Grrr...

An absolute disaster of a movie and waste of time. Should have shown a minimum class in dialogue and dialogue delivery. What they meant as comedy scenes are just tragic. The villain and his dialogues are comedy and comedians are tragic.

Unnecessary lag and no single character in this movie doesn't even know to talk like common man. The character named Anas - the way he explains how Rejimon got trapped inside is so boring and they have used it again.

I don't know whether the director doesn't watch these scenes again or not. And the lag towards the climax and the music placement also utter bore.

Overall - A disaster of a movie watched recently.

This movie is plain DULL. The songs and the lyrics are worst. The makers should be eaten by lion.

There is zero creativity. The end.

This movie is plain DULL. The songs and the lyrics are worst. The makers should be eaten by lion.

There is zero creativity. There is zero creativity.

This movie is plain DULL. The songs and the lyrics are worst. The makers should be eaten by lion. There is zero creativity. There is zero creativity.

This movie is plain DULL. The songs and the lyrics are worst. The makers should be eaten by lion. This movie is plain DULL. The songs and the lyrics are worst. The makers should be eaten by lion.

Sometimes you know what you're signing up for, but you do it anyway. I expected a poor outcome, but not *this* poor, especially considering the star cast.

A drunk man, heartbroken, accidentally walks into a lion's cage, sparking a chain of hilarious events as he tries to escape with the help of a zoo employee who gets stuck with him.

The film claims to be inspired by real life, but the plot is wafer-thin and hardly progresses, leaving you yawning. For a comedy, there are very few moments where you actually chuckle. The absurdity of the film is apparent throughout the screenplay.

Kunchacko Boban overdoes his role to the point where you cringe, which is surprising since he usually performs well. Suraj Venjaramoodu does fine, but there's only so much one can do with a script this bad. Interestingly, Shruti Ramachandran showcases her acting chops in her limited screen time. The other characters are as silly as can be, with Manju Pillai, Shobi Thilakan, and many more contributing little substance to the movie.

The media circus featuring Ramesh Pisharody and Parvathi R. Krishna is an interesting watch and feels realistic in this otherwise absurd drama. Logic takes a backseat, and the jokes fall flat. Jay K, as both director and writer, needs to refine his skills. The scenes with the lion, however, are done quite well and deserve praise.

This is one of the most cringe-worthy movies of the year, and you should stay as far away from it as possible.

#pranureviews #Grrr #GrrrReview.

Grrr is a straightforward comedic show with no complex structure or storyline. In the film, a young man who becomes drunk and goes into the lion's cage at the zoo is saved. You will undoubtedly laugh for a long time. But there's no sign of acting prowess. A movie that is typically only seen once. Director obviously tried to add something to the movie. However, everything proved to be a nightmare. Because you can only experience the movie's content if you give it some thought. It might have been seen for some time without any further transgressions. The presence of a lion suggests that something interesting will occur. It is possible to argue that the movie is insufficient even with additions. The direction and the screenplay are both mediocre.

With such a solid cast and crew, it isn't wrong to expect some quality writing, production design, and performances here. The film's key selling point (two people getting stuck in a zoo enclosure with a lion) merely comes across as an unnecessary plot diversion, which neither resolves any core character conflicts nor explains the poorly scripted (and crafted) tail-end. This is not even close to the vintage Suraj Venjaramood you'd love to see in a premise like this. There are a couple of oddly fun one-liners, but 99.8% of attempts at humor fail to evoke even a chuckle. VFX, animatronics, and even capturing a real lion's antics on camera couldn't make the entire "dealing with a lion & a drunkard" scenes any better-those are just difficult to sit through.

I remember laughing more for an atrocious film like Crocodile Love Story than this one - at least, it had fun interventions from Kalabhavan Mani, Prem Kumar, and company. Here, despite the presence of performers like Manju Pillai, Rajesh Madhavan, Ramesh Pisharody, Alancier Ley Lopez, and Malayalam cinema's new-gen master of satire Ratheesh Balakrishnan Poduval, it simply feels like a potpourri of characters. This also contributes to diluting the stakes of the central plot, which lacks any sort of emotional hook. I have always loved seeing Anagha, and she does fine even with the limited character development.