VALUTAZIONE IMDb
5,2/10
1225
LA TUA VALUTAZIONE
Un maschio alfa di New York City si trasforma magicamente in una bellissima ragazza, si innamora e impara cosa significa essere una donna.Un maschio alfa di New York City si trasforma magicamente in una bellissima ragazza, si innamora e impara cosa significa essere una donna.Un maschio alfa di New York City si trasforma magicamente in una bellissima ragazza, si innamora e impara cosa significa essere una donna.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Joseph D'Onofrio
- Joey
- (as Joe D'Onofrio)
Recensioni in evidenza
This film starts incredibly slowly. The camera work and lighting are good, but if it weren't for that, it would play like a college film project. The dialogue is slow, and predictable, with unnecessary pauses and characters feeling very 2 dimensional. The pacing was painful at the beginning, which had me reaching for the remote just looking for a scene change. Once Natalie enters the picture however, the energy improves, though the pace and timing never fully recover.
Fortunately Natalie's energy and interesting character choices made this film entertaining enough (at least relative the the price I paid) to see the movie through to the end.
In the end, despite its reasonable-budget looking visual style, a well acted female lead, and beautiful cityscape cinematography worthy of a much better production, this movie is a slow, occasionally funny, but largely forgettable comedy that will have you wondering what else you could have done with the last 2 hours of your life.
Fortunately Natalie's energy and interesting character choices made this film entertaining enough (at least relative the the price I paid) to see the movie through to the end.
In the end, despite its reasonable-budget looking visual style, a well acted female lead, and beautiful cityscape cinematography worthy of a much better production, this movie is a slow, occasionally funny, but largely forgettable comedy that will have you wondering what else you could have done with the last 2 hours of your life.
Reminiscent of the film "Switch", this film is less cynical. A real surprise treat.
Similar to "Switch," an inconsiderate man is changed into a woman -- to live life in the opposite sex's shoes. Didn't recognize Stacy Keach as the deity that made this happen.
After some initial shock and horror, Sam begins to embrace his new female identity -- even master it.
In the end, Sam is given the choice -- stay as s female, or go back to being a male?
Natalie Knepp is fantastic as the star. She really carries the film.
Similar to "Switch," an inconsiderate man is changed into a woman -- to live life in the opposite sex's shoes. Didn't recognize Stacy Keach as the deity that made this happen.
After some initial shock and horror, Sam begins to embrace his new female identity -- even master it.
In the end, Sam is given the choice -- stay as s female, or go back to being a male?
Natalie Knepp is fantastic as the star. She really carries the film.
I've given this movie one more star than I might otherwise have because, despite its flaws, I really enjoyed this one a lot.
The only reason I saw this movie in the first place is because after watching Goodbye Charlie (1964) I wanted to see all the remakes for comparison. I found and watched three true remakes and eight similarly premised movies that I wouldn't call remakes. Of this dozen movies (including the original), I liked Sam the best by far. Natalie Knepp really sold the female version of the main character as a man suddenly in a woman's body. What's more she sold it while making the role likeable. And, she made her basically despicable character extremely amusing and likeable despite her flaws. It was easy to care how things turned out for her. Sein Kleier, Sara Scott, and Brock Harris were particularly good in their roles as well. And, none of the acting was bad. But, Natalie was the true stand-out.
That all being said, I can't help but find fault as well. The office environment, while played for laughs, is unbelievable in this day and age. Seymour and Lulu are just a bit too silly. While Brock Harris had his character pegged, he really needed to have the same hair and eye color as Natalie for one of the plot points to work.
The movie is unrated, but I would mostly call it PG13. Older kids should enjoy it safely. There is some profanity, but it's infrequent compared to a lot of movies.
The only reason I saw this movie in the first place is because after watching Goodbye Charlie (1964) I wanted to see all the remakes for comparison. I found and watched three true remakes and eight similarly premised movies that I wouldn't call remakes. Of this dozen movies (including the original), I liked Sam the best by far. Natalie Knepp really sold the female version of the main character as a man suddenly in a woman's body. What's more she sold it while making the role likeable. And, she made her basically despicable character extremely amusing and likeable despite her flaws. It was easy to care how things turned out for her. Sein Kleier, Sara Scott, and Brock Harris were particularly good in their roles as well. And, none of the acting was bad. But, Natalie was the true stand-out.
That all being said, I can't help but find fault as well. The office environment, while played for laughs, is unbelievable in this day and age. Seymour and Lulu are just a bit too silly. While Brock Harris had his character pegged, he really needed to have the same hair and eye color as Natalie for one of the plot points to work.
The movie is unrated, but I would mostly call it PG13. Older kids should enjoy it safely. There is some profanity, but it's infrequent compared to a lot of movies.
Didn't like it at first, but stick with it-it keeps getting better! The transformation from so-so to good is surprising. Glad I didn't abandon like I was tempted to. It's worth watching. Enjoy!
Really quite enjoyed the film.
Lead actress was good and played part well.
Had us guessing until the end, which you need to watch
Had us guessing until the end, which you need to watch
Lo sapevi?
- QuizThe director Nicolas Brooks is the son of the legendary Mel Brooks.
- Citazioni
Samantha: All right, pal, you're on!
Alexander Blondell: OK, I can detect a pattern here. It's not pal, it's not dude, it's Mister Blondell. M-I-S-T-E-R B-L-O-N-D-E-L-L. Now put this on.
Samantha: No, dude! I'm not wearing a tutu.
Alexander Blondell: It is not a tutu. Now, put it on.
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Dettagli
- Tempo di esecuzione
- 1h 40min(100 min)
- Colore
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