you are 17 and you're not a first class swimmer.It's the young man's dream and Simon makes his dream his.
"Welcome" is a great movie,one of the best French movies of the last ten years.
Lioret is one of the most promising French directors .His "Je Vais Bien Ne T'En Fais Pas " deeply moved the crowds .His "welcome" is at least as good,as harrowing and as...pessimistic , noir as his precedent effort.
He chose the right actor as the lifeguard :Vincent Lindon was perhaps never better in his part of a disoriented man ,estranged from his wife , in search of the meaning of his life .With his weary face ,his disenchanted looks ,he seems to carry the weight of the world on his shoulders .Which he does ,in a way.
France ,par excellence the country of refuge (particularly political refugees),is shown in a less-than-flattering light than usual;on the other hand ,one can wonder whether the United Kingdom is really the promised land as it appears in the film.In Calais ,people who gave a shelter to illegal migrants were actually troubled by the Police .Although this is not a true story,all that happens to the lifeguard is credible.
Images of Police vans,of sad beaches ,of free meals ,of informers (the neighbor claims that Simon helps the young Kurd in return for sexual relations!)
The divorced hero has become a cliché;but Lioret makes brilliant use of the screenplay cliché: it's perhaps because Simon has become a lonely man that he takes in his young protégé (one should note he's got no children whereas he is in his fifties ).Simon is ready to give all: his reputation ("yes I'm a gay,I sleep with him ,and I sleep with guys that's why my wife walks out on me" ),his dear treasures (his gold medal:"I gave him" ),and maybe even his job .
To swim across the Channel to get to your girlfriend Mina is an impossible task when you are 17 and you're not a first class swimmer.It's the young man's dream and Simon makes his dream his.
"Welcome" is a great movie,one of the best French movies of the last ten years.
When the Kurdish boy Bilal, on the run from war-torn Iraq, is caught trying to cross the border into Englad, he ends up stranding in Calais. Here he meets Simon(in the process of divorcing his wife), who is as taken aback by the 17-year-old's sheer determination to meet back up with his girlfriend, Mira, in London as we are, and agrees to teach him how to swim. Yes, this kid wants to cross the channel. This is about love, the criminalization of refugees and people fighting against seemingly impossible odds. I have yet to watch anything else by this director, but now I will be on the lookout for it. He correctly realizes that this story is powerful enough, and thus does not need any manipulation for us to be deeply affected by it. Everything in this is underplayed, merely showed, and it is absolutely heartbreaking. The music is minimal(that, or it was so subtle that I did not notice it most of the time) and subtle, with only a single use of a tense piece(and it was still not overbearing). Other than that, it consists of a soft, sad piano, a sort of "voice" to the helplessness of the situation. While the young couple are seldom granted even direct communication(it tends to be second-hand), we believe in their deep feelings for one another. The acting is excellent all the way, and the characters are well-written, and like everything else in this, credible. Granted, this only really shows one side to the argument... still, no one in this feels "evil". Another great thing, and one that also helps it be more removed from Hollywood, is that everyone speaks the language that makes sense for the situation. Their native tongue, or English if they're talking to someone who won't otherwise understand them. There is a little sensuality, moderate violence and disturbing content in this. I recommend this to everyone who can comprehend it(maybe no one under 11). 8/10
Lo sapevi?
- QuizThe neighbor of Simon who rats him out to the police, has a doormat with the word 'Welcome' printed on it.
- BlooperWhen Simon finds Mina in London, in the background is a sign for "Elephant and Castle Shopping Center" - in British English, the spelling "centre" would be used.
- Citazioni
Marion Calmat: Know what barring people from shops means? Want me to buy you a history-book?
- ConnessioniSpoofed in Chashme Baddoor (2013)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Hoşgeldiniz
- Luoghi delle riprese
- Calais, Pas-de-Calais, Francia(main location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 13.578.009 USD
- Tempo di esecuzione
- 1h 50min(110 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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