Aggiungi una trama nella tua linguaAn identity fraudster posing as a casting director for a major Hollywood production, preys on actors desperate to win their big break.An identity fraudster posing as a casting director for a major Hollywood production, preys on actors desperate to win their big break.An identity fraudster posing as a casting director for a major Hollywood production, preys on actors desperate to win their big break.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 4 candidature totali
Stacey Edward Harris
- Stephanie
- (as Stacey O'Shea)
Recensioni in evidenza
The script is particularly bad. It takes a common genre of horror and violence against women and the misogynistic pitfalls and cliches that plague similar works. It somehow keeps you bored throughout-like when one seemingly disturbing act turns out to "just" be homicide, the clearly psychopathic mummy issues underlying the character's misogyny, the worst popcorn ever, and of course the unexpected ending that shows the different depths of depravity within all of us. The context of an acting casting call both creates a over the top theatrics while being brutally honest about the very real nightmares within the industry. Overall, the script is witty, provocative, cogent, and all too relevant.
Of course, it comes to life with stellar acting, most notably from the lead Rob Laird as Arthur Capstone. The script demands a lot of him, and he meets the challenge heroically: treading the tightrope between deadpan and camp with Olympic precision to create a character who feels uncomfortably real, like a living nightmare. Scenes with him and Jack Forsyth-Noble as Domenic; they fed off each other's energy so beautifully and hilariously that you almost lost sight as to who was the true antagonist.
Overall, it's a no watch for wide ranges of audiences: anyone who loves horror, comedy, black comedy, social commentary, and honestly should avoid at all costs.
Of course, it comes to life with stellar acting, most notably from the lead Rob Laird as Arthur Capstone. The script demands a lot of him, and he meets the challenge heroically: treading the tightrope between deadpan and camp with Olympic precision to create a character who feels uncomfortably real, like a living nightmare. Scenes with him and Jack Forsyth-Noble as Domenic; they fed off each other's energy so beautifully and hilariously that you almost lost sight as to who was the true antagonist.
Overall, it's a no watch for wide ranges of audiences: anyone who loves horror, comedy, black comedy, social commentary, and honestly should avoid at all costs.
How many actors would gather at a slightly dingy casting suite for a shot at a role in a Hollywood movie? Plenty, it would seem - and without doing the necessary checks to see whether the opportunity is quite what is advertised.
Caroline Spence's darkly witty script and James Smith's taut direction deliver a thriller that does more than hint at the horrors within the story, yet we don't see much in the way of blood and gore.
I saw this film at its London premiere where an appreciative audience gasped and laughed together. The impressive score by Shaun Finnegan is more than the icing on the cake - it is a main ingredient in the recipe and a vitally important part of the overall feel of the film.
There were strong performances from all the lead actors with John Laird as Arthur Capstone giving a portrayal of a deeply (oh-so-deeply) disturbed man hidden not very far beneath the swaggering exterior. He gets away with arrogant and controlling behaviour almost entirely unchallenged because of the status he claims and the supposed potential rewards he offers (ring any bells anyone?). However he comes up against the determined Domenic (a tremendous performance from Jack Forsyth-Noble) who is like a public-schoolboy, self-interested version of Columbo who simply won't give up. Notable performances too from Rachel Chima, Gareth Tidball, Ian Renshaw and from Andrew Elias as the disconcertingly pragmatic caretaker.
It's hard to believe that this was shot in just 6 days and it is testament to the hard work of everyone involved in the production that Raya Films has delivered such a great looking film in such a short time.
Caroline Spence's darkly witty script and James Smith's taut direction deliver a thriller that does more than hint at the horrors within the story, yet we don't see much in the way of blood and gore.
I saw this film at its London premiere where an appreciative audience gasped and laughed together. The impressive score by Shaun Finnegan is more than the icing on the cake - it is a main ingredient in the recipe and a vitally important part of the overall feel of the film.
There were strong performances from all the lead actors with John Laird as Arthur Capstone giving a portrayal of a deeply (oh-so-deeply) disturbed man hidden not very far beneath the swaggering exterior. He gets away with arrogant and controlling behaviour almost entirely unchallenged because of the status he claims and the supposed potential rewards he offers (ring any bells anyone?). However he comes up against the determined Domenic (a tremendous performance from Jack Forsyth-Noble) who is like a public-schoolboy, self-interested version of Columbo who simply won't give up. Notable performances too from Rachel Chima, Gareth Tidball, Ian Renshaw and from Andrew Elias as the disconcertingly pragmatic caretaker.
It's hard to believe that this was shot in just 6 days and it is testament to the hard work of everyone involved in the production that Raya Films has delivered such a great looking film in such a short time.
I have seen this twice now. Dark horror comedy at its best. Well shot great actors and great script.
The writers and Directors of this film are at the top of their game, as are the actors. Think twice before you go to an audition.
A dubious casting director lures unsuspecting actors to audition for a big part in a top film. Set in Londonin a basement flat, it is atmospheric and creepy, yet laughs are to be had at just the right moments. British Independent filming at its best, you could be forgiven into thinking it had a sizeable budget. Well worth a watch.
Gives a new meaning to The Casting Couch.
The writers and Directors of this film are at the top of their game, as are the actors. Think twice before you go to an audition.
A dubious casting director lures unsuspecting actors to audition for a big part in a top film. Set in Londonin a basement flat, it is atmospheric and creepy, yet laughs are to be had at just the right moments. British Independent filming at its best, you could be forgiven into thinking it had a sizeable budget. Well worth a watch.
Gives a new meaning to The Casting Couch.
First time I saw this film was on dvd, second time seen at The Lavenham Film Festival, Suffolk, where it won three awards at the Gala Awards night, which was very well deserved. Enjoyable film from the start to the end, with plenty of laughs throughout. Great casting, all characters were convincing and natural
Would happily watch again
Great cast,, each character drew you in.
Brilliant Director and Writer, who have recently won awards for their newest fillm, Best Geezer, which is heading off to Hollywood to be screened. Really nice couple who I wish well with their current and future ventures. Casting Kill, please give it a watch and review.
Brilliant Director and Writer, who have recently won awards for their newest fillm, Best Geezer, which is heading off to Hollywood to be screened. Really nice couple who I wish well with their current and future ventures. Casting Kill, please give it a watch and review.
This is such a good film. James and Caroline made such a superb suspenseful thriller that takes place in the British film industry and takes Harvey Weinstein's audition process to a whole new level. The acting was really good and well conveyed throughout the entire thing. Probably the only let down was perhaps the soundtrack. Might have been a little over the top at times. The camerawork is really good and got Hitchcock vibes to it. Take the time and watch this original horror flick and I mean horror lightly as there's no jump scares or actual horrific moments. Minor gore and blood to don't worry!
Lo sapevi?
- QuizProducer Caroline Spence was inspired by Rihanna's make-up in the Eminem music video The Monster, and she asked the make-up team to recreate the look for the Esther Teal character.
- ConnessioniReferences Surveilled (2021)
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Dettagli
Botteghino
- Budget
- 15.000 USD (previsto)
- Tempo di esecuzione1 ora 20 minuti
- Colore
- Proporzioni
- 2.39:1
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